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{"id":7253951447099,"title":"Great Silent Ballad","handle":"great-silent-ballad","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026amp; Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e","published_at":"2024-04-19T16:08:58-04:00","created_at":"2024-04-19T15:54:32-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","Adult Poetry","By (author) Moritz A.F.","House of Anansi Press","pub date: 2024-09-24"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696369180731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012960","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Great Silent Ballad - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":248,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012960","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41696370393147,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012977","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Great Silent Ballad - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012977","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603","options":["Title"],"media":[{"alt":"Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.","id":24827446067259,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026amp; Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487011253","AlsoRecommendedISBN_1":"9781487006181","AlsoRecommendedISBN_3":"9781487013233","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Moritz, A.F. (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026 Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e","EAN":"9781487012977","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012977\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"visionary;contemporary;avant-garde;Summer Snow;Robert Hass;Michael Crummey;Passengers;Lurch;Don McKay;Barbara Carey","NumberOfPages":"144","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eMoritz has for some time now been known as a master of the form, having won or been recognized for every conceivable honour, both in Canada and the U.S. \u003c\/li\u003e\n\u003cli\u003eEach new collection just solidifies his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003eMoritz is fresh off a four-year stint (2019-2023) as poet Laureate of Toronto. \u003c\/li\u003e\n\u003cli\u003eMoritz has been teaching poetry at U of T for thirty years, and his known for his generosity and mentorship skills. He has helped dozens of young poets launch their careers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eMoritz has for some time now been known as a master of the form, having won or been recognized for every conceivable honour, both in Canada and the U.S. \u003c\/li\u003e\n\u003cli\u003eEach new collection just solidifies his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003eMoritz is fresh off a four-year stint (2019-2023) as poet Laureate of Toronto. \u003c\/li\u003e\n\u003cli\u003eMoritz has been teaching poetry at U of T for thirty years, and his known for his generosity and mentorship skills. He has helped dozens of young poets launch their careers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e is a poet’s poetry book in one respect, but also quite mesmerizing in its visionary scenes … The poet’s voice engages the reader within its humanism as the speaker delves into his vulnerable childhood and a self-avowedly meagre experience outside of imaginative truth.” \u003cstrong\u003e\u003cem\u003e— The Fiddlehead\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Well worth the read.” — \u003cstrong\u003e\u003cem\u003eFreefall Magazine\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Masterful, lyrical, and evocative.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e offers us a refreshing and uplifting vision in the face of violence, social injustice, and inevitable physical extinction, and some of the poems in it are among the finest Moritz has written in his long and distinguished career.” — \u003cstrong\u003e\u003cem\u003eThe High Window \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“In \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e there is a persistent sense of a doorway opening before us, welcoming us to pass through.” — \u003cstrong\u003e\u003cem\u003eTraces Journal \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e is a masterful continuation of Moritz’s oeuvre, as well as a reminder that the lyric, at its best, still holds the power to transform attention into ethical insight.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBeloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Al \u0026 Eurithe Purdy Poetry Prize","PrizeYear_0":"2025","ProductFormDescription":"epub","PublicationDate":"2024-09-24","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBeloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
Great Silent Ballad
Beloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.
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{"id":6598227722299,"title":"Satched","handle":"satched","description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","published_at":"2021-06-10T17:26:57-04:00","created_at":"2021-06-09T16:37:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","By (author) Coles Megan Gail","House of Anansi Press","Poetry","pub date: 2021-09-07"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39463662026811,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008956","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Satched - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008956","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39463751221307,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008949","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Satched - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":249,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008949","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","options":["Title"],"media":[{"alt":null,"id":22065791434811,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003463","AlsoRecommendedISBN_1":"9781487003463","AlsoRecommendedISBN_2":"9781487003814","AlsoRecommendedISBN_3":"9781487008680","AlsoRecommendedISBN_4":"9781487003463","BASICMainSubject":"POE023040","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/Places","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE023040","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Coles, Megan Gail (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","EAN":"9781487008949","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008949\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"canada reads;mental health;feminism;social media;anansi poetry;depression;anxiety;poetics;canadian literature;contemporary literature;canadian poetry","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“Reading \u003cem\u003eSatched\u003c\/em\u003e is like drinking chilled wine with an old friend on a hot night, commiserating with love, gratitude, and mutual affection. It’s opening a second bottle, letting the kids fall asleep watching movies, and getting out the hidden cigarettes to really get into it. It’s a fist in the air before it’s aimed at an appropriate eyeball. It’s an exceptional accomplishment full of lyrical strength and poetic endurance.” — \u003cstrong\u003eKatherena Vermette, author of river woman\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of river woman","OtherText_Accolades_1":"\u003cp\u003e“Are you ready for poems that pierce straight to the bone? Megan Gail Coles’s \u003cem\u003eSatched\u003c\/em\u003e is a razor edge of fierce truth, grim humour, and unalloyed beauty. With sharp-eyed clarity and fearless candour, Coles slices open the veils of capitalism and colonization to reveal a landscape marked by poverty and resilience, violence, and hope. This is Newfoundland and Labrador seen through the eyes of unconditional love and furious rage. The political, the personal, and the poetic interweave seamlessly in this debut collection, adding another genre to Coles’s already impressive repertoire. \u003cem\u003eSatched\u003c\/em\u003e is the kind of book we need right now, the kind that confronts the real world head-on while also teaching us how to live in it.” — \u003cstrong\u003eKai Cheng Thom, author of a place called No Homeland\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Kai Cheng Thom, author of a place called No Homeland","OtherText_Accolades_2":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — \u003cstrong\u003eCassidy McFadzean, author of Drolleries\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Cassidy McFadzean, author of Drolleries","OtherText_Accolades_3":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — \u003cstrong\u003eClea Roberts, author of Auguries\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Clea Roberts, author of Auguries","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\r\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\r\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Quote_from_review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.”\u003c\/p\u003e\r\n","OtherText_Quote_from_review_1":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — Cassidy McFadzean, author of \u003cem\u003eDrolleries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Quote_from_review_2":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — Clea Roberts, author of \u003cem\u003eAuguries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2021-09-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e","Width":"6","WidthCode":"in"}
Satched
Named after a local word meaning “soaked through” or “weighed down,” Satched is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.
