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    • Search: 449 results found for "griffin poetry prize"

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     Congratulations, Rhododendrons
    Quick View {"id":6811233878075,"title":"Congratulations, Rhododendrons","handle":"congratulations-rhododendrons","description":"\u003cp\u003e\u003cstrong\u003eIn her debut collection, \u003ci\u003eCongratulations, Rhododendrons\u003c\/i\u003e, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThrough poems that speak to plastic bags and drones as much as they admire roses and the moon, Germaine surfs the confluence of artificial and natural environments, technology, and our small but consequential feelings about them. At turns devotional and suspicious, these poems toe the boundaries of intimacy, responsibility, and reason.\u003c\/p\u003e\u003cp\u003eIn anxious times, anything can be taken as a sign; a crow, a talking coin, and a news report are all sources of information whose truth (or “fake-ness”) demand investigation. Germaine’s poems scroll from a shrine in Lourdes to an augmented-reality sandbox, from a mall filled with loitering ex–love interests to a fairy-tale ending where all the men turn out to be chairs. Funny, provocative, sly, and melancholic, \u003ci\u003eCongratulations, Rhododendrons \u003c\/i\u003emakes a case for the hope that every apparent disaster of social investment might in the end be redeemed as meaningful, genuine, or at least in some way helpful.\u003c\/p\u003e","published_at":"2022-03-21T12:08:27-04:00","created_at":"2022-03-21T09:50:28-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Germaine Mary","House of Anansi Press","pub date: 2021-04-06"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190668472379,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008680","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Congratulations, Rhododendrons - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":136,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008680","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190698389563,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008697","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Congratulations, Rhododendrons - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008697","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190698750011,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009199","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Congratulations, Rhododendrons - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009199","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_0c0be2f7-5823-4220-bbcb-ed87d24712f4.jpg?v=1687689529"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_0c0be2f7-5823-4220-bbcb-ed87d24712f4.jpg?v=1687689529","options":["Title"],"media":[{"alt":null,"id":23553574273083,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_0c0be2f7-5823-4220-bbcb-ed87d24712f4.jpg?v=1687689529"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_0c0be2f7-5823-4220-bbcb-ed87d24712f4.jpg?v=1687689529","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn her debut collection, \u003ci\u003eCongratulations, Rhododendrons\u003c\/i\u003e, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThrough poems that speak to plastic bags and drones as much as they admire roses and the moon, Germaine surfs the confluence of artificial and natural environments, technology, and our small but consequential feelings about them. At turns devotional and suspicious, these poems toe the boundaries of intimacy, responsibility, and reason.\u003c\/p\u003e\u003cp\u003eIn anxious times, anything can be taken as a sign; a crow, a talking coin, and a news report are all sources of information whose truth (or “fake-ness”) demand investigation. Germaine’s poems scroll from a shrine in Lourdes to an augmented-reality sandbox, from a mall filled with loitering ex–love interests to a fairy-tale ending where all the men turn out to be chairs. Funny, provocative, sly, and melancholic, \u003ci\u003eCongratulations, Rhododendrons \u003c\/i\u003emakes a case for the hope that every apparent disaster of social investment might in the end be redeemed as meaningful, genuine, or at least in some way helpful.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487003609","AlsoRecommendedISBN_1":"9781487003609","AlsoRecommendedISBN_2":"9781487003814","AlsoRecommendedISBN_3":"9781487007812","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARY GERMAINE\u003c\/strong\u003e is a poet, an educator, and a Ph.D. student at the University of New Brunswick in Fredericton. Her poems have appeared inThe Walrus Magazine, \u003cem\u003eRiddle Fence\u003c\/em\u003e, the \u003cem\u003eArtSci Effect\u003c\/em\u003e, and \u003cem\u003eAugur Magazine\u003c\/em\u003e. She was the recipient of the Adam Penn Gilders Scholarship for Creative Writing from the University of Toronto and the Heaslip Award from Memorial University. Her special talents include finding lost items and having a face that reminds people of someone else they know.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE023000","BISACSubject_1":"POE024000","BISACSubject_2":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARY GERMAINE\u003c\/strong\u003e is a poet, an educator, and a Ph.D. student at the University of New Brunswick in Fredericton. Her poems have appeared inThe Walrus Magazine, \u003cem\u003eRiddle Fence\u003c\/em\u003e, the \u003cem\u003eArtSci Effect\u003c\/em\u003e, and \u003cem\u003eAugur Magazine\u003c\/em\u003e. She was the recipient of the Adam Penn Gilders Scholarship for Creative Writing from the University of Toronto and the Heaslip Award from Memorial University. Her special talents include finding lost items and having a face that reminds people of someone else they know.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Germaine, Mary (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn her debut collection, \u003ci\u003eCongratulations, Rhododendrons\u003c\/i\u003e, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThrough poems that speak to plastic bags and drones as much as they admire roses and the moon, Germaine surfs the confluence of artificial and natural environments, technology, and our small but consequential feelings about them. At turns devotional and suspicious, these poems toe the boundaries of intimacy, responsibility, and reason.\u003c\/p\u003e\u003cp\u003eIn anxious times, anything can be taken as a sign; a crow, a talking coin, and a news report are all sources of information whose truth (or “fake-ness”) demand investigation. Germaine’s poems scroll from a shrine in Lourdes to an augmented-reality sandbox, from a mall filled with loitering ex–love interests to a fairy-tale ending where all the men turn out to be chairs. Funny, provocative, sly, and melancholic, \u003ci\u003eCongratulations, Rhododendrons \u003c\/i\u003emakes a case for the hope that every apparent disaster of social investment might in the end be redeemed as meaningful, genuine, or at least in some way helpful.\u003c\/p\u003e","EAN":"9781487009199","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009199\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Accolades_0":"\u003cp\u003e“\u003cem\u003eCongratulations, Rhododendrons\u003c\/em\u003e is the work of a put-pocket: an unexpected, sneakily delivered gift. Utterly contemporary and truly original, these poems meander; they play at the casual; they reflect at once a frolicking lyric sensibility and an incisive intelligence preoccupied with the big questions: the nature of nature, of time, perception, knowledge, and the self. Acknowledging this time of diminishment, of counting our losses, the poems nonetheless discover joy in the act of engaging.” — \u003cstrong\u003eMary Dalton, author of Hooking: A Book of Centos\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Mary Dalton, author of Hooking: A Book of Centos","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePOETRY AT ITS MOST FRESH AND TIMELY: \u003c\\\/strong\u003eThematically, Germaine’s poems could not be more exciting or timely. She explores the intersections of technology and social life, and the tensions swirling around our relationships to our devices, to AI, to the media, to each other, and to the natural world. In a time of anxiety and near-constant fluctuations between positivity and misanthropy, this collection will be a welcome meditation on the exciting possibilities of hope and transformation. \u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eDEBUT COLLECTION FROM EXCITING EMERGING POET:\u003c\\\/strong\u003e Germaine is a well-publicized emerging poet, with her work appearing in respected Canadian literary magazines, both regional and national, including The WalrusMagazine and \u003cem\u003eAugur\u003c\\\/em\u003e, among others. Her star will surely continue to rise upon the publication of her first collection of poetry. Anansi poetry has received fantastic buzz in recent seasons, especially for the likes of exciting debuts such as John Elizabeth Stintzi’s \u003cem\u003eJunebat\u003c\\\/em\u003e (scheduled to be debuted at AWP 2020) and Mikko Harvey’s \u003cem\u003eUnstable Neighbourhood Rabbit\u003c\\\/em\u003e (who attended AWP 2018).\u003c\\\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003ePOETRY AT ITS MOST FRESH AND TIMELY: \u003c\/strong\u003eThematically, Germaine’s poems could not be more exciting or timely. She explores the intersections of technology and social life, and the tensions swirling around our relationships to our devices, to AI, to the media, to each other, and to the natural world. In a time of anxiety and near-constant fluctuations between positivity and misanthropy, this collection will be a welcome meditation on the exciting possibilities of hope and transformation. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDEBUT COLLECTION FROM EXCITING EMERGING POET:\u003c\/strong\u003e Germaine is a well-publicized emerging poet, with her work appearing in respected Canadian literary magazines, both regional and national, including The WalrusMagazine and \u003cem\u003eAugur\u003c\/em\u003e, among others. Her star will surely continue to rise upon the publication of her first collection of poetry. Anansi poetry has received fantastic buzz in recent seasons, especially for the likes of exciting debuts such as John Elizabeth Stintzi’s \u003cem\u003eJunebat\u003c\/em\u003e (scheduled to be debuted at AWP 2020) and Mikko Harvey’s \u003cem\u003eUnstable Neighbourhood Rabbit\u003c\/em\u003e (who attended AWP 2018).\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_ShortDescription_0":"In her debut collection, Congratulations, Rhododendrons, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.","ProductFormDescription":"mobi","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"In her debut collection, Congratulations, Rhododendrons, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.","Width":"5.5","WidthCode":"in"}
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    Congratulations, Rhododendrons

    In her debut collection, Congratulations, Rhododendrons, award-winning poet Mary Germaine offers love poems to an insistently unlovely world.