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{"id":7299167092795,"title":"Shadow Price","handle":"shadow-price","description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","published_at":"2024-08-29T17:43:54-04:00","created_at":"2024-08-29T17:38:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Ghafoor Farah","Feminist Reads","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820378726459,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012922","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012922","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41820378791995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012939","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012939","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440","options":["Title"],"media":[{"alt":"Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.","id":26831051456571,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487010843","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ghafoor, Farah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","EAN":"9781487012939","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012939\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poetry;EJ Pratt Award for Poetry;CBC Poetry Prize;University of Toronto;Financial Analyst;Accounting Poems;South Asian;My Grief the Sun;Intruder;Sanna Wani;Wellwater;Room Magazine;Silk Road Literary Festival;League of Canadian Poets;ARC Poetry Magazine;Pakistani-Canadian;Climate Anxiety;Capitalism;Late Stage Capitalism;Chimwemwe Undi;Scientific Marvel;Environmentalism;Economy;Muslim;Islam;Women's Studies;Women's Poetry;Muslim Poetry;Karen Solie","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“Farah Ghafoor’s highly-anticipated debut is as expansive and epic as it is exacting … \u003cem\u003eShadow Price\u003c\/em\u003e is a stalwart reminder of how much we have already lost to capitalism, how much we still might lose, and how we might come to terms with this disrepair.”– \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“With ardor and a lustrous fury, Farah Ghafoor emboldens with poems that resound of a planet in crisis … This is a book we need now more than ever given the severe and precarious state of our entire existence and all that we touch, eat, breathe, and leave behind.\" —\u003cstrong\u003eMai Der Vang, author of \u003cem\u003ePrimordial\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"If we are the last poets, may this collection inspire us to truly value the pricelessness of our wounded and wondrous planet.\" — \u003cstrong\u003eCraig Santos Perez, author of \u003cem\u003eCal This Mutiny\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“[Ghafoor] deconstructs and reassembles our world into a sincere but uncanny and urgent stream of thoughts and images, often playful, absurd, sarcastic, and funny … A tour de force.” —\u003cstrong\u003eAndri Magnason, author of \u003cem\u003eTime and Water\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is the second year in a row we have featured a poetry debut by someone who is not a graduate of a creative writing or MFA program (Chim Undi, \u003cem\u003eScientific Marvel\u003c\/em\u003e). She has a BBA from U of T.\u003c\/li\u003e\n\u003cli\u003eBecause of its politics and subject matter, the book\/author will potentially draw crossover interest (it already has) in Environmental, Muslim, and Women’s Studies courses.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A groundbreaking take on ecopoetry … [\u003cem\u003eShadow Price\u003c\/em\u003e manages to] show us a world that is beautiful and, above all, inherently valuable.” \u003cstrong\u003e\u003cem\u003e— Room Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Urgent debut.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Ghafoor’s words hold up a mirror to society, asking whether we still have time or if it is already too late … Gut-wrenching. — \u003cstrong\u003e\u003cem\u003eQuebec Library Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“This collection serves as a stark reminder of how much we’ve already lost to capitalism and a warning of how much we still have to lose. Wrapped in lyrics that are lively and irresistible, this is a call to action.” — \u003cstrong\u003e\u003cem\u003eSpring Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Long-listed","PrizeCodeText_2":"Commended","PrizeCode_0":"04","PrizeCode_1":"05","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Toronto Book Award","PrizeName_2":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Shadow Price
Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens.
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{"id":7349209169979,"title":"Wellwater","handle":"wellwater","description":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","published_at":"2025-02-21T10:57:34-05:00","created_at":"2025-02-21T10:54:35-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Solie Karen","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025534554171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013400","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wellwater - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":190,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013400","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025534652475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013417","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013417","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483","options":["Title"],"media":[{"alt":"Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.","id":26535671693371,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9781487008376","AlsoRecommendedISBN_2":"9780887846885","AlsoRecommendedISBN_3":"9781487008376","BASICMainSubject":"POE000000","BASICMainSubjectLiteral":"POETRY\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2026 Windham-Campbell Prize recipient and 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE000000","BISACSubject_1":"POE011000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2026 Windham-Campbell Prize recipient and 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Solie, Karen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","EAN":"9781487013417","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013417\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Caiplie Caves;Griffin Poetry Prize;T.S. Elliot Prize for Poetry;Pat Lowther Memorial Award;Trillium Award;Dorothy Livesay Prize;Lyric Poetry;Career Poets;Lifetime Poets;Poetry;Capitalism;Economy;Environment;Climate Anxiety;Corporate Greed;The University of St Andrews;Guggenheim Fellowship;Women Auhtors;Women Poets;Critical Poetry;Iris Trio;Project Earth;Ben Lerner;Lights;Lisa Robertson;Boat;Michael Ondaatje;A Year of Last Things;Rural Poetry;Late Stage Capitalism;Nature Poetry","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is Solie’s sixth standalone collection and the first since \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e, was shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eCaiplie\u003c\/em\u003e was a book-length, concept-oriented title, Wellwater returns to a more familiar, varied collection. \u003c\/li\u003e\n\u003cli\u003eWidely considered the best lyric poet of her generation, Solie has won virtually every Canadian award and is one of the very few Canadian poets with a substantial readership in Canada, the U.S. and the U.K. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWellwater\u003c\/em\u003e includes poems commissioned by Iris Trio for its forthcoming album \u003cem\u003eProject Earth: The Green Chapter\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Solie is thinky \u003cem\u003eand\u003c\/em\u003e sensory, serious \u003cem\u003eand\u003c\/em\u003e witty. No tendency cancels any other. [There is] hope in such verbal and visionary vigor.” — \u003cstrong\u003e\u003cem\u003eThe New York Times\u003cbr\u003e\n\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“The active truth of \u003cem\u003eWellwater \u003c\/em\u003eis palpable, if difficult to face. We’re fortunate to have a poet capable of singing it so clearly.” — \u003cstrong\u003e\u003cem\u003eLos Angeles Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” \u003cstrong\u003e\u003cem\u003e— The Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11":"\u003cp\u003e“Sardonic, perceptive, and unrelenting.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003e[has] a characteristically fierce intellectual and poetic rigour.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_13":"\u003cp\u003e\"[Karen Solie] has never faltered.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_14":"\u003cp\u003e“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” \u003cstrong\u003e\u003cem\u003e— That Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_15":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an extraordinary collection.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_16":"\u003cp\u003e“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” \u003cstrong\u003e\u003cem\u003e— rob mclennan’s blog \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_17":"\u003cp\u003e“Thoughtful.” —\u003cstrong\u003e\u003cem\u003e Quebec Library Association \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Blazingly honest.” \u003cstrong\u003e\u003cem\u003e— The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“Solie has established herself as one of the most important and lauded poets of her generation.” — \u003cstrong\u003e\u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“[Karen Solie’s] work is at once richly varied and powerfully monochromatic … \u003cem\u003eWellwater\u003c\/em\u003e has raised the stakes.” — \u003cstrong\u003e\u003cem\u003ePoetry Foundation\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” —\u003cstrong\u003e\u003cem\u003e The Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” \u003cstrong\u003e\u003cem\u003e— Literary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003eis full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — \u003cstrong\u003e\u003cem\u003eCanadian Living \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e “\u003cem\u003eWellwater\u003c\/em\u003e is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — \u003cstrong\u003e\u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e sees Solie using the techniques honed in her earlier work to their full potential. If some of the territory seems familiar, it is largely because Solie has made it entirely her own.” —\u003cem\u003e \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eHarvard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Joint winner","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Long-listed","PrizeCodeText_7":"Winner","PrizeCodeText_8":"Commended","PrizeCode_0":"01","PrizeCode_1":"06","PrizeCode_2":"01","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"05","PrizeCode_7":"01","PrizeCode_8":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Forward Prize for Best Collection of Poetry","PrizeName_2":"T.S. Eliot Prize for Poetry","PrizeName_3":"The Observer best book of 2025","PrizeName_4":"The Financial Times best book of 2025","PrizeName_5":"The Guardina Best book of 2025","PrizeName_6":"Al and Eurithe Purdy Poetry Prize","PrizeName_7":"League of Canadian Poets' Pat Lowther Memorial Award","PrizeName_8":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2025","PrizeYear_4":"2025","PrizeYear_5":"2025","PrizeYear_6":"2026","PrizeYear_7":"2026","PrizeYear_8":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Wellwater
The poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.