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     The Mosquito Brothers
    Quick View {"id":6815470288955,"title":"The Mosquito Brothers","handle":"the-mosquito-brothers","description":"\u003cp\u003e\u003cstrong\u003eAccompanied by quirky line drawings by Spanish illustrator Erica Salcedo, this is a gently humorous and remarkably informative nature-adventure story about an unlikely pointy-nosed hero with big dreams and an even bigger heart.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAfter he nearly drowns in a parking-lot puddle, Dinnn Needles is fearful of many things, including flying. When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool.\u003c\/p\u003e\u003cp\u003eAt school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. But Dinnn never really takes to city life. Lonely and left out, he is filled with an unexplained longing. He sips spilled cola from abandoned pop cans, but it is not as tasty as flower nectar. He tries to make friends with the local street mosquitoes, but that just lands him in a sewer filled with spiders and water snakes. He hears about the red mini-van that brought his parents together and wonders about his extended family in the country. He even finds a great black jacket in a roadside ditch, but it doesn’t make him cool.\u003c\/p\u003e\u003cp\u003eAnd then one day, as fate would have it, the red mini-van reappears, giving Dinnn a chance to visit to his relatives in The Wild, where new perils await an inexperienced city mosquito — being struck by a raindrop, zapped by a porch light or snapped up by a hungry fish at dusk. But in the end Dinnn discovers that being cool is a matter of what you do, especially for one’s friends and family, including two new brothers. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.3\u003cbr\u003eDescribe characters in a story (e.g., their traits, motivations, or feelings) and explain how their actions contribute to the sequence of events\u003c\/p\u003e","published_at":"2022-03-24T17:43:50-04:00","created_at":"2022-03-24T14:37:36-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 7 - 9","By (author) Ondaatje Griffin","CC Literature - Grade 3","CCSS.ELA-LITERACY.RL.3.3","Childrens Accessible ebooks","Groundwood Books","Illustrated by Salcedo Erica","Lexile measure 640L","pub date: 2015-04-24"],"price":995,"price_min":995,"price_max":1495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40209994612795,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781554984374","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Mosquito Brothers - 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When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool.\u003c\/p\u003e\u003cp\u003eAt school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. But Dinnn never really takes to city life. Lonely and left out, he is filled with an unexplained longing. He sips spilled cola from abandoned pop cans, but it is not as tasty as flower nectar. He tries to make friends with the local street mosquitoes, but that just lands him in a sewer filled with spiders and water snakes. He hears about the red mini-van that brought his parents together and wonders about his extended family in the country. 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She lives in Cuenca, Spain.","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Ondaatje, Griffin (CA)","Contributor_1":"Salcedo, Erica","Description":"\u003cp\u003e\u003cstrong\u003eAccompanied by quirky line drawings by Spanish illustrator Erica Salcedo, this is a gently humorous and remarkably informative nature-adventure story about an unlikely pointy-nosed hero with big dreams and an even bigger heart.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAfter he nearly drowns in a parking-lot puddle, Dinnn Needles is fearful of many things, including flying. When his four hundred siblings swarm off without him, he finds time to dream —about family stories, a lost brother, adventure in The Wild and, above all, how to be cool.\u003c\/p\u003e\u003cp\u003eAt school in an abandoned air-conditioner, Dinnn learns about the deadly Pondhawk dragonfly and other dangers that lie beyond his home under a drive-in theater screen. 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    The Mosquito Brothers

    A city mosquito who longs to be cool finds friendship and adventure on an unexpected trip to The Wild.

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     Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.
    Quick View {"id":7299167092795,"title":"Shadow Price","handle":"shadow-price","description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nShortlisted, 2026 Trillium Book Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eShortlisted, 2026 League of Canadian Poets' Raymond Souster Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e\n","published_at":"2024-08-29T17:43:54-04:00","created_at":"2024-08-29T17:38:26-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Poetry","By (author) Ghafoor Farah","Feminist Reads","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41820378726459,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012922","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":210,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012922","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41820378791995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012939","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Price - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012939","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440","options":["Title"],"media":[{"alt":"Cover: Shadow Price by Farah Ghafoor. Over a bright yellow background, the cover features an illustrated pair of hands making casting a shadow puppet in the shape of a dog.","id":26831051456571,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487012922.jpg?v=1780064440","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nShortlisted, 2026 Trillium Book Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eShortlisted, 2026 League of Canadian Poets' Raymond Souster Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e\n"} {"AlsoRecommendedISBN_0":"9781487008710","AlsoRecommendedISBN_1":"9781487010843","AlsoRecommendedISBN_2":"9781487011826","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003eBased in Tkaranto (Toronto), \u003cstrong\u003eFARAH GHAFOOR \u003c\/strong\u003eis the author of \u003cem\u003eShadow Price\u003c\/em\u003e (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of \u003cem\u003eShadow Price\u003c\/em\u003e won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eThe Offing\u003c\/em\u003e, \u003cem\u003eBrick Magazine\u003c\/em\u003e, and \u003cem\u003eThe Fiddlehead\u003c\/em\u003e, art exhibitions like \u003cem\u003eWho's Afraid of Labour Justice\u003c\/em\u003e? and \u003cem\u003eFACE\/WASTE\u003c\/em\u003e, as well as anthologies and post-secondary course curriculums. \u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Ghafoor, Farah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eShortlisted, 2025 Governor General's Literary Award for Poetry\u003cbr\u003e\nLonglisted, 2025 Toronto Book Awards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eA CBC Best Book of 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—\u003cem\u003eShadow Price\u003c\/em\u003e is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/p\u003e\n\u003cp\u003e What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, \u003cem\u003eShadow Price\u003c\/em\u003e captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. \u003c\/p\u003e\n\u003cp\u003eShadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast.\u003c\/p\u003e","EAN":"9781487012939","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012939\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Poetry;EJ Pratt Award for Poetry;CBC Poetry Prize;University of Toronto;Financial Analyst;Accounting Poems;South Asian;My Grief the Sun;Intruder;Sanna Wani;Wellwater;Room Magazine;Silk Road Literary Festival;League of Canadian Poets;ARC Poetry Magazine;Pakistani-Canadian;Climate Anxiety;Capitalism;Late Stage Capitalism;Chimwemwe Undi;Scientific Marvel;Environmentalism;Economy;Muslim;Islam;Women's Studies;Women's Poetry;Muslim Poetry;Karen Solie","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“Farah Ghafoor’s highly-anticipated debut is as expansive and epic as it is exacting … \u003cem\u003eShadow Price\u003c\/em\u003e is a stalwart reminder of how much we have already lost to capitalism, how much we still might lose, and how we might come to terms with this disrepair.”– \u003cstrong\u003eSanna Wani, author of \u003cem\u003eMy Grief, the Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“With ardor and a lustrous fury, Farah Ghafoor emboldens with poems that resound of a planet in crisis … This is a book we need now more than ever given the severe and precarious state of our entire existence and all that we touch, eat, breathe, and leave behind.\" —\u003cstrong\u003eMai Der Vang, author of \u003cem\u003ePrimordial\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"If we are the last poets, may this collection inspire us to truly value the pricelessness of our wounded and wondrous planet.\" — \u003cstrong\u003eCraig Santos Perez, author of \u003cem\u003eCal This Mutiny\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3":"\u003cp\u003e“[Ghafoor] deconstructs and reassembles our world into a sincere but uncanny and urgent stream of thoughts and images, often playful, absurd, sarcastic, and funny … A tour de force.” —\u003cstrong\u003eAndri Magnason, author of \u003cem\u003eTime and Water\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is the second year in a row we have featured a poetry debut by someone who is not a graduate of a creative writing or MFA program (Chim Undi, \u003cem\u003eScientific Marvel\u003c\/em\u003e). She has a BBA from U of T.\u003c\/li\u003e\n\u003cli\u003eBecause of its politics and subject matter, the book\/author will potentially draw crossover interest (it already has) in Environmental, Muslim, and Women’s Studies courses.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A groundbreaking take on ecopoetry … [\u003cem\u003eShadow Price\u003c\/em\u003e manages to] show us a world that is beautiful and, above all, inherently valuable.” \u003cstrong\u003e\u003cem\u003e— Room Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Urgent debut.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Ghafoor’s words hold up a mirror to society, asking whether we still have time or if it is already too late … Gut-wrenching. — \u003cstrong\u003e\u003cem\u003eQuebec Library Association\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“This collection serves as a stark reminder of how much we’ve already lost to capitalism and a warning of how much we still have to lose. Wrapped in lyrics that are lively and irresistible, this is a call to action.” — \u003cstrong\u003e\u003cem\u003eSpring Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Long-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"05","PrizeCode_3":"04","PrizeCode_4":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Trillium Book Award for Poetry","PrizeName_2":"Toronto Book Award","PrizeName_3":"League of Canadian Poets' Raymond Souster Award","PrizeName_4":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2026","PrizeYear_2":"2025","PrizeYear_3":"2026","PrizeYear_4":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eShadow Price \u003c\/em\u003eis a stunning debut that examines the idea of value in a world that burns under our capitalist lens. \u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
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    Shadow Price

    Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. 