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{"id":6811321040955,"title":"The Lost Spells","handle":"the-lost-spells","description":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. 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Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005382","AlsoRecommendedISBN_1":"9781487003111","AlsoRecommendedISBN_4":"9781770893894","BASICMainSubject":"NAT011000","BASICMainSubjectLiteral":"NATURE\/Environmental Conservation \u0026 Protection","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ Nature","BISACSubjectLiteral_2":"ART \/ Subjects \u0026amp; Themes \/ Plants \u0026amp; Animals","BISACSubject_0":"NAT011000","BISACSubject_1":"POE023030","BISACSubject_2":"ART050030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJACKIE MORRIS\u003c\/strong\u003e has written or illustrated over seventy books, including the beloved children’s classics \u003cem\u003eTell Me a Dragon\u003c\/em\u003e and \u003cem\u003eEast of the Sun, West of the Moon\u003c\/em\u003e and a volume of modern folklore for readers of all ages, \u003cem\u003eWild Folk\u003c\/em\u003e, co-created with Tamsin Abbott, as well as introducing and illustrating Barbara Newhall Follett’s gem of wild literature, \u003cem\u003eThe House Without Windows\u003c\/em\u003e. She is the internationally bestselling and award-winning co-creator of \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e, two books which have captured the hearts of hundreds of thousands of readers of all ages. In 2018 she won the Kate Greenaway Medal and the British Book Awards Children’s Book of the Year for \u003cem\u003eThe Lost Words\u003c\/em\u003e. Her artwork is held by public art collections in the UK and USA and has been published in the \u003cem\u003eNew Statesman\u003c\/em\u003e, \u003cem\u003eIndependent\u003c\/em\u003e and \u003cem\u003eGuardian\u003c\/em\u003e among other venues. She tours and performs with the Spell Songs ensemble around the UK, and is a Fellow of Herefordshire Art College.\u003c\/p\u003e","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eJULIE FOWLIS\u003c\/strong\u003e is a multi-award-winning singer, composer, and voice artist who is deeply influenced by her early upbringing in the Outer Hebrides. Known worldwide for singing the theme songs in Disney Pixar’s Oscar-winning film \u003cem\u003eBrave\u003c\/em\u003e, she performs predominantly in Scottish Gaelic, and is a quiet torchbearer for her native tradition. Her work is rooted in the wild Highland landscapes in which she lives, and she is passionate about how the Gaelic language and music connect to the natural world.\u003c\/p\u003e","ContributorBio_3":"\u003cp\u003e\u003cstrong\u003eYRSA DALEY-WARD\u003c\/strong\u003e is an actor, poet, model, and author of West Indian and West African heritage. Known for her powerful poetry — both written and spoken word — Yrsa explores topics such as identity, femininity, and mental health.\u003c\/p\u003e","ContributorBio_4":"\u003cp\u003e\u003cstrong\u003eJOHNNY FLYNN\u003c\/strong\u003e is an actor, composer and songwriter. He fronts the band Johnny Flynn \u0026 The Sussex Wit, and has appeared in a number of plays and productions.\u003c\/p\u003e","ContributorBio_5":"\u003cp\u003e\u003cstrong\u003eCHRIS WATSON\u003c\/strong\u003e is one of the world’s foremost sound recordists with a particular and passionate interest in the sounds of animals and habitats from around the world. As a composer and sound recordist, Watson specializes in creating spatial sound installations, which feature a strong sense and spirit of place.\u003c\/p\u003e","ContributorBio_6":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","ContributorRole_0":"By (author)","ContributorRole_1":"By (author)","ContributorRole_2":"Read by","ContributorRole_3":"Read by","ContributorRole_4":"Read by","ContributorRole_5":"Read by","ContributorRole_6":"Read by","Contributor_0":"Macfarlane, Robert","Contributor_1":"Morris, Jackie","Contributor_2":"Fowlis, Julie","Contributor_3":"Daley-Ward, Yrsa","Contributor_4":"Flynn, Johnny","Contributor_5":"Watson, Chris","Contributor_6":"Macfarlane, Robert","Description":"\u003cp\u003e\u003cstrong\u003eThe follow-up to the internationally bestselling sensation \u003cem\u003eThe Lost Words\u003c\/em\u003e, \u003cem\u003eThe Lost Spells \u003c\/em\u003eis a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince its publication in 2017, \u003cem\u003eThe Lost Words\u003c\/em\u003e has enchanted readers with its poetry and illustrations of the natural world. Now, \u003cem\u003eThe Lost Spells\u003c\/em\u003e, a book kindred in spirit and tone, continues to re-wild the lives of children and adults.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e evokes the wonder of everyday nature, conjuring up red foxes, birch trees, jackdaws, and more in poems and illustrations that flow between the pages and into readers’ minds. Robert Macfarlane’s spell-poems and Jackie Morris’s watercolour illustrations are musical and magical: these are summoning spells, words of recollection, charms of protection. To read \u003cem\u003eThe Lost Spells\u003c\/em\u003e is to see anew the natural world within our grasp and to be reminded of what happens when we allow it to slip away.\u003c\/p\u003e","EAN":"9781487010140","Height":"6.9","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"coffee table books;design;environmentalism;global warming;rewilding;#fridaysforfuture;hidden life of trees;greta thunberg;Our House is On Fire;birding;wildlife;meditation and mindfulness;white elephant;robert bateman;british countryside;family books;cottage;cabin;hygge;lykke;forest bathing;ecology;ornithology;nature writing;poems;science;outdoor recreation;biology;wade davis;gift book;unique gifts","NumberOfPages":"240","OtherText_Accolades_0":"\u003cp\u003e\"\u003cem\u003eThe Lost Spells\u003c\/em\u003e employs Robert Macfarlane’s rapturous language and Jackie Morris’s bewitching illustrations to return language and art to their ancient occupations: building bridges of understanding between human and non-human worlds. More than a mere book, it’s a brave act of shamanism that touches and transforms the reader’s heart, healing and encouraging at a time when the world feels most desperately in need of restoration.\" — \u003cstrong\u003eSteve Silberman, author of \u003cem\u003eNeuroTribes: The Legacy of Autism and the Future of Neurodiversity\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Lost Words\u003c\/em\u003e has been a massive success and has sold over 36,000 copies in North America. It is an international bestseller, was a finalist for the Wainwright Prize and winner of the CILIP Kate Greenaway Medal, and has inspired grassroots re-wilding movements and crowd-funded giveaways of the book. \u003cem\u003eThe Lost Spells\u003c\/em\u003e, the earlier book’s kindred spirit, will no doubt have a similar impact and reach new audiences.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e is a gorgeously designed, fully illustrated, one-of-a-kind book that would make the perfect gift book for the holidays. Jackie Morris’ artwork brings to life the poems’ nature themes and would stand out even without the accompanying evocative poems. This is a book designed to be carried around by readers and read outdoors in nature.\u003c\/li\u003e\n\u003cli\u003eRobert Macfarlane is a major literary and cultural figure in the U.K. His writings on environmental topics are frequently featured in the Guardian and Granta. He is a regular presence on television and hosted an adaptation of his book The Wild Places on BBC’s The Natural World. His most recent book, Underland, won the Wainwright Prize and was named one of the best books of the twenty-first century by the Guardian.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Lost Spells\u003c\/em\u003e speaks to those worried about the vanishing natural world, a larger-than-ever group thanks to new studies and articles on biodiversity loss. Both Robert Macfarlane and Jackie Morris have been involved in the Extinction Rebellion environmental movement.\u003c\/li\u003e\n\u003cli\u003eThis book is perfect for adults interested in the “re-enchantment movement” or those who just want to rediscover nature, and children newly interested in plants and animals will be captivated by the beautiful hand-painted illustrations and poems.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Elegant … There is enough magic here to summon wild things even for those who are snug indoors.\" — \u003cstrong\u003e\u003cem\u003eWall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Wall Street Journal","OtherText_Review_1":"\u003cp\u003e\"This unusually beautiful book brings to readers the magic and wonder of nature … Breathtakingly magical.\" —\u003cstrong\u003e\u003cem\u003e Kirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews, STARRED REVIEWS","OtherText_Review_2":"\u003cp\u003e\"Macfarlane’s lyrics … ring with consonance (“Thrift thrives where most life fails, falls,\/ is cast adrift”) and wordplay (“Woodpecker, tree-wrecker”) … Morris’s fluid artwork renders the elegant tilt of a fox’s snout, birds’ calligraphic flight patterns, and the eyelike whorls of silver birch bark … One to treasure.\" — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Publishers Weekly, STARRED REVIEW","OtherText_Review_3":"\u003cp\u003e\"Through deeply humane poems paired with warm illustrations, MacFarlane and Morris invited readers into the space where the enchanting natural world meets the expansive imagination . . . Crafted with the same tenderness as its sibling.\" \u003cstrong\u003e\u003cem\u003e— Shelf Awareness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Maria Popova, Brain Pickings","OtherText_Review_4":"\u003cp\u003e\"Macfarlane and Morris bring us the mystery and wisdom of wild things as complementary and consolatory to our tame incompleteness … These painted verses sing and shimmer with a magical exuberance that renders the wild world not parallel, not foreign, but proximate, beckoning, native to our own souls … A charm against the curse of civilization, of exploitation, of apathy.\" — \u003cstrong\u003eMaria Popova, \u003cem\u003eBrain Pickings\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Shelf Awareness","OtherText_Review_5":"\u003cp\u003e“An enchanting diversion into the wonder and magic of nature.” — \u003cstrong\u003e\u003cem\u003eBulletin\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2020-10-27","Publisher":"House of Anansi Press Inc","Series":"The Lost Works","ShortDescription":"The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.","Width":"4.76","WidthCode":"in"}
The Lost Spells
The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.
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{"id":6818955919419,"title":"Drift","handle":"drift","description":"What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor?\n\nRambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, \"what stops the heart starts the world.\"\n\nIn drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious.","published_at":"2022-03-30T14:15:31-04:00","created_at":"2022-03-30T13:35:02-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Connolly Kevin","House of Anansi Press","pub date: 2005-04-01"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40249436864571,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887847271","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Drift - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":127,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887847271","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40249437454395,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9780887849367","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drift - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9780887849367","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40249437618235,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770896154","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drift - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770896154","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187","options":["Title"],"media":[{"alt":null,"id":23324530769979,"position":1,"preview_image":{"aspect_ratio":0.648,"height":2547,"width":1651,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187"},"aspect_ratio":0.648,"height":2547,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187","width":1651}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor?\n\nRambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, \"what stops the heart starts the world.\"\n\nIn drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious."}
{"AlsoRecommendedISBN_0":"9781487008376","AlsoRecommendedISBN_1":"9780887848414","AlsoRecommendedISBN_2":"9780887848414","AlsoRecommendedISBN_3":"9781487008376","AlsoRecommendedISBN_4":"9780887846588","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"Kevin Connolly is a poet, journalist, and editor. He lives in Toronto's east end with his partner, writer Gil Adamson.","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"Kevin Connolly is a poet, journalist, and editor. He lives in Toronto's east end with his partner, writer Gil Adamson.","ContributorRole_0":"By (author)","Contributor_0":"Connolly, Kevin (CA)","Description":"What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor?\n\nRambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, \"what stops the heart starts the world.\"\n\nIn drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious.","EAN":"9781770896154","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770896154\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Review_0":"\u003cp\u003e“Whitman established his individuality by incorporating multitudes. Connolly, on the other hand, lives in a world where it's nearly impossible to be an individual. Everyone represents everyone else - everything reflects everything, every day another building of mirrors goes up - and everyone, rather than containing multitudes, has become contained by multitudes.” — \u003cstrong\u003e\u003cem\u003eChicago Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Chicago Review","OtherText_Review_1":"\u003cp\u003e“Anguish, mockery, the simple, searing truth of being and essence: these are some of the components of Kevin Connolly's astonishing and absolute poetry...These poems are what the Cyclone is to Coney Island - what poetry, at its thrilling, unsettling best, should be.” — \u003cstrong\u003e\u003cem\u003eTrillium Award jury citation\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Trillium Award jury citation","OtherText_Review_2":"\u003cp\u003e“Kevin Connolly invites readers to step beyond the usual bounds of the lyric, even as it presents the illusion of lyric poetry...drift is funny, yes, but the humour is cutting; it knows too well what its final line says: 'What starts the heart stops the world.'” — \u003cstrong\u003e\u003cem\u003eEdmonton Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Edmonton Journal","OtherText_Review_3":"\u003cp\u003e“Peppered with recognizable forms and diction, yet distinctly different in tone and content, drift sets Kevin Connolly apart from his contemporaries as a poet who unexpectedly delights in toying with reader expectations.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Globe and Mail","OtherText_Review_4":"\u003cp\u003e“Though I'm not usually a fan of poetry too full of wordplay, Connolly (like Paul Muldoon) is one who can pull it off. But his sense of play goes beyond silliness. The poems that result, though completely contemporary, are ageless.” — \u003cstrong\u003e\u003cem\u003esubTerrain\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"subTerrain","OtherText_ShortDescription_0":"A Trillium Book Award for Poetry winner, this collection reminds us that our solitude is painful, yet precious.","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Trillium Book Award for Poetry","PrizeYear_0":"2006","ProductFormDescription":"mobi","PublicationDate":"2005-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A Trillium Book Award for Poetry winner, this collection reminds us that our solitude is painful, yet precious.","Width":"5.5","WidthCode":"in"}
Drift
A Trillium Book Award for Poetry winner, this collection reminds us that our solitude is painful, yet precious.
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{"id":7348969373755,"title":"Poems for All the Annettes","handle":"poems-for-all-the-annettes","description":"\u003cp\u003eOriginally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, \u003cem\u003ePoems for All the Annettes\u003c\/em\u003e stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—\"At Roblin Lake,\" \"At the Quinte Hotel\"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.\u003c\/p\u003e","published_at":"2025-02-20T16:59:19-05:00","created_at":"2025-02-20T16:53:16-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult Poetry","By (author) Purdy Al","Introduction by Heighton Steven","pub date: 2012-10-13"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42024738291771,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770892606","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Poems for All the Annettes - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1495,"weight":163,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770892606","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407","options":["Title"],"media":[{"alt":null,"id":25135674949691,"position":1,"preview_image":{"aspect_ratio":0.647,"height":618,"width":400,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407"},"aspect_ratio":0.647,"height":618,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOriginally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, \u003cem\u003ePoems for All the Annettes\u003c\/em\u003e stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—\"At Roblin Lake,\" \"At the Quinte Hotel\"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781770893719","AlsoRecommendedISBN_1":"9781770892781","AlsoRecommendedISBN_2":"9781770892491","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"Al Purdy (1918-2000) was one of the greatest Canadian poets of the twentieth century.","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"Al Purdy (1918-2000) was one of the greatest Canadian poets of the twentieth century.","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\/em\u003e and \u003cem\u003eThe Address Book\u003c\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/em\u003ethe \u003cem\u003eIndependent, \u003c\/em\u003ethe \u003cem\u003eLiterary Review\u003c\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\/em\u003e. To listen, visit \u003ca href=\"http:\/\/www.wolfeislandrecords.com\/stevenheighton\"\u003ewww.wolfeislandrecords.com\/stevenheighton\u003c\/a\u003e. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Purdy, Al (CA)","Contributor_1":"Heighton, Steven (CA)","Description":"\u003cp\u003eOriginally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, \u003cem\u003ePoems for All the Annettes\u003c\/em\u003e stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—\"At Roblin Lake,\" \"At the Quinte Hotel\"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.\u003c\/p\u003e","EAN":"9781770892606","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770892606\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","NumberOfPages":"136","OtherText_ShortDescription_0":"Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career.","ProductFormDescription":"trade paperback","PublicationDate":"2012-10-13","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career.","Width":"5.5","WidthCode":"in"}
Poems for All the Annettes
Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career.