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     The Lost Words
    Quick View {"id":6813784965179,"title":"The Lost Words","handle":"the-lost-words","description":"\u003cp\u003e\u003cstrong\u003eFrom bestselling \u003ci\u003eLandmarks\u003c\/i\u003e author Robert Macfarlane and acclaimed artist and author Jackie Morris, a beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2007, when a new edition of the \u003ci\u003eOxford Junior Dictionary\u003c\/i\u003e — widely used in schools around the world — was published, a sharp-eyed reader soon noticed that around forty common words concerning nature had been dropped. Apparently they were no longer being used enough by children to merit their place in the dictionary. The list of these “lost words” included \u003ci\u003eacorn\u003c\/i\u003e, \u003ci\u003eadder\u003c\/i\u003e, \u003ci\u003ebluebell\u003c\/i\u003e, \u003ci\u003edandelion\u003c\/i\u003e, \u003ci\u003efern\u003c\/i\u003e, \u003ci\u003eheron\u003c\/i\u003e, \u003ci\u003ekingfisher\u003c\/i\u003e, \u003ci\u003enewt\u003c\/i\u003e, \u003ci\u003eotter\u003c\/i\u003e, and \u003ci\u003ewillow\u003c\/i\u003e. Among the words taking their place were \u003ci\u003eattachment\u003c\/i\u003e, \u003ci\u003eblog\u003c\/i\u003e, \u003ci\u003ebroadband\u003c\/i\u003e, \u003ci\u003ebullet-point\u003c\/i\u003e, \u003ci\u003ecut-and-paste\u003c\/i\u003e, and \u003ci\u003evoice-mail\u003c\/i\u003e. The news of these substitutions — the outdoor and natural being displaced by the indoor and virtual — became seen by many as a powerful sign of the growing gulf between childhood and the natural world.\u003c\/p\u003e\u003cp\u003eTen years later, Robert Macfarlane and Jackie Morris set out to make a “spell book” that will conjure back twenty of these lost words, and the beings they name, from \u003ci\u003eacorn\u003c\/i\u003e to \u003ci\u003ewren\u003c\/i\u003e. By the magic of word and paint, they sought to summon these words again into the voices, stories, and dreams of children and adults alike, and to celebrate the wonder and importance of everyday nature. \u003ci\u003eThe Lost Words\u003c\/i\u003e is that book — a work that has already cast its extraordinary spell on hundreds of thousands of people and begun a grass-roots movement to re-wild childhood across Britain, Europe, and North America.\u003c\/p\u003e","published_at":"2022-03-23T13:02:31-04:00","created_at":"2022-03-23T09:16:34-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult Award Winning","Adult Bestseller","Adult Course Adoption","Adult Environmentalism","Adult Nonfiction","Adult Starred Reviews","Anansi International","By (author) Macfarlane Robert","Illustrated by Morris Jackie","pub date: 2018-10-02","Read by Bowman Edith","Read by Garvey Guy","Read by Matthews Cerys","Read by Zephaniah Benjamin","The Lost Works"],"price":2499,"price_min":2499,"price_max":4500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40205697155131,"title":"hardcover","option1":"hardcover","option2":null,"option3":null,"sku":"9781487005382","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Lost Words - 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Apparently they were no longer being used enough by children to merit their place in the dictionary. The list of these “lost words” included \u003ci\u003eacorn\u003c\/i\u003e, \u003ci\u003eadder\u003c\/i\u003e, \u003ci\u003ebluebell\u003c\/i\u003e, \u003ci\u003edandelion\u003c\/i\u003e, \u003ci\u003efern\u003c\/i\u003e, \u003ci\u003eheron\u003c\/i\u003e, \u003ci\u003ekingfisher\u003c\/i\u003e, \u003ci\u003enewt\u003c\/i\u003e, \u003ci\u003eotter\u003c\/i\u003e, and \u003ci\u003ewillow\u003c\/i\u003e. Among the words taking their place were \u003ci\u003eattachment\u003c\/i\u003e, \u003ci\u003eblog\u003c\/i\u003e, \u003ci\u003ebroadband\u003c\/i\u003e, \u003ci\u003ebullet-point\u003c\/i\u003e, \u003ci\u003ecut-and-paste\u003c\/i\u003e, and \u003ci\u003evoice-mail\u003c\/i\u003e. The news of these substitutions — the outdoor and natural being displaced by the indoor and virtual — became seen by many as a powerful sign of the growing gulf between childhood and the natural world.\u003c\/p\u003e\u003cp\u003eTen years later, Robert Macfarlane and Jackie Morris set out to make a “spell book” that will conjure back twenty of these lost words, and the beings they name, from \u003ci\u003eacorn\u003c\/i\u003e to \u003ci\u003ewren\u003c\/i\u003e. By the magic of word and paint, they sought to summon these words again into the voices, stories, and dreams of children and adults alike, and to celebrate the wonder and importance of everyday nature. \u003ci\u003eThe Lost Words\u003c\/i\u003e is that book — a work that has already cast its extraordinary spell on hundreds of thousands of people and begun a grass-roots movement to re-wild childhood across Britain, Europe, and North America.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487005924","AlsoRecommendedISBN_1":"9781487005924","AlsoRecommendedISBN_2":"9781487007799","AlsoRecommendedISBN_3":"9781487009342","AlsoRecommendedISBN_4":"9781487009342","BASICMainSubject":"LAN024000","BASICMainSubjectLiteral":"LANGUAGE ARTS \u0026 DISCIPLINES\/Linguistics\/Etymology","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"ART \/ Subjects \u0026amp; Themes \/ Plants \u0026amp; Animals","BISACSubjectLiteral_1":"LANGUAGE ARTS \u0026amp; DISCIPLINES \/ Linguistics \/ Etymology","BISACSubjectLiteral_2":"NATURE \/ Environmental Conservation \u0026amp; Protection","BISACSubject_0":"ART050030","BISACSubject_1":"LAN024000","BISACSubject_2":"NAT011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBERT MACFARLANE\u003c\/strong\u003e's \u003cem\u003eSunday Times\u003c\/em\u003e- and \u003cem\u003eNew York Times\u003c\/em\u003e-bestselling books include \u003cem\u003eIs a River Alive?\u003c\/em\u003e, \u003cem\u003eUnderland\u003c\/em\u003e, \u003cem\u003eLandmarks\u003c\/em\u003e, \u003cem\u003eThe Old Ways\u003c\/em\u003e, \u003cem\u003eThe Wild Places\u003c\/em\u003e and \u003cem\u003eMountains of the Mind\u003c\/em\u003e, as well as a book-length prose-poem, \u003cem\u003eNess\u003c\/em\u003e. His work has been translated into more than thirty languages, won prizes around the world, and been widely adapted for film, music, theatre, radio and dance. He has also written operas, plays, albums, choral works, and films including \u003cem\u003eRiver\u003c\/em\u003e and \u003cem\u003eMountain\u003c\/em\u003e, both narrated by Willem Dafoe. He has collaborated closely with artists including Olafur Eliasson, and with the artist Jackie Morris he co-created the internationally bestselling books of nature-poetry and art, \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e. In 2017, the American Academy of Arts and Letters awarded him the E.M. Forster Prize for Literature, and in 2023 in Toronto he was the inaugural winner of the Weston International Award for a body of work in the field of non-fiction. He is a Fellow of Emmanuel College, Cambridge, and is presently working on a graphic-novel re-telling of the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJACKIE MORRIS\u003c\/strong\u003e has written or illustrated over seventy books, including the beloved children’s classics \u003cem\u003eTell Me a Dragon\u003c\/em\u003e and \u003cem\u003eEast of the Sun, West of the Moon\u003c\/em\u003e and a volume of modern folklore for readers of all ages, \u003cem\u003eWild Folk\u003c\/em\u003e, co-created with Tamsin Abbott, as well as introducing and illustrating Barbara Newhall Follett’s gem of wild literature, \u003cem\u003eThe House Without Windows\u003c\/em\u003e. She is the internationally bestselling and award-winning co-creator of \u003cem\u003eThe Lost Words\u003c\/em\u003e and \u003cem\u003eThe Lost Spells\u003c\/em\u003e, two books which have captured the hearts of hundreds of thousands of readers of all ages. In 2018 she won the Kate Greenaway Medal and the British Book Awards Children’s Book of the Year for \u003cem\u003eThe Lost Words\u003c\/em\u003e. Her artwork is held by public art collections in the UK and USA and has been published in the \u003cem\u003eNew Statesman\u003c\/em\u003e, \u003cem\u003eIndependent\u003c\/em\u003e and \u003cem\u003eGuardian\u003c\/em\u003e among other venues. She tours and performs with the Spell Songs ensemble around the UK, and is a Fellow of Herefordshire Art College.\u003c\/p\u003e\n","ContributorBio_2":"\u003cp\u003e\u003cstrong\u003eEDITH BOWMAN\u003c\/strong\u003e is a television presenter, radio DJ, and the former host of the \u003cem\u003eWeekday Afternoon Show\u003c\/em\u003e and \u003cem\u003eWeekend Morning\u003c\/em\u003e on BBC Radio 1.\u003c\/p\u003e\n","ContributorBio_3":"\u003cp\u003e\u003cstrong\u003eGUY GARVEY\u003c\/strong\u003e is the lead singer and lyricist of the band Elbow and a BBC Radio presenter.\u003c\/p\u003e\n","ContributorBio_4":"\u003cp\u003e\u003cstrong\u003eCERYS MATTHEWS\u003c\/strong\u003e is the host of several shows on BBC Radio, a documentary filmmaker, and a founding member of the band Catatonia.\u003c\/p\u003e\n","ContributorBio_5":"\u003cp\u003e\u003cstrong\u003eBENJAMIN ZEPHANIAH\u003c\/strong\u003e is a writer of dub poetry, novels, and children’s books, and an acclaimed and best-selling recording artist.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","ContributorRole_2":"Read by","ContributorRole_3":"Read by","ContributorRole_4":"Read by","ContributorRole_5":"Read by","Contributor_0":"Macfarlane, Robert","Contributor_1":"Morris, Jackie","Contributor_2":"Bowman, Edith","Contributor_3":"Garvey, Guy","Contributor_4":"Matthews, Cerys","Contributor_5":"Zephaniah, Benjamin","Description":"\u003cp\u003e\u003cstrong\u003eFrom bestselling \u003ci\u003eLandmarks\u003c\/i\u003e author Robert Macfarlane and acclaimed artist and author Jackie Morris, a beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2007, when a new edition of the \u003ci\u003eOxford Junior Dictionary\u003c\/i\u003e — widely used in schools around the world — was published, a sharp-eyed reader soon noticed that around forty common words concerning nature had been dropped. Apparently they were no longer being used enough by children to merit their place in the dictionary. The list of these “lost words” included \u003ci\u003eacorn\u003c\/i\u003e, \u003ci\u003eadder\u003c\/i\u003e, \u003ci\u003ebluebell\u003c\/i\u003e, \u003ci\u003edandelion\u003c\/i\u003e, \u003ci\u003efern\u003c\/i\u003e, \u003ci\u003eheron\u003c\/i\u003e, \u003ci\u003ekingfisher\u003c\/i\u003e, \u003ci\u003enewt\u003c\/i\u003e, \u003ci\u003eotter\u003c\/i\u003e, and \u003ci\u003ewillow\u003c\/i\u003e. Among the words taking their place were \u003ci\u003eattachment\u003c\/i\u003e, \u003ci\u003eblog\u003c\/i\u003e, \u003ci\u003ebroadband\u003c\/i\u003e, \u003ci\u003ebullet-point\u003c\/i\u003e, \u003ci\u003ecut-and-paste\u003c\/i\u003e, and \u003ci\u003evoice-mail\u003c\/i\u003e. The news of these substitutions — the outdoor and natural being displaced by the indoor and virtual — became seen by many as a powerful sign of the growing gulf between childhood and the natural world.\u003c\/p\u003e\u003cp\u003eTen years later, Robert Macfarlane and Jackie Morris set out to make a “spell book” that will conjure back twenty of these lost words, and the beings they name, from \u003ci\u003eacorn\u003c\/i\u003e to \u003ci\u003ewren\u003c\/i\u003e. By the magic of word and paint, they sought to summon these words again into the voices, stories, and dreams of children and adults alike, and to celebrate the wonder and importance of everyday nature. \u003ci\u003eThe Lost Words\u003c\/i\u003e is that book — a work that has already cast its extraordinary spell on hundreds of thousands of people and begun a grass-roots movement to re-wild childhood across Britain, Europe, and North America.\u003c\/p\u003e","EAN":"9781487006877","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006877\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"14.5","HeightCode":"in","Imprint":"Anansi International","MetaKeywords":"is a river alive?;spell songs;hidden life of trees;underland;books about nature;beautiful books;coffee table books;cottagecore;etymology;botany;zoology;oversized;acrostic poems;lost spells;otter puzzle;magpie puzzle;unique gifts;childrens literature;poetry;illustrations;hand lettering;CILIP kate greenaway medal;landmarks;if you hold a seed;as kingfishers catch fire;bedside book of birds;robert bateman's canada;gift book;art lover;poetry lover","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e“A gorgeous book!” — \u003cstrong\u003e@MargaretAtwood\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Src":"@MargaretAtwood","OtherText_Review_0":"\u003cp\u003e\"Every page is enthralling.\" — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003e\"Stylish and melancholy,\u003cem\u003e The Lost Words\u003c\/em\u003e is a book to savour.\"— \u003cstrong\u003e\u003cem\u003eWall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Wall Street Journal","OtherText_Review_2":"\u003cp\u003e\"This union of natural history, poetry, art, and whimsy is, indeed, a truly enchanting all-ages book of life to contemplate, read aloud, and share.\" — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Shelf Awareness","OtherText_Review_3":"\u003cp\u003e\"A sumptuous, nostalgic ode to a disappearing landscape.\" — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Seven Impossible Things Before Breakfast","OtherText_Review_4":"\u003cp\u003e\"A cultural phenomenon.\" —\u003cstrong\u003e\u003cem\u003eThe Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Booklist","OtherText_Review_5":"\u003cp\u003e\"Art, verse, and nature are combined with entertaining elegance in \u003cem\u003eThe Lost Words\u003c\/em\u003e … This large, quality hardcover allows words and watercolour to shine and results in a work that can be left open at any page to stunning effect.\" — \u003cstrong\u003e\u003cem\u003eShelf Awareness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Kirkus Reviews","OtherText_Review_6":"\u003cp\u003e\u003cem\u003e\"The Lost Words \u003c\/em\u003eis neither a read-on-the-commute book nor a recline-in-bed-and-prop-on-your-belly book. Its weight and unapologetic size demand it be explored on a flat surface; even better, on the floor with you kneeling over it; even better, read aloud; even better, with a child or friend.\" — \u003cstrong\u003e\u003cem\u003eOrion Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“An enchanting diversion into the wonder and magic of nature.” —\u003cstrong\u003e\u003cem\u003e Bulletin\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e\"Utterly enchanting, it’s celebration of nature — but also language itself. If I ran the world, it’d be in every school library and classroom possible.\" — \u003cstrong\u003e\u003cem\u003eSeven Impossible Things Before Breakfast\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"A beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"04","PrizeName_0":"CILIP Kate Greenaway Medal","PrizeName_1":"Wainwright Prize","PrizeYear_0":"2018","PrizeYear_1":"2018","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2018-10-02","Publisher":"House of Anansi Press Inc","Series":"The Lost Works","ShortDescription":"A beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world.","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005382\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"10.75","WidthCode":"in"}
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    The Lost Words