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{"id":7524251238459,"title":"The Wrecking Light","handle":"the-wrecking-light","description":"\u003cp\u003eRobin Robertson's fourth collection is, if anything, an even more intense, moving, bleakly lyrical, and at times shocking book than\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwithering\u003c\/em\u003e, winner of the Forward Poetry Prize. These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze -- whether on the natural world or the details of his own life -- is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour.\u003c\/p\u003e\n\u003cp\u003eAlongside fine translations from Pablo Neruda and Eugenio Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems -- certainties become volatile, the simplest situations thicken with strangeness and threat -- all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a work of considerable grandeur and sweep, and confirms Robertson as one of the most arresting and powerful poets at work today.\u003c\/p\u003e","published_at":"2026-01-16T17:03:10-05:00","created_at":"2026-01-16T11:37:28-05:00","vendor":"House of Anansi Press","type":"","tags":[],"price":2295,"price_min":2295,"price_max":2295,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43233625800763,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":".9780887842580","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Wrecking Light - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":".9780887842580","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445","options":["Title"],"media":[{"alt":null,"id":26292253753403,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2326,"width":1525,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445"},"aspect_ratio":0.656,"height":2326,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445","width":1525}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eRobin Robertson's fourth collection is, if anything, an even more intense, moving, bleakly lyrical, and at times shocking book than\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwithering\u003c\/em\u003e, winner of the Forward Poetry Prize. These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze -- whether on the natural world or the details of his own life -- is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour.\u003c\/p\u003e\n\u003cp\u003eAlongside fine translations from Pablo Neruda and Eugenio Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems -- certainties become volatile, the simplest situations thicken with strangeness and threat -- all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a work of considerable grandeur and sweep, and confirms Robertson as one of the most arresting and powerful poets at work today.\u003c\/p\u003e"}
{"ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBIN ROBERTSON\u003c\/strong\u003e is from the northeast coast of Scotland and now lives in London.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Robertson, Robin","Imprint":"Anansi International","NumberOfPages":"112","Publisher":"House of Press Inc"}
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{"id":6815470288955,"title":"The Mosquito Brothers","handle":"the-mosquito-brothers","description":"\u003cp\u003e\u003cstrong\u003eAccompanied by quirky line drawings by Spanish illustrator Erica Salcedo, this is a gently humorous and remarkably informative nature-adventure story about an unlikely pointy-nosed hero with big dreams and an even bigger heart.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAfter he nearly drowns in a parking-lot puddle, Dinnn Needles is fearful of many things, including flying. When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool.\u003c\/p\u003e\u003cp\u003eAt school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. But Dinnn never really takes to city life. Lonely and left out, he is filled with an unexplained longing. He sips spilled cola from abandoned pop cans, but it is not as tasty as flower nectar. He tries to make friends with the local street mosquitoes, but that just lands him in a sewer filled with spiders and water snakes. He hears about the red mini-van that brought his parents together and wonders about his extended family in the country. He even finds a great black jacket in a roadside ditch, but it doesn’t make him cool.\u003c\/p\u003e\u003cp\u003eAnd then one day, as fate would have it, the red mini-van reappears, giving Dinnn a chance to visit to his relatives in The Wild, where new perils await an inexperienced city mosquito — being struck by a raindrop, zapped by a porch light or snapped up by a hungry fish at dusk. But in the end Dinnn discovers that being cool is a matter of what you do, especially for one’s friends and family, including two new brothers. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.3\u003cbr\u003eDescribe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events\u003c\/p\u003e","published_at":"2022-03-24T17:43:50-04:00","created_at":"2022-03-24T14:37:36-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 7 - 9","By (author) Ondaatje Griffin","CC Literature - Grade 3","CCSS.ELA-LITERACY.RL.3.3","Childrens Accessible ebooks","Groundwood Books","Illustrated by Salcedo Erica","Lexile measure 640L","pub date: 2015-04-24"],"price":995,"price_min":995,"price_max":1495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40209994612795,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781554984374","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Mosquito Brothers - 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When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool.\u003c\/p\u003e\u003cp\u003eAt school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. But Dinnn never really takes to city life. Lonely and left out, he is filled with an unexplained longing. He sips spilled cola from abandoned pop cans, but it is not as tasty as flower nectar. He tries to make friends with the local street mosquitoes, but that just lands him in a sewer filled with spiders and water snakes. He hears about the red mini-van that brought his parents together and wonders about his extended family in the country. He even finds a great black jacket in a roadside ditch, but it doesn’t make him cool.\u003c\/p\u003e\u003cp\u003eAnd then one day, as fate would have it, the red mini-van reappears, giving Dinnn a chance to visit to his relatives in The Wild, where new perils await an inexperienced city mosquito — being struck by a raindrop, zapped by a porch light or snapped up by a hungry fish at dusk. But in the end Dinnn discovers that being cool is a matter of what you do, especially for one’s friends and family, including two new brothers. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.3\u003cbr\u003eDescribe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554983674","AlsoRecommendedISBN_1":"9781554984510","AlsoRecommendedISBN_2":"9781773062990","AlsoRecommendedISBN_3":"9781554983674","AlsoRecommendedISBN_4":"9781773062990","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"11","AudienceRangeValue_1_0":"7","AudienceRangeValue_1_1":"2","AudienceRangeValue_2_0":"9","AudienceRangeValue_2_1":"4","BASICMainSubject":"JUV002140","BASICMainSubjectLiteral":"JUVENILE FICTION\/Animals\/Insects, Spiders, etc.","BiographicalNote":"Griffin Ondaatje is a writer and documentary filmmaker. He edited \u003cem\u003eThe Monkey King and Other Stories\u003c\/em\u003e, a collection of South Asian tales. He directed \u003cem\u003eComplete Unknown\u003c\/em\u003e, a documentary feature film on Bob Dylan, and worked as a producer for CBC's Documentary Unit. 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His next book is a children’s novel entitled \u003cem\u003eThe Mosquito Brothers\u003c\/em\u003e. He has three children and lives in Toronto with his family.","ContributorBio_1":"Erica Salcedo has a Master’s degree in graphic design and illustration from the University of Valencia. She lives in Cuenca, Spain.","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Ondaatje, Griffin (CA)","Contributor_1":"Salcedo, Erica","Description":"\u003cp\u003e\u003cstrong\u003eAccompanied by quirky line drawings by Spanish illustrator Erica Salcedo, this is a gently humorous and remarkably informative nature-adventure story about an unlikely pointy-nosed hero with big dreams and an even bigger heart.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAfter he nearly drowns in a parking-lot puddle, Dinnn Needles is fearful of many things, including flying. When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool.\u003c\/p\u003e\u003cp\u003eAt school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. But Dinnn never really takes to city life. Lonely and left out, he is filled with an unexplained longing. He sips spilled cola from abandoned pop cans, but it is not as tasty as flower nectar. He tries to make friends with the local street mosquitoes, but that just lands him in a sewer filled with spiders and water snakes. He hears about the red mini-van that brought his parents together and wonders about his extended family in the country. He even finds a great black jacket in a roadside ditch, but it doesn’t make him cool.\u003c\/p\u003e\u003cp\u003eAnd then one day, as fate would have it, the red mini-van reappears, giving Dinnn a chance to visit to his relatives in The Wild, where new perils await an inexperienced city mosquito — being struck by a raindrop, zapped by a porch light or snapped up by a hungry fish at dusk. But in the end Dinnn discovers that being cool is a matter of what you do, especially for one’s friends and family, including two new brothers. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.3\u003cbr \/\u003eDescribe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events\u003c\/p\u003e","EAN":"9781554988273","Height":"8.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"table of contents;illustrations;author's note;quiz","MetaKeywords":"outsider; friends and friendship issues; coming of age; families; phobia; trauma; empathy; early reader; humor; adaptability; caring; cooperation; respect for community; respect for self; third person narration; figurative language; simile; metaphors; read aloud; novel studies; sciences; biology; summarizing; questioning; predicting; Common Core aligned; CC Literature Key Ideas and Details; Craft and Structure; grade 2; grade 3; Publishers Weekly starred review; middle grade; table of contents","NumberOfPages":"128","OtherText_Review_0":"\u003cp\u003e“A compelling coming-of-age tale. . . . Recommended.” — \u003cstrong\u003e\u003cem\u003eCM Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"CM Magazine","OtherText_Review_1":"\u003cp\u003e“Despite references to mosquitos’ short life spans and other trivia, Ondaatje keeps the actual bloodsucking and insect mortality to a minimum, focusing on Dinnn’s initial fear of flight and on his large family’s light misadventures.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Publishers Weekly","OtherText_Review_2":"\u003cp\u003e“A light and entertaining allegory about overcoming fear, being true to yourself, and finding your wings.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill \u0026 Quire","OtherText_Review_3":"\u003cp\u003e“Ondaatje weaves his make-believe entomological utopia with a plethora of well-researched 'did-you-know' facts.” — \u003cstrong\u003e\u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"National Post","OtherText_ShortDescription_0":"A city mosquito who longs to be cool finds friendship and adventure on an unexpected trip to The Wild.","ProductFormDescription":"mobi","PublicationDate":"2015-04-24","Publisher":"Groundwood Books Ltd","ShortDescription":"A city mosquito who longs to be cool finds friendship and adventure on an unexpected trip to The Wild.","Width":"5.5","WidthCode":"in"}
ages 7
to 9
/ grades 2
to 4
The Mosquito Brothers
A city mosquito who longs to be cool finds friendship and adventure on an unexpected trip to The Wild.
Quick View
{"id":6817702608955,"title":"The Circle Game","handle":"the-circle-game","description":"\u003cp\u003eAs a part of the launch of the new A List series, a curated selection of titles from Anansi's backlist featuring handsome new covers and introductions by well-known writers, comes Margaret Atwood's Governor General's Literary Award–winning \u003cem\u003eThe Circle Game\u003c\/em\u003e, with an introduction by Suzanne Buffam.\u003c\/p\u003e\n\u003cp\u003eThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as \u003cem\u003ePower Politics\u003c\/em\u003e, \u003cem\u003eBodily Harm\u003c\/em\u003e, and \u003cem\u003eAlias Grace\u003c\/em\u003e. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted.\u003c\/p\u003e\n\u003cp\u003eContaining many of Atwood's best and most famous poems, \u003cem\u003eThe Circle Game\u003c\/em\u003e won the 1966 Governor General's Literary Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.\u003c\/p\u003e","published_at":"2022-03-28T16:54:26-04:00","created_at":"2022-03-28T14:20:06-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult Poetry","By (author) Atwood Margaret","Introduction by Buffam Suzanne","pub date: 1998-01-01"],"price":1499,"price_min":1499,"price_max":1699,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40220008284219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770892781","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Circle Game - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1699,"weight":118,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770892781","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40220011364411,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770892798","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Circle Game - epub","public_title":"epub","options":["epub"],"price":1499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770892798","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40220011659323,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770895881","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Circle Game - mobi","public_title":"mobi","options":["mobi"],"price":1499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770895881","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_6955ed3a-dc5d-4b5e-95d9-5f2c74a1bf0e.jpg?v=1682834809"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_6955ed3a-dc5d-4b5e-95d9-5f2c74a1bf0e.jpg?v=1682834809","options":["Title"],"media":[{"alt":null,"id":23443651952699,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_6955ed3a-dc5d-4b5e-95d9-5f2c74a1bf0e.jpg?v=1682834809"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_6955ed3a-dc5d-4b5e-95d9-5f2c74a1bf0e.jpg?v=1682834809","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAs a part of the launch of the new A List series, a curated selection of titles from Anansi's backlist featuring handsome new covers and introductions by well-known writers, comes Margaret Atwood's Governor General's Literary Award–winning \u003cem\u003eThe Circle Game\u003c\/em\u003e, with an introduction by Suzanne Buffam.\u003c\/p\u003e\n\u003cp\u003eThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as \u003cem\u003ePower Politics\u003c\/em\u003e, \u003cem\u003eBodily Harm\u003c\/em\u003e, and \u003cem\u003eAlias Grace\u003c\/em\u003e. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted.\u003c\/p\u003e\n\u003cp\u003eContaining many of Atwood's best and most famous poems, \u003cem\u003eThe Circle Game\u003c\/em\u003e won the 1966 Governor General's Literary Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487008420","AlsoRecommendedISBN_1":"9781770892576","AlsoRecommendedISBN_2":"9781487008420","AlsoRecommendedISBN_3":"9781770892576","AlsoRecommendedISBN_4":"9781770892491","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e\n","ContributorBio_1":"Suzanne Buffam was born in Montreal, raised in Vancouver, and currently lives in Chicago. Her first collection of poetry, \u003cem\u003ePast Imperfect\u003c\/em\u003e, was named a Book of the Year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e and won the Gerald Lampert Award. Her second collection of poetry, \u003cem\u003eThe Irrationalist\u003c\/em\u003e, was named a finalist for the 2011 Griffin Poetry Prize. Her work has appeared in international anthologies and publications, including \u003cem\u003ePoetry\u003c\/em\u003e, \u003cem\u003eJubilat\u003c\/em\u003e, \u003cem\u003eDenver Quarterly\u003c\/em\u003e, \u003cem\u003eColorado Review\u003c\/em\u003e, \u003cem\u003eBooks in Canada\u003c\/em\u003e, and \u003cem\u003eBreathing Fire: Canada’s New Poets\u003c\/em\u003e; and has been translated into French, German, Spanish, and Slovenian. She teaches Creative Writing at the University of Chicago.","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Atwood, Margaret (CA)","Contributor_1":"Buffam, Suzanne (CA)","Description":"\u003cp\u003eAs a part of the launch of the new A List series, a curated selection of titles from Anansi's backlist featuring handsome new covers and introductions by well-known writers, comes Margaret Atwood's Governor General's Literary Award–winning \u003cem\u003eThe Circle Game\u003c\/em\u003e, with an introduction by Suzanne Buffam.\u003c\/p\u003e\n\u003cp\u003eThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as \u003cem\u003ePower Politics\u003c\/em\u003e, \u003cem\u003eBodily Harm\u003c\/em\u003e, and \u003cem\u003eAlias Grace\u003c\/em\u003e. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted.\u003c\/p\u003e\n\u003cp\u003eContaining many of Atwood's best and most famous poems, \u003cem\u003eThe Circle Game\u003c\/em\u003e won the 1966 Governor General's Literary Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.\u003c\/p\u003e","EAN":"9781770895881","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770895881\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","NumberOfPages":"96","OtherText_ShortDescription_0":"A-List series edition of Margaret Atwood's Governor General's Award–winning The Circle Game, with an introduction by Suzanne Buffam.","ProductFormDescription":"mobi","PublicationDate":"1998-01-01","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"A-List series edition of Margaret Atwood's Governor General's Award–winning The Circle Game, with an introduction by Suzanne Buffam.","Width":"5.5","WidthCode":"in"}
The Circle Game
A-List series edition of Margaret Atwood's Governor General's Award–winning The Circle Game, with an introduction by Suzanne Buffam.