    A beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world.

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     Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.
    Quick View {"id":7253951447099,"title":"Great Silent Ballad","handle":"great-silent-ballad","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026amp; Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e","published_at":"2024-04-19T16:08:58-04:00","created_at":"2024-04-19T15:54:32-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","Adult Poetry","By (author) Moritz A.F.","House of Anansi Press","pub date: 2024-09-24"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696369180731,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012960","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Great Silent Ballad - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":248,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012960","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41696370393147,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012977","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Great Silent Ballad - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012977","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603","options":["Title"],"media":[{"alt":"Cover: Great Silent Ballad: poems by A. F. Moritz. A Renaissance-style painting primarily features two figures, one playing a violin and the other playing a lute. The face of a third figure looks down and to the right at the bottom-left of the page, and the body of a fourth appears on the upper right section.","id":24827446067259,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_91c70813-116d-4765-8ccb-3ca2f79dfad0.jpg?v=1727554603","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026amp; Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487011253","AlsoRecommendedISBN_1":"9781487006181","AlsoRecommendedISBN_2":"9781487006181","AlsoRecommendedISBN_3":"9781487013233","BASICMainSubject":"POE023000","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE023000","BISACSubject_1":"POE011000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Moritz, A.F. (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2025 Al \u0026 Eurithe Purdy Poetry Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“You don’t live if there’s no poetry: you don’t live\u003c\/p\u003e\n\u003cp\u003eat all, or if you appear to yourself to be living, you’re not.\u003c\/p\u003e\n\u003cp\u003eYou really are living, though, even if you’re dead,\u003c\/p\u003e\n\u003cp\u003ebecause you do have poetry, poetry’s with you\u003c\/p\u003e\n\u003cp\u003ewhether or not you know it…”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e, beloved lyric poet A.F. Moritz’s twenty-second volume of poetry, in visionary terms forwards the assertion that poetry, a primordial reality, is in the current moment both the equal of, and the antidote to, the rest of present-day civilization and its suicidal nature.\u003c\/p\u003e\n\u003cp\u003eThe book unfolds in seven short sections that probe such topics as the crucial value of childhood; a human person’s development through maturity and age; the perennially avant-garde nature of great poetry no matter what time and place; and poetry’s inherent involvement with hope and creativity, life and feeling, freedom and love. \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e also reprises Moritz’s longstanding celebration of common human conversation, the apex of which (he argues convincingly) is what we call “poetry”—meaning not just the art of verse, but our total access to the goodness of natural existence.\u003c\/p\u003e","EAN":"9781487012977","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012977\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"visionary;contemporary;avant-garde;Summer Snow;Robert Hass;Michael Crummey;Passengers;Lurch;Don McKay;Barbara Carey","NumberOfPages":"144","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eMoritz has for some time now been known as a master of the form, having won or been recognized for every conceivable honour, both in Canada and the U.S. \u003c\/li\u003e\n\u003cli\u003eEach new collection just solidifies his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003eMoritz is fresh off a four-year stint (2019-2023) as poet Laureate of Toronto. \u003c\/li\u003e\n\u003cli\u003eMoritz has been teaching poetry at U of T for thirty years, and his known for his generosity and mentorship skills. He has helped dozens of young poets launch their careers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eMoritz has for some time now been known as a master of the form, having won or been recognized for every conceivable honour, both in Canada and the U.S. \u003c\/li\u003e\n\u003cli\u003eEach new collection just solidifies his place among the best lyric poets of his generation.\u003c\/li\u003e\n\u003cli\u003eMoritz is fresh off a four-year stint (2019-2023) as poet Laureate of Toronto. \u003c\/li\u003e\n\u003cli\u003eMoritz has been teaching poetry at U of T for thirty years, and his known for his generosity and mentorship skills. He has helped dozens of young poets launch their careers.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e is a poet’s poetry book in one respect, but also quite mesmerizing in its visionary scenes … The poet’s voice engages the reader within its humanism as the speaker delves into his vulnerable childhood and a self-avowedly meagre experience outside of imaginative truth.” \u003cstrong\u003e\u003cem\u003e— The Fiddlehead\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Well worth the read.” — \u003cstrong\u003e\u003cem\u003eFreefall Magazine\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Masterful, lyrical, and evocative.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e offers us a refreshing and uplifting vision in the face of violence, social injustice, and inevitable physical extinction, and some of the poems in it are among the finest Moritz has written in his long and distinguished career.” — \u003cstrong\u003e\u003cem\u003eThe High Window \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“In \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e there is a persistent sense of a doorway opening before us, welcoming us to pass through.” — \u003cstrong\u003e\u003cem\u003eTraces Journal \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“\u003cem\u003eGreat Silent Ballad\u003c\/em\u003e is a masterful continuation of Moritz’s oeuvre, as well as a reminder that the lyric, at its best, still holds the power to transform attention into ethical insight.” \u003cstrong\u003e\u003cem\u003e— The Seaboard Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eBeloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Al \u0026 Eurithe Purdy Poetry Prize","PrizeYear_0":"2025","ProductFormDescription":"epub","PublicationDate":"2024-09-24","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eBeloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.5","WidthCode":"in"}
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    Great Silent Ballad

    Beloved lyric poet A.F. Moritz’s twenty-second volume asserts poetry's spirit, equal and antidotal to the suicidal nature of present-day civilization.