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{"id":6811234041915,"title":"Selected Poems 1983–2020","handle":"selected-poems-19832020","description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e","published_at":"2022-03-21T12:08:28-04:00","created_at":"2022-03-21T09:50:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Heighton Steven","House of Anansi Press","pub date: 2021-04-06"],"price":1995,"price_min":1995,"price_max":2495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190668636219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007379","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2495,"weight":379,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007379","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190704812091,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007386","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - epub","public_title":"epub","options":["epub"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007386","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190706647099,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009212","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - mobi","public_title":"mobi","options":["mobi"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009212","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","options":["Title"],"media":[{"alt":null,"id":22925771046971,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9781487003722","AlsoRecommendedISBN_2":"9781487006181","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\\\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e","BISACSubjectLiteral_0":"POETRY \\\/ Canadian \\\/ General","BISACSubjectLiteral_1":"POETRY \\\/ Subjects \u0026amp; Themes \\\/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e\\r\\n","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\\\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\\\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\\\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\\\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\\\/p\u003e","EAN":"9781487009212","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009212\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePREVIOUS COLLECTION WON THE GOVERNOR GENERAL’S LITERARY AWARD:\u003c\\\/strong\u003e Steven Heighton’s previous poetry collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e, received the Governor General’s Literary Award for Poetry, among other acclaim. This return to poetry after five years will get a lot of buzz.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR IN MANY FORMS AND GENRES:\u003c\\\/strong\u003eApart from his award-winning and highly acclaimed poetry collections, Steven Heighton is also the author of several works of fiction, including the novels \u003cem\u003eAfterland\u003c\\\/em\u003e and \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e. As well, he is the author of the forthcoming Groundwood picture book \u003cem\u003eThe Stray and the Stranger\u003c\\\/em\u003e based on his experience helping refugees in Greece. Heighton’s wide variety of writing can bring him attention far beyond what a poet normally garners.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eFIRST SELECTED WORK FROM ONE OF THE MOST ACCLAIMED CONTEMPORARY POETS:\u003c\\\/strong\u003e As an internationally prominent poet with many acclaimed collections, Heighton is well positioned for a work of selected poems. Previous Anansi selected poetry collections like A. F. Moritz’s \u003cem\u003eThe Sparrow\u003c\\\/em\u003e and Michael Crummey’s \u003cem\u003eLittle Dogs\u003c\\\/em\u003e have brought new attention to the poets and sparked reassessments and retrospectives of their careers up to that point, and we expect Heighton’s collection to do the same for him.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003ePREVIOUS MEDIA ATTENTION FOR STEVEN HEIGHTON:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/wiki.ezvid.com\\\/m\\\/11-poignant-books-from-exceptional-voices-in-modern-fiction-ZP6laov1KGXa0\\\"\u003e11 POIGNANT BOOKS FROM EXCELLENT WRITERS IN MODERN FICTION:\u003c\\\/a\u003e wiki.ezvid.com chooses \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/m.youtube.com\\\/watch?v=PvOe6-EaXs0\\\"\u003eA-FRAME\u003c\\\/a\u003e: Katherine Leyton’s A-frame interview with Steven Heighton\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=CRfDceioOLc\\\"\u003eSOME OTHER JUST ONES\u003c\\\/a\u003e: An animated short by Caroline O'Neill\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=GnJ6vkJNyyc\\\"\u003eIF NOBODY CALLS, I'M GLAD\u003c\\\/a\u003e: An excerpt from a talk at Concordia, April 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=VC5GBVYXNLM\\\"\u003eWORDS ALOUD 2011\u003c\\\/a\u003e: Steven Heighton reads “Herself, Revised” and “Dream”\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/youtu.be\\\/_pKIDAgFadU\\\"\u003eCROSSING THE BORDERS BETWEEN US: THE ETHICS OF INTERVENTION \u0026 RESISTANCE\u003c\\\/a\u003e: Steven Heighton reads. First delivered at Queen’s University, May 2011, then at the KCHC AGM, June 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.cbc.ca\\\/thenextchapter\\\/2011\\\/04\\\/11\\\/guy-gavriel-kay-and-stephen-heighton\\\/\\\"\u003eTHE NEXT CHAPTER\u003c\\\/a\u003e: On CBC Radio, Guy Gavriel Kay and Steven Heighton discuss the encroachment of social media and its effect on the creative process\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=Eco3985F0M8\\\"\u003eBOOKBITS\u003c\\\/a\u003e: Steven Heighton discusses his novel, \u003cem\u003eEvery Lost Country\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.authorsaloud.com\\\/fiction\\\/heighton.html\\\"\u003eAUTHORS ALOUD\u003c\\\/a\u003e: Steven Heighton reads from his novel, \u003cem\u003eAfterlands\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"DREAM FRAGMENT\\r\\n\\r\\nIn those days the weather was jealous\\r\\nand would turn up at her house just to see\\r\\nwhat its cold winds could make of her face.\\r\\n\\r\\nAt her door she would be seen often\\r\\nspeaking to each of the seasons in turn\\r\\nthough with a marked preference\\r\\n(as many observed, and reported)\\r\\nfor winter\\r\\n\\r\\nwhich always stayed longest\\r\\nand left behind fading signs\\r\\nof its tenure aboveground.\\r\\n\\r\\nWho among us up here\\r\\nwouldn’t want his love, her love\\r\\nto carry a trace that clear, that\\r\\ncold, stoic and austere, withdrawing\\r\\nto regain itself, then resurging?\\r\\n\\r\\nWhat I wouldn’t do\\r\\nor undo (winter whispered\\r\\nin a voice akin to mine) to see\\r\\none more time what my touch\\r\\nmight make of your face.","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_ShortDescription_0":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","ProductFormDescription":"mobi","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","Width":"6","WidthCode":"in"}
Selected Poems 1983–2020
A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.
Quick View
{"id":6811314225211,"title":"Explosion at the Poem Factory","handle":"explosion-at-the-poem-factory","description":"\u003cp\u003e\u003cstrong\u003eA funny story, full of wordplay, brings poetry alive as never before!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he’s out of a job. He spots a “Help Wanted” sign at the poem factory and decides to investigate — he’s always been curious about how poems are made.\u003c\/p\u003e\n\u003cp\u003eThe foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the “meter meter” and empty the “cliché bins.” He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration.\u003c\/p\u003e\n\u003cp\u003eBut one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive?\u003c\/p\u003e\n\u003cp\u003eKyle Lukoff’s funny story, rich in wordplay, is complemented by Mark Hoffmann’s lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms. An author’s note explains the inspiration for the story.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\ndefinitions\u003cbr\u003e\nglossary\u003cbr\u003e\nauthor's note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","published_at":"2022-03-21T17:16:04-04:00","created_at":"2022-03-21T12:41:01-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 6 - 9","By (author) Lukoff Kyle","CC Literature - Grade 4","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.2.4","Childrens Poetry","Fountas \u0026 Pinnell Text Level Gradient Y","Groundwood Books","Guided Reading Level Y","Illustrated by Hoffmann Mark","Picture Books","pub date: 2020-04-01"],"price":1695,"price_min":1695,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191027347515,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773061320","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Explosion at the Poem Factory - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773061320","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191102386235,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773061337","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Explosion at the Poem Factory - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061337","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191102484539,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773063515","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Explosion at the Poem Factory - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063515","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_73f9faca-5c8e-410b-9d79-d5783d1d8400.jpg?v=1647887360","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_0722f1b4-4f9b-43a6-8ce5-651fac2308de.jpg?v=1647887373","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a5e35ad1-aa2b-43e8-88ef-4a04132d020f.jpg?v=1647887387"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109","options":["Title"],"media":[{"alt":"A man with medium dark skin tone stands in a doorway and holds the two doors open. Inside the space are large machines with gears. Text: Explosion at the Poem Factory. Kyle Lukoff and Mark Hoffmann.","id":24903322894395,"position":1,"preview_image":{"aspect_ratio":0.677,"height":2365,"width":1600,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109"},"aspect_ratio":0.677,"height":2365,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109","width":1600},{"alt":"This image is a double page spread. To the left, a man with dark skin tone in pink pants with suspenders stands on a raised platform and leans against a railing. The text says he looks around at machines. He learns to operate them, and they stopped making him nervous. To the right, the man tries to work a series of large machines, one named Meter Meter and another named Voltatron.","id":21748989067323,"position":2,"preview_image":{"aspect_ratio":1.326,"height":377,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_73f9faca-5c8e-410b-9d79-d5783d1d8400.jpg?v=1647887360"},"aspect_ratio":1.326,"height":377,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_73f9faca-5c8e-410b-9d79-d5783d1d8400.jpg?v=1647887360","width":500},{"alt":"This image is a double page spread. To the left, a man with dark skin tone in pink pants and suspenders runs from explosions back and forth across the page. At the bottom of the page, he carries a man with light skin tone. To the right, the man with dark skin tone is by a large pile of broken machinery and pipes. Smoke rises from the pile. The text says that the loud noises from the factory are overwhelming, and no one could hear him. The workers all manage to escape just before the factory collapses.","id":21748989460539,"position":3,"preview_image":{"aspect_ratio":1.326,"height":377,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_0722f1b4-4f9b-43a6-8ce5-651fac2308de.jpg?v=1647887373"},"aspect_ratio":1.326,"height":377,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_0722f1b4-4f9b-43a6-8ce5-651fac2308de.jpg?v=1647887373","width":500},{"alt":"A man with dark skin tone kicks a lemon. Text: Some Types of Poems. Acrostic: When a certain letter in each line of a poem spells out a word. An acrostic for the name Kyle could be Kicks Yellow Lemons Everywhere. He raises his arms. A sign has 6 rainbow lines. Text: Concrete verse: A poem where the words on the page are arranged into a picture that represents the poem’s subject or meaning. The sign says on the other side of a dark place is somewhere with a pot of gold, and there are the joys of other lands.","id":21748989984827,"position":4,"preview_image":{"aspect_ratio":1.326,"height":377,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a5e35ad1-aa2b-43e8-88ef-4a04132d020f.jpg?v=1647887387"},"aspect_ratio":1.326,"height":377,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a5e35ad1-aa2b-43e8-88ef-4a04132d020f.jpg?v=1647887387","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA funny story, full of wordplay, brings poetry alive as never before!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he’s out of a job. He spots a “Help Wanted” sign at the poem factory and decides to investigate — he’s always been curious about how poems are made.\u003c\/p\u003e\n\u003cp\u003eThe foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the “meter meter” and empty the “cliché bins.” He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration.\u003c\/p\u003e\n\u003cp\u003eBut one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive?\u003c\/p\u003e\n\u003cp\u003eKyle Lukoff’s funny story, rich in wordplay, is complemented by Mark Hoffmann’s lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms. An author’s note explains the inspiration for the story.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\ndefinitions\u003cbr\u003e\nglossary\u003cbr\u003e\nauthor's note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781554983827","AlsoRecommendedISBN_1":"9781554989331","AlsoRecommendedISBN_2":"9781554989331","AlsoRecommendedISBN_3":"9781554983827","AlsoRecommendedISBN_4":"9781554988778","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"1","AudienceRangeValue_1_1":"1","AudienceRangeValue_1_2":"6","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"4","AudienceRangeValue_2_2":"9","BASICMainSubject":"JUV009080","BASICMainSubjectLiteral":"JUVENILE FICTION\/Concepts\/Words","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKYLE LUKOFF\u003c\/strong\u003e has worked at the intersection of books and people for more than half his life, first as a bookseller and later as a school librarian, reviewer, awards juror and contributor to professional publications. His first picture book, \u003cem\u003eA Storytelling of Ravens\u003c\/em\u003e, illustrated by Natalie Nelson, received two starred reviews and his second, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e was described as “joyful and affirming” in a \u003cem\u003eKirkus\u003c\/em\u003e starred review and has received three other starred reviews. A confirmed bachelor, Kyle lives in a Brooklyn apartment filled with books.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Concepts \/ Words","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Poetry","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Business, Careers, Occupations","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Humorous Stories","BISACSubject_0":"JUV009080","BISACSubject_1":"JUV070000","BISACSubject_2":"JUV006000","BISACSubject_3":"JUV019000","CommonCore":"CCSS.ELA-LITERACY.RL.2.4","ComplexityCode_0":"Y","ComplexityCode_1":"Y","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKYLE LUKOFF\u003c\/strong\u003e has worked at the intersection of books and people for more than half his life, first as a bookseller and later as a school librarian, reviewer, awards juror and contributor to professional publications. 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Mark’s picture books include \u003cem\u003eExplosion at the Poem Factory\u003c\/em\u003e by Kyle Lukoff; \u003cem\u003eThe Note Who Faced the Music\u003c\/em\u003e by Lindsay Bonilla; \u003cem\u003eSoren’s Seventh Song\u003c\/em\u003e by Dave Eggers (starred reviews from \u003cem\u003ePublishers Weekly\u003c\/em\u003e and \u003cem\u003eBooklist\u003c\/em\u003e) and \u003cem\u003eDirt Cheap\u003c\/em\u003e. Mark lives in southern New Hampshire with his family, two cats and two dogs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Lukoff, Kyle","Contributor_1":"Hoffmann, Mark","Description":"\u003cp\u003e\u003cstrong\u003eA funny story, full of wordplay, brings poetry alive as never before!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he’s out of a job. 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His second picture book, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e, has been widely praised, with starred reviews in \u003cem\u003eKirkus\u003c\/em\u003e, \u003cem\u003ePublishers Weekly\u003c\/em\u003e, \u003cem\u003eSchool Library Journal\u003c\/em\u003e and \u003cem\u003eBooklist\u003c\/em\u003e. \u003c\/li\u003e\r\n\u003cli\u003eMark Hoffmann has made a stunning entry into the kid lit world, publishing six books in three years, two as author and illustrator and four as illustrator. His art is energetic and full of humor, perfectly complementing the text.\u003c\/li\u003e\r\n\u003cli\u003eThis is a fun, original story that provides a lighthearted introduction to poetry and poetic terms. Young readers will enjoy the story and illustrations, while educators, parents and poetry lovers will fully appreciate the wordplay and extensive information provided in the backmatter.\u003c\/li\u003e\r\n\u003cli\u003eThe story can also be used to inspire discussions about technology and the effects of changing technologies.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum connections: Language arts \/ poetry, reading\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eA Storytelling of Ravens\u003c\/em\u003e, Kyle Lukoff’s first picture book, was named a \u003cem\u003eKirkus\u003c\/em\u003e Best Picture Book. His second picture book, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e, has been widely praised, with starred reviews in \u003cem\u003eKirkus\u003c\/em\u003e, \u003cem\u003ePublishers Weekly\u003c\/em\u003e, \u003cem\u003eSchool Library Journal\u003c\/em\u003e and \u003cem\u003eBooklist\u003c\/em\u003e. \u003c\/li\u003e\n\u003cli\u003eMark Hoffmann has made a stunning entry into the kid lit world, publishing six books in three years, two as author and illustrator and four as illustrator. His art is energetic and full of humor, perfectly complementing the text.\u003c\/li\u003e\n\u003cli\u003eThis is a fun, original story that provides a lighthearted introduction to poetry and poetic terms. Young readers will enjoy the story and illustrations, while educators, parents and poetry lovers will fully appreciate the wordplay and extensive information provided in the backmatter.\u003c\/li\u003e\n\u003cli\u003eThe story can also be used to inspire discussions about technology and the effects of changing technologies.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections: Language arts \/ poetry, reading\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Liberal use of terms such as epithalmium and enjambment, both defined at book’s end, will draw precocious kids as well as adult poetry lovers to this friendly introduction to poetry and poetics.” — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publisher's Weekly","OtherText_Review_1":"\u003cp\u003e“Hoffmann's playfully expressive double-page illustrations… heighten Lukoff's guffaws… Lukoff's sophisticated silliness hits the sweet spot for lovers of wordplay.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“The off-kilter angles and beanshaped personalities in Mark Hoffmann’s pictures add to the madcappery of a story that, with a little concentration (and the interpretive help of an adult), will be a primer on poetic forms and styles.” — \u003cstrong\u003e\u003cem\u003eThe Wall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"The Wall Street Journal","OtherText_Review_3":"\u003cp\u003e“Readers who love words, and especially those who love poetry, will enjoy Explosion at the Poem Factory.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"This funny story, full of wordplay, brings poetry alive as never before!","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2020-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"This funny story, full of wordplay, brings poetry alive as never before!","Width":"7","WidthCode":"in"}
ages 6
to 9
/ grades 1
to 4
Explosion at the Poem Factory
This funny story, full of wordplay, brings poetry alive as never before!