    Add to wishlist
     Satched
    Quick View {"id":6598227722299,"title":"Satched","handle":"satched","description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","published_at":"2021-06-10T17:26:57-04:00","created_at":"2021-06-09T16:37:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Course Adoption","By (author) Coles Megan Gail","House of Anansi Press","Poetry","pub date: 2021-09-07"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39463662026811,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487008956","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Satched - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008956","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39463751221307,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487008949","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Satched - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":249,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487008949","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","options":["Title"],"media":[{"alt":null,"id":22065791434811,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b5b1503a-b35b-4b26-9eb3-fafeeb41fa5c.jpg?v=1652627024","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487003814","AlsoRecommendedISBN_1":"9781487008680","AlsoRecommendedISBN_2":"9781487008680","AlsoRecommendedISBN_3":"9781487003463","AlsoRecommendedISBN_4":"9781487003463","BASICMainSubject":"POE024000","BASICMainSubjectLiteral":"POETRY\/Women Authors","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Women Authors","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Places","BISACSubject_0":"POE024000","BISACSubject_1":"POE011000","BISACSubject_2":"POE023040","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMegan Gail Coles\u003c\/strong\u003e is a graduate of Memorial University of Newfoundland and Labrador, the National Theatre School of Canada, and the University of British Columbia. She is the Co-Founder and Artistic Director of Poverty Cove Theatre Company, for which she has written numerous award-winning plays. Her debut short fiction collection, \u003cem\u003eEating Habits of the Chronically Lonesome\u003c\/em\u003e, won the BMO Winterset Award, the ReLit Award, and the Margaret and John Savage First Book Award, and it earned her the Writers’ Trust of Canada 5×5 Prize. Her debut novel, \u003cem\u003eSmall Game Hunting at the Local Coward Gun Club\u003c\/em\u003e, was a finalist for the Scotiabank Giller Prize and a contender for CBC Canada Reads, and it won the BMO Winterset Award. Originally from Savage Cove on the Great Northern Peninsula of Newfoundland\/ Ktaqmkuk, Megan lives in St. John’s, where she is the Executive Director of \u003cem\u003eRiddle Fence\u003c\/em\u003e and a Ph.D. candidate at Concordia University.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Coles, Megan Gail (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNamed after a local word meaning “soaked through” or “weighed down,” Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection, \u003cem\u003eSatched\u003c\/em\u003e, is a vivid portrait of intergenerational trauma, ecological grief, and late-stage capitalism from the perspective of a woman of rural-remote, Northern, working class, mixed ancestry.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHonest, penetrating, and often darkly comic, these poems explore the extraordinary will it requires to stay alive in the face of economic precariousness, growing inequality, and prevailing dissatisfaction. With a fierce dedication to place, the collection explores the conflict inherent to individualistic priorities and collective needs present in a hyper-commodified Newfoundland and Labrador. \u003cem\u003eSatched\u003c\/em\u003e demands compassionate advocacy for all as it resolutely strives for clarity and acceptance while celebrating the momentary glimpses of joy in the path toward shared values and resilience.\u003c\/p\u003e","EAN":"9781487008949","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487008949\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"canada reads;mental health;feminism;social media;anansi poetry;depression;anxiety;poetics;canadian literature;contemporary literature;canadian poetry","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“Reading \u003cem\u003eSatched\u003c\/em\u003e is like drinking chilled wine with an old friend on a hot night, commiserating with love, gratitude, and mutual affection. It’s opening a second bottle, letting the kids fall asleep watching movies, and getting out the hidden cigarettes to really get into it. It’s a fist in the air before it’s aimed at an appropriate eyeball. It’s an exceptional accomplishment full of lyrical strength and poetic endurance.” — \u003cstrong\u003eKatherena Vermette, author of river woman\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Katherena Vermette, author of river woman","OtherText_Accolades_1":"\u003cp\u003e“Are you ready for poems that pierce straight to the bone? Megan Gail Coles’s \u003cem\u003eSatched\u003c\/em\u003e is a razor edge of fierce truth, grim humour, and unalloyed beauty. With sharp-eyed clarity and fearless candour, Coles slices open the veils of capitalism and colonization to reveal a landscape marked by poverty and resilience, violence, and hope. This is Newfoundland and Labrador seen through the eyes of unconditional love and furious rage. The political, the personal, and the poetic interweave seamlessly in this debut collection, adding another genre to Coles’s already impressive repertoire. \u003cem\u003eSatched\u003c\/em\u003e is the kind of book we need right now, the kind that confronts the real world head-on while also teaching us how to live in it.” — \u003cstrong\u003eKai Cheng Thom, author of a place called No Homeland\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Kai Cheng Thom, author of a place called No Homeland","OtherText_Accolades_2":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — \u003cstrong\u003eCassidy McFadzean, author of Drolleries\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Cassidy McFadzean, author of Drolleries","OtherText_Accolades_3":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — \u003cstrong\u003eClea Roberts, author of Auguries\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Clea Roberts, author of Auguries","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\r\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\r\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe first poetry collection from award-winning fiction author Megan Gail Coles.\u003c\/li\u003e\n\u003cli\u003eLike Kate Baer’s \u003cem\u003eWhat Kind of Woman \u003c\/em\u003eand Billy-Ray Belcourt’s \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e, Coles’s collection is poised to find an audience beyond regular poetry readers.\u003c\/li\u003e\n\u003cli\u003eColes’s poetry confronts powerful yet relatable themes, and audiences will appreciate her conscientious depiction of racism, misogyny, and poverty. \u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Quote_from_review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.”\u003c\/p\u003e\r\n","OtherText_Quote_from_review_1":"\u003cp\u003e“\u003cem\u003eSatched\u003c\/em\u003e is an acerbic, bold, and wise debut that susses out the subtle and sinister ways men infringe on women’s mental and physical spaces, the horrors of the climate crisis, and the pitfalls of economic precarity. With technical mastery and an immediately infectious tone, Coles inhabits the voices of Atlantic Canada, unearths the ways grief inhabits a place, and interrogates prevailing notions of resiliency. Coles intimates both how ‘our minds are poisoned against ourselves’ and the ways in which kinship offers a path to forge through the audaciousness of capital and insidiousness of colonialism. Reading \u003cem\u003eSatched\u003c\/em\u003e is like talking to your smartest, funniest friend who wryly declares, ‘there is nothing and no one standing in your way, \/ except capitalism and global pandemics.’” — Cassidy McFadzean, author of \u003cem\u003eDrolleries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Quote_from_review_2":"\u003cp\u003e“These poems tumble into me with a rage and beauty that is oceanic. I am satched to the core. Megan Gail Coles writes poems that ask us to reconsider historical and contemporary attitudes toward poverty, race, gender, and the environment, engaging her reader in ‘this present rowing over the past \/ to make up the future.’ Because while these poems speak deeply to intergenerational trauma, solastalgia, and the systemic ills of capitalism hidden in plain sight, they are forward-looking at heart. Satched puts forth that despite (or perhaps because of) our human frailties, we can begin again. These poems demonstrate that repair is possible, even from a rusty scaffold, if we are willing to reach beyond ourselves.” — Clea Roberts, author of \u003cem\u003eAuguries\u003c\/em\u003e\u003c\/p\u003e\r\n","OtherText_Review_0":"\u003cp\u003e“This collection trills of the [Newfoundland] region and its distinct speech … Coles creates an intimacy in \u003cem\u003eSatched\u003c\/em\u003e through her urban maritime lens and straightforward style.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e","ProductFormDescription":"trade paperback","PublicationDate":"2021-09-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003eNamed after a local word meaning “soaked through” or “weighed down,” \u003cem\u003eSatched\u003c\/em\u003e is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.\u003c\/p\u003e","Width":"6","WidthCode":"in"}
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    Satched

    Named after a local word meaning “soaked through” or “weighed down,” Satched is Scotiabank Giller Prize finalist Megan Gail Coles’s debut poetry collection.

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     Poems for All the Annettes
    Quick View {"id":7348969373755,"title":"Poems for All the Annettes","handle":"poems-for-all-the-annettes","description":"\u003cp\u003eOriginally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, \u003cem\u003ePoems for All the Annettes\u003c\/em\u003e stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—\"At Roblin Lake,\" \"At the Quinte Hotel\"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.\u003c\/p\u003e","published_at":"2025-02-20T16:59:19-05:00","created_at":"2025-02-20T16:53:16-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["A List","Adult Poetry","By (author) Purdy Al","Introduction by Heighton Steven","pub date: 2012-10-13"],"price":1495,"price_min":1495,"price_max":1495,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42024738291771,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770892606","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Poems for All the Annettes - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1495,"weight":163,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770892606","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407","options":["Title"],"media":[{"alt":null,"id":25135674949691,"position":1,"preview_image":{"aspect_ratio":0.647,"height":618,"width":400,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407"},"aspect_ratio":0.647,"height":618,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_48affc0c-11f6-416d-8eda-422f81574737.jpg?v=1740088407","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOriginally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, \u003cem\u003ePoems for All the Annettes\u003c\/em\u003e stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—\"At Roblin Lake,\" \"At the Quinte Hotel\"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781770893719","AlsoRecommendedISBN_1":"9781770892781","AlsoRecommendedISBN_2":"9781770892491","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"Al Purdy (1918-2000) was one of the greatest Canadian poets of the twentieth century.","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"Al Purdy (1918-2000) was one of the greatest Canadian poets of the twentieth century.","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\/em\u003e and \u003cem\u003eThe Address Book\u003c\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/em\u003ethe \u003cem\u003eIndependent, \u003c\/em\u003ethe \u003cem\u003eLiterary Review\u003c\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\/em\u003e. To listen, visit www.wolfeislandrecords.com\/stevenheighton.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Introduction by","Contributor_0":"Purdy, Al (CA)","Contributor_1":"Heighton, Steven (CA)","Description":"\u003cp\u003eOriginally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, \u003cem\u003ePoems for All the Annettes\u003c\/em\u003e stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—\"At Roblin Lake,\" \"At the Quinte Hotel\"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.\u003c\/p\u003e","EAN":"9781770892606","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770892606\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"A List","NumberOfPages":"136","OtherText_ShortDescription_0":"Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career.","ProductFormDescription":"trade paperback","PublicationDate":"2012-10-13","Publisher":"House of Anansi Press Inc","Series":"A List","ShortDescription":"Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career.","Width":"5.5","WidthCode":"in"}
    Add to wishlist

    Poems for All the Annettes

    Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career.

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     The Wrecking Light
    Quick View {"id":7524251238459,"title":"The Wrecking Light","handle":"the-wrecking-light","description":"\u003cp\u003eRobin Robertson's fourth collection is, if anything, an even more intense, moving, bleakly lyrical, and at times shocking book than\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwithering\u003c\/em\u003e, winner of the Forward Poetry Prize. These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze -- whether on the natural world or the details of his own life -- is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour.\u003c\/p\u003e\n\u003cp\u003eAlongside fine translations from Pablo Neruda and Eugenio Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems -- certainties become volatile, the simplest situations thicken with strangeness and threat -- all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a work of considerable grandeur and sweep, and confirms Robertson as one of the most arresting and powerful poets at work today.\u003c\/p\u003e","published_at":"2026-01-16T17:03:10-05:00","created_at":"2026-01-16T11:37:28-05:00","vendor":"House of Anansi Press","type":"","tags":[],"price":2295,"price_min":2295,"price_max":2295,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43233625800763,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":".9780887842580","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Wrecking Light - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":".9780887842580","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445","options":["Title"],"media":[{"alt":null,"id":26292253753403,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2326,"width":1525,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445"},"aspect_ratio":0.656,"height":2326,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887842580.jpg?v=1768581445","width":1525}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eRobin Robertson's fourth collection is, if anything, an even more intense, moving, bleakly lyrical, and at times shocking book than\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwithering\u003c\/em\u003e, winner of the Forward Poetry Prize. These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze -- whether on the natural world or the details of his own life -- is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour.\u003c\/p\u003e\n\u003cp\u003eAlongside fine translations from Pablo Neruda and Eugenio Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems -- certainties become volatile, the simplest situations thicken with strangeness and threat -- all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wrecking Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a work of considerable grandeur and sweep, and confirms Robertson as one of the most arresting and powerful poets at work today.\u003c\/p\u003e"} {"ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eROBIN ROBERTSON\u003c\/strong\u003e is from the northeast coast of Scotland and now lives in London.\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Robertson, Robin","Imprint":"Anansi International","NumberOfPages":"112","Publisher":"House of Press Inc"}
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    The Wrecking Light

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     A man with medium dark skin tone stands in a doorway and holds the two doors open. Inside the space are large machines with gears. Text: Explosion at the Poem Factory. Kyle Lukoff and Mark Hoffmann.
    Quick View {"id":6811314225211,"title":"Explosion at the Poem Factory","handle":"explosion-at-the-poem-factory","description":"\u003cp\u003e\u003cstrong\u003eA funny story, full of wordplay, brings poetry alive as never before!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he’s out of a job. He spots a “Help Wanted” sign at the poem factory and decides to investigate — he’s always been curious about how poems are made.\u003c\/p\u003e\n\u003cp\u003eThe foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the “meter meter” and empty the “cliché bins.” He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration.\u003c\/p\u003e\n\u003cp\u003eBut one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive?\u003c\/p\u003e\n\u003cp\u003eKyle Lukoff’s funny story, rich in wordplay, is complemented by Mark Hoffmann’s lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms. An author’s note explains the inspiration for the story.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\ndefinitions\u003cbr\u003e\nglossary\u003cbr\u003e\nauthor's note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","published_at":"2022-03-21T17:16:04-04:00","created_at":"2022-03-21T12:41:01-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 6 - 9","By (author) Lukoff Kyle","CC Literature - Grade 4","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.2.4","Childrens Poetry","Fountas \u0026 Pinnell Text Level Gradient Y","Groundwood Books","Guided Reading Level Y","Illustrated by Hoffmann Mark","Picture Books","pub date: 2020-04-01"],"price":1695,"price_min":1695,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191027347515,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773061320","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Explosion at the Poem Factory - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773061320","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191102386235,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773061337","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Explosion at the Poem Factory - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773061337","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191102484539,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773063515","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Explosion at the Poem Factory - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063515","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_73f9faca-5c8e-410b-9d79-d5783d1d8400.jpg?v=1647887360","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_0722f1b4-4f9b-43a6-8ce5-651fac2308de.jpg?v=1647887373","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a5e35ad1-aa2b-43e8-88ef-4a04132d020f.jpg?v=1647887387"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109","options":["Title"],"media":[{"alt":"A man with medium dark skin tone stands in a doorway and holds the two doors open. Inside the space are large machines with gears. Text: Explosion at the Poem Factory. Kyle Lukoff and Mark Hoffmann.","id":24903322894395,"position":1,"preview_image":{"aspect_ratio":0.677,"height":2365,"width":1600,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109"},"aspect_ratio":0.677,"height":2365,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_5d5ec7cc-6abc-4a26-a2b8-bc40f7d2a475.jpg?v=1731057109","width":1600},{"alt":"This image is a double page spread. To the left, a man with dark skin tone in pink pants with suspenders stands on a raised platform and leans against a railing. The text says he looks around at machines. He learns to operate them, and they stopped making him nervous. To the right, the man tries to work a series of large machines, one named Meter Meter and another named Voltatron.","id":21748989067323,"position":2,"preview_image":{"aspect_ratio":1.326,"height":377,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_73f9faca-5c8e-410b-9d79-d5783d1d8400.jpg?v=1647887360"},"aspect_ratio":1.326,"height":377,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_73f9faca-5c8e-410b-9d79-d5783d1d8400.jpg?v=1647887360","width":500},{"alt":"This image is a double page spread. To the left, a man with dark skin tone in pink pants and suspenders runs from explosions back and forth across the page. At the bottom of the page, he carries a man with light skin tone. To the right, the man with dark skin tone is by a large pile of broken machinery and pipes. Smoke rises from the pile. The text says that the loud noises from the factory are overwhelming, and no one could hear him. The workers all manage to escape just before the factory collapses.","id":21748989460539,"position":3,"preview_image":{"aspect_ratio":1.326,"height":377,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_0722f1b4-4f9b-43a6-8ce5-651fac2308de.jpg?v=1647887373"},"aspect_ratio":1.326,"height":377,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_0722f1b4-4f9b-43a6-8ce5-651fac2308de.jpg?v=1647887373","width":500},{"alt":"A man with dark skin tone kicks a lemon. Text: Some Types of Poems. Acrostic: When a certain letter in each line of a poem spells out a word. An acrostic for the name Kyle could be Kicks Yellow Lemons Everywhere. He raises his arms. A sign has 6 rainbow lines. Text: Concrete verse: A poem where the words on the page are arranged into a picture that represents the poem’s subject or meaning. The sign says on the other side of a dark place is somewhere with a pot of gold, and there are the joys of other lands.","id":21748989984827,"position":4,"preview_image":{"aspect_ratio":1.326,"height":377,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a5e35ad1-aa2b-43e8-88ef-4a04132d020f.jpg?v=1647887387"},"aspect_ratio":1.326,"height":377,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a5e35ad1-aa2b-43e8-88ef-4a04132d020f.jpg?v=1647887387","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA funny story, full of wordplay, brings poetry alive as never before!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he’s out of a job. He spots a “Help Wanted” sign at the poem factory and decides to investigate — he’s always been curious about how poems are made.\u003c\/p\u003e\n\u003cp\u003eThe foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the “meter meter” and empty the “cliché bins.” He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration.\u003c\/p\u003e\n\u003cp\u003eBut one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive?\u003c\/p\u003e\n\u003cp\u003eKyle Lukoff’s funny story, rich in wordplay, is complemented by Mark Hoffmann’s lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms. An author’s note explains the inspiration for the story.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\ndefinitions\u003cbr\u003e\nglossary\u003cbr\u003e\nauthor's note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781554989331","AlsoRecommendedISBN_1":"9781554983827","AlsoRecommendedISBN_2":"9781554983827","AlsoRecommendedISBN_3":"9781554983827","AlsoRecommendedISBN_4":"9781554988778","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"11","AudienceRangeQualifier_2":"17","AudienceRangeValue_1_0":"1","AudienceRangeValue_1_1":"1","AudienceRangeValue_1_2":"6","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"4","AudienceRangeValue_2_2":"9","BASICMainSubject":"JUV009080","BASICMainSubjectLiteral":"JUVENILE FICTION\/Concepts\/Words","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKYLE LUKOFF\u003c\/strong\u003e has worked at the intersection of books and people for more than half his life, first as a bookseller and later as a school librarian, reviewer, awards juror and contributor to professional publications. His first picture book, \u003cem\u003eA Storytelling of Ravens\u003c\/em\u003e, illustrated by Natalie Nelson, received two starred reviews and his second, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e was described as “joyful and affirming” in a \u003cem\u003eKirkus\u003c\/em\u003e starred review and has received three other starred reviews. A confirmed bachelor, Kyle lives in a Brooklyn apartment filled with books.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Concepts \/ Words","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Business, Careers, Occupations","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Poetry","BISACSubjectLiteral_3":"JUVENILE FICTION \/ Humorous Stories","BISACSubject_0":"JUV009080","BISACSubject_1":"JUV006000","BISACSubject_2":"JUV070000","BISACSubject_3":"JUV019000","CommonCore":"CCSS.ELA-LITERACY.RL.2.4","ComplexityCode_0":"Y","ComplexityCode_1":"Y","ComplexitySchemeIdentifier_0":"09","ComplexitySchemeIdentifier_1":"05","ComplexitySchemeIdName_0":"Guided Reading Level","ComplexitySchemeIdName_1":"Fountas \u0026amp; Pinnell Text Level Gradient","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKYLE LUKOFF\u003c\/strong\u003e has worked at the intersection of books and people for more than half his life, first as a bookseller and later as a school librarian, reviewer, awards juror and contributor to professional publications. His first picture book, \u003cem\u003eA Storytelling of Ravens\u003c\/em\u003e, illustrated by Natalie Nelson, received two starred reviews and his second, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e was described as “joyful and affirming” in a \u003cem\u003eKirkus\u003c\/em\u003e starred review and has received three other starred reviews. A confirmed bachelor, Kyle lives in a Brooklyn apartment filled with books.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMARK HOFFMANN \u003c\/strong\u003eis an author\/illustrator of children’s books, editorial illustrator and artist who has won many awards for his illustrations. He is also a professor at Montserrat College of Art. Mark’s picture books include \u003cem\u003eExplosion at the Poem Factory\u003c\/em\u003e by Kyle Lukoff; \u003cem\u003eThe Note Who Faced the Music\u003c\/em\u003e by Lindsay Bonilla; \u003cem\u003eSoren’s Seventh Song\u003c\/em\u003e by Dave Eggers (starred reviews from \u003cem\u003ePublishers Weekly\u003c\/em\u003e and \u003cem\u003eBooklist\u003c\/em\u003e) and \u003cem\u003eDirt Cheap\u003c\/em\u003e. Mark lives in southern New Hampshire with his family, two cats and two dogs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Lukoff, Kyle","Contributor_1":"Hoffmann, Mark","Description":"\u003cp\u003e\u003cstrong\u003eA funny story, full of wordplay, brings poetry alive as never before!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKilmer Watts makes his living teaching piano lessons, but when automatic pianos arrive in town, he realizes he’s out of a job. He spots a “Help Wanted” sign at the poem factory and decides to investigate — he’s always been curious about how poems are made.\u003c\/p\u003e\n\u003cp\u003eThe foreman explains that machines and assembly lines are used for poetry these days. So Kilmer learns how to operate the “meter meter” and empty the “cliché bins.” He assembles a poem by picking out a rhyme scheme, sprinkling in some similes and adding alliteration.\u003c\/p\u003e\n\u003cp\u003eBut one day the machines malfunction, and there is a dramatic explosion at the poem factory. How will poetry ever survive?\u003c\/p\u003e\n\u003cp\u003eKyle Lukoff’s funny story, rich in wordplay, is complemented by Mark Hoffmann’s lively, quirky art. The backmatter includes definitions of poetic feet, types of poems (with illustrated examples) and a glossary of other terms. An author’s note explains the inspiration for the story.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003e\ndefinitions\u003cbr\u003e\nglossary\u003cbr\u003e\nauthor's note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.2.4\u003cbr\u003e\nDescribe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.\u003c\/p\u003e","EAN":"9781773063515","Height":"10.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"definitions;glossary;author's note","MetaKeywords":"poetry; rhymes; new experiences; elements of poetry; verse; rhymes and wordplay; humorous stories; adaptability; figurative language; rhyme; metaphors; simile; imagery; hyperbole; alliteration; onomatopoeia; writing workshop; writing poetry; summarizing; Common Core Aligned; CC Literature Craft and Structure; kindergarten; grade 1; grade 2; grade 3; grade 4; picture book; definitions; glossary; author's note","NumberOfPages":"44","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003e\u003cem\u003eA Storytelling of Ravens\u003c\/em\u003e, Kyle Lukoff’s first picture book, was named a \u003cem\u003eKirkus\u003c\/em\u003e Best Picture Book. His second picture book, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e, has been widely praised, with starred reviews in \u003cem\u003eKirkus\u003c\/em\u003e, \u003cem\u003ePublishers Weekly\u003c\/em\u003e, \u003cem\u003eSchool Library Journal\u003c\/em\u003e and \u003cem\u003eBooklist\u003c\/em\u003e. \u003c\/li\u003e\r\n\u003cli\u003eMark Hoffmann has made a stunning entry into the kid lit world, publishing six books in three years, two as author and illustrator and four as illustrator. His art is energetic and full of humor, perfectly complementing the text.\u003c\/li\u003e\r\n\u003cli\u003eThis is a fun, original story that provides a lighthearted introduction to poetry and poetic terms. Young readers will enjoy the story and illustrations, while educators, parents and poetry lovers will fully appreciate the wordplay and extensive information provided in the backmatter.\u003c\/li\u003e\r\n\u003cli\u003eThe story can also be used to inspire discussions about technology and the effects of changing technologies.\u003c\/li\u003e\r\n\u003cli\u003eCurriculum connections: Language arts \/ poetry, reading\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003e\u003cem\u003eA Storytelling of Ravens\u003c\/em\u003e, Kyle Lukoff’s first picture book, was named a \u003cem\u003eKirkus\u003c\/em\u003e Best Picture Book. His second picture book, \u003cem\u003eWhen Aidan Became a Brother\u003c\/em\u003e, has been widely praised, with starred reviews in \u003cem\u003eKirkus\u003c\/em\u003e, \u003cem\u003ePublishers Weekly\u003c\/em\u003e, \u003cem\u003eSchool Library Journal\u003c\/em\u003e and \u003cem\u003eBooklist\u003c\/em\u003e. \u003c\/li\u003e\n\u003cli\u003eMark Hoffmann has made a stunning entry into the kid lit world, publishing six books in three years, two as author and illustrator and four as illustrator. His art is energetic and full of humor, perfectly complementing the text.\u003c\/li\u003e\n\u003cli\u003eThis is a fun, original story that provides a lighthearted introduction to poetry and poetic terms. Young readers will enjoy the story and illustrations, while educators, parents and poetry lovers will fully appreciate the wordplay and extensive information provided in the backmatter.\u003c\/li\u003e\n\u003cli\u003eThe story can also be used to inspire discussions about technology and the effects of changing technologies.\u003c\/li\u003e\n\u003cli\u003eCurriculum connections: Language arts \/ poetry, reading\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003cli\u003eHorn Book\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Liberal use of terms such as epithalmium and enjambment, both defined at book’s end, will draw precocious kids as well as adult poetry lovers to this friendly introduction to poetry and poetics.” — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publisher's Weekly","OtherText_Review_1":"\u003cp\u003e“Hoffmann's playfully expressive double-page illustrations… heighten Lukoff's guffaws… Lukoff's sophisticated silliness hits the sweet spot for lovers of wordplay.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“The off-kilter angles and beanshaped personalities in Mark Hoffmann’s pictures add to the madcappery of a story that, with a little concentration (and the interpretive help of an adult), will be a primer on poetic forms and styles.” — \u003cstrong\u003e\u003cem\u003eThe Wall Street Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"The Wall Street Journal","OtherText_Review_3":"\u003cp\u003e“Readers who love words, and especially those who love poetry, will enjoy Explosion at the Poem Factory.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"This funny story, full of wordplay, brings poetry alive as never before!","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2020-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"This funny story, full of wordplay, brings poetry alive as never before!","Width":"7","WidthCode":"in"} ages 6 to 9 / grades 1 to 4
    Add to wishlist

    Explosion at the Poem Factory

    This funny story, full of wordplay, brings poetry alive as never before!

    Add to wishlist
     Selected Poems 1983–2020
    Quick View {"id":6811234041915,"title":"Selected Poems 1983–2020","handle":"selected-poems-19832020","description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e","published_at":"2022-03-21T12:08:28-04:00","created_at":"2022-03-21T09:50:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Heighton Steven","House of Anansi Press","pub date: 2021-04-06"],"price":1995,"price_min":1995,"price_max":2495,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40190668636219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007379","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Selected Poems 1983–2020 - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2495,"weight":379,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007379","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190704812091,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007386","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - epub","public_title":"epub","options":["epub"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007386","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40190706647099,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009212","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Selected Poems 1983–2020 - mobi","public_title":"mobi","options":["mobi"],"price":1995,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009212","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","options":["Title"],"media":[{"alt":null,"id":22925771046971,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c6e53de-6038-41b7-8b3a-78a401a6b774.jpg?v=1668307104","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9781487003722","AlsoRecommendedISBN_2":"9781487006181","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\\\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e","BISACSubjectLiteral_0":"POETRY \\\/ Canadian \\\/ General","BISACSubjectLiteral_1":"POETRY \\\/ Subjects \u0026amp; Themes \\\/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\\\/strong\u003e (1961-2022)’s most recent books were the novel \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003cem\u003eThe Waking Comes Late \u003c\\\/em\u003e(House of Anansi Press, 2016), and the memoir \u003cem\u003eReaching Mithymna\u003c\\\/em\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003cem\u003eAfterlands\u003c\\\/em\u003e, which was published in six countries, was a \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003cem\u003eThe Ecstasy of Skeptics\u003c\\\/em\u003e and \u003cem\u003eThe Address Book\u003c\\\/em\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003cem\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\\\/em\u003ethe \u003cem\u003eIndependent, \u003c\\\/em\u003ethe \u003cem\u003eLiterary Review\u003c\\\/em\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003cem\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\\\/em\u003e, and \u003cem\u003eBest American Mystery Stories\u003c\\\/em\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003cem\u003eNew York Times Book Review\u003c\\\/em\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003cem\u003eThe Devil’s Share\u003c\\\/em\u003e. To listen, visit \u003ca href=\\\"http:\\\/\\\/www.wolfeislandrecords.com\\\/stevenheighton\\\"\u003ewww.wolfeislandrecords.com\\\/stevenheighton\u003c\\\/a\u003e. \u003c\\\/p\u003e\\r\\n","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThis collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner \u003c\\\/strong\u003e\u003cstrong\u003e\u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e\u003c\\\/strong\u003e\u003cstrong\u003e, showcases a defining lyric poet of his generation.\u003c\\\/strong\u003e\u003c\\\/p\u003e\u003cp\u003e\u003cem\u003eSelected Poems 1983–2020\u003c\\\/em\u003e is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.”\u003c\\\/p\u003e\u003cp\u003eHeighton’s debut collection, \u003cem\u003eStalin’s Carnival\u003c\\\/em\u003e,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.\u003c\\\/p\u003e","EAN":"9781487009212","excerpt_0":"https:\\\/\\\/biblioshare.org\\\/BNCservices\\\/BNCServices.asmx\\\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487009212\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003ePREVIOUS COLLECTION WON THE GOVERNOR GENERAL’S LITERARY AWARD:\u003c\\\/strong\u003e Steven Heighton’s previous poetry collection, \u003cem\u003eThe Waking Comes Late\u003c\\\/em\u003e, received the Governor General’s Literary Award for Poetry, among other acclaim. This return to poetry after five years will get a lot of buzz.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR IN MANY FORMS AND GENRES:\u003c\\\/strong\u003eApart from his award-winning and highly acclaimed poetry collections, Steven Heighton is also the author of several works of fiction, including the novels \u003cem\u003eAfterland\u003c\\\/em\u003e and \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e. As well, he is the author of the forthcoming Groundwood picture book \u003cem\u003eThe Stray and the Stranger\u003c\\\/em\u003e based on his experience helping refugees in Greece. Heighton’s wide variety of writing can bring him attention far beyond what a poet normally garners.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003eFIRST SELECTED WORK FROM ONE OF THE MOST ACCLAIMED CONTEMPORARY POETS:\u003c\\\/strong\u003e As an internationally prominent poet with many acclaimed collections, Heighton is well positioned for a work of selected poems. Previous Anansi selected poetry collections like A. F. Moritz’s \u003cem\u003eThe Sparrow\u003c\\\/em\u003e and Michael Crummey’s \u003cem\u003eLittle Dogs\u003c\\\/em\u003e have brought new attention to the poets and sparked reassessments and retrospectives of their careers up to that point, and we expect Heighton’s collection to do the same for him.\u003c\\\/p\u003e\\r\\n\u003cp\u003e\u003cstrong\u003ePREVIOUS MEDIA ATTENTION FOR STEVEN HEIGHTON:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/wiki.ezvid.com\\\/m\\\/11-poignant-books-from-exceptional-voices-in-modern-fiction-ZP6laov1KGXa0\\\"\u003e11 POIGNANT BOOKS FROM EXCELLENT WRITERS IN MODERN FICTION:\u003c\\\/a\u003e wiki.ezvid.com chooses \u003cem\u003eThe Nightingale Won’t Let You Sleep\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"https:\\\/\\\/m.youtube.com\\\/watch?v=PvOe6-EaXs0\\\"\u003eA-FRAME\u003c\\\/a\u003e: Katherine Leyton’s A-frame interview with Steven Heighton\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=CRfDceioOLc\\\"\u003eSOME OTHER JUST ONES\u003c\\\/a\u003e: An animated short by Caroline O'Neill\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=GnJ6vkJNyyc\\\"\u003eIF NOBODY CALLS, I'M GLAD\u003c\\\/a\u003e: An excerpt from a talk at Concordia, April 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=VC5GBVYXNLM\\\"\u003eWORDS ALOUD 2011\u003c\\\/a\u003e: Steven Heighton reads “Herself, Revised” and “Dream”\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/youtu.be\\\/_pKIDAgFadU\\\"\u003eCROSSING THE BORDERS BETWEEN US: THE ETHICS OF INTERVENTION \u0026 RESISTANCE\u003c\\\/a\u003e: Steven Heighton reads. First delivered at Queen’s University, May 2011, then at the KCHC AGM, June 2011\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.cbc.ca\\\/thenextchapter\\\/2011\\\/04\\\/11\\\/guy-gavriel-kay-and-stephen-heighton\\\/\\\"\u003eTHE NEXT CHAPTER\u003c\\\/a\u003e: On CBC Radio, Guy Gavriel Kay and Steven Heighton discuss the encroachment of social media and its effect on the creative process\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.youtube.com\\\/watch?v=Eco3985F0M8\\\"\u003eBOOKBITS\u003c\\\/a\u003e: Steven Heighton discusses his novel, \u003cem\u003eEvery Lost Country\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003cli\u003e\u003ca href=\\\"http:\\\/\\\/www.authorsaloud.com\\\/fiction\\\/heighton.html\\\"\u003eAUTHORS ALOUD\u003c\\\/a\u003e: Steven Heighton reads from his novel, \u003cem\u003eAfterlands\u003c\\\/em\u003e\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_Description_for_R_0":"DREAM FRAGMENT\\r\\n\\r\\nIn those days the weather was jealous\\r\\nand would turn up at her house just to see\\r\\nwhat its cold winds could make of her face.\\r\\n\\r\\nAt her door she would be seen often\\r\\nspeaking to each of the seasons in turn\\r\\nthough with a marked preference\\r\\n(as many observed, and reported)\\r\\nfor winter\\r\\n\\r\\nwhich always stayed longest\\r\\nand left behind fading signs\\r\\nof its tenure aboveground.\\r\\n\\r\\nWho among us up here\\r\\nwouldn’t want his love, her love\\r\\nto carry a trace that clear, that\\r\\ncold, stoic and austere, withdrawing\\r\\nto regain itself, then resurging?\\r\\n\\r\\nWhat I wouldn’t do\\r\\nor undo (winter whispered\\r\\nin a voice akin to mine) to see\\r\\none more time what my touch\\r\\nmight make of your face.","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\\\/strong\u003e\u003c\\\/p\u003e\\r\\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\\\/li\u003e\\r\\n\u003cli\u003eBooklist\u003c\\\/li\u003e\\r\\n\u003cli\u003eKirkus Reviews\u003c\\\/li\u003e\\r\\n\u003c\\\/ul\u003e","OtherText_ShortDescription_0":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","ProductFormDescription":"mobi","PublicationDate":"2021-04-06","Publisher":"House of Anansi Press Inc","ShortDescription":"A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.","Width":"6","WidthCode":"in"}
    Add to wishlist

    Selected Poems 1983–2020

    A generous collection of new and previously published poems by Steven Heighton, a defining lyricist of his generation.

    Add to wishlist
     Cover: The Wren by A. F. Moritz. An illustration of a wren perches on a branch, leaning forward and looking upward, over a beige background. The text appears in a serif font, with the title in a medium brown and the author's name in black.
    Quick View {"id":7425232175163,"title":"The Wren","handle":"the-wren","description":"\u003cp\u003eA.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In \u003cem\u003eThe Wren\u003c\/em\u003e, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.\u003c\/p\u003e","published_at":"2025-07-21T13:30:53-04:00","created_at":"2025-07-21T13:26:41-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","By (author) Moritz A.F.","House of Anansi Press","pub date: 2026-04-07"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42334333698107,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487014049","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Wren - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487014049","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42334333829179,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487014056","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Wren - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487014056","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822","options":["Title"],"media":[{"alt":"Cover: The Wren by A. F. Moritz. An illustration of a wren perches on a branch, leaning forward and looking upward, over a beige background. The text appears in a serif font, with the title in a medium brown and the author's name in black.","id":25594413318203,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_4c841530-c2b3-4ecd-a27a-02d25350bbf5.jpg?v=1753118822","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In \u003cem\u003eThe Wren\u003c\/em\u003e, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487013400","AlsoRecommendedISBN_1":"9781487012960","AlsoRecommendedISBN_2":"9781487012588","AlsoRecommendedISBN_3":"9781487012588","BASICMainSubject":"POE023030","BASICMainSubjectLiteral":"POETRY\/Subjects \u0026 Themes\/Animals \u0026 Nature","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Animals \u0026amp; Nature","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE023030","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eA.F. MORITZ\u003c\/strong\u003e’s most recent books from House of Anansi Press are \u003cem\u003eGreat Silent Ballad\u003c\/em\u003e (2024), \u003cem\u003eAs Far as You Know\u003c\/em\u003e (2020) and \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018). Three of his books have been finalists for the Governor General’s Award; \u003cem\u003eThe Sentinel\u003c\/em\u003e won the Griffin Poetry Prize. His work overall has received the Guggenheim Fellowship, the Award in Literature of the American Academy of Arts and Letters, and other recognitions. A.F. Moritz was Poet Laureate of Toronto from 2019 to 2023.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Moritz, A.F. (CA)","Description":"\u003cp\u003eA.F. Moritz’s twenty-third book of poems originated with an impulse, beginning in April 2019, to write a series of continuous poems. The first goal was to keep them short. The second was to make them separate, in the process reflecting the whole of human life, stable in moments and bodies. In \u003cem\u003eThe Wren\u003c\/em\u003e, Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts. What is the unity of these active “states” of ours, given that they do not simply follow, or hook onto, or neighbour, or echo one another in a chain of resemblance that seems to have gaps and missing links that reappear later, healed? The title was chosen partly to speak to Moritz’s \u003cem\u003eThe Sparrow: Selected Poems\u003c\/em\u003e (2018), but also because, among the many short poems of this collection, one of them asked to be central: a poem about a small bird that hops from within a thicket of stems to peer out at the poet for a second and then disappears back inside. This tiny story of a tiny fellow creature is the narrative, the “novel,” of this book: a little story that is nonetheless one of the great and ever-retold stories.\u003c\/p\u003e","EAN":"9781487014056","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487014056\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Don Mckay;Al Purdy;Karen Solie;Margaret Atwood;Alden Nowlan;Modern Poetry;Michael Crummey;Male Poet;Anne Carson;George Elliott Clarke;Al Moritz;Great Canadian Poets;Penny's Poetry Page;ARC Poetry;New Quarterly","NumberOfPages":"112","OtherText_Accolades_0":"\u003cp\u003e“In \u003cem\u003eThe Wren\u003c\/em\u003e we meet essential poetry.” —\u003cstrong\u003eMichael Helm, author of \u003cem\u003eAfter James\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e“A book of instances and increments, \u003cem\u003eThe Wren\u003c\/em\u003e is Moritz at his most molecular: the spider web shining against the night sky, holding within its small pattern a truth to the greater harmonies of the stars.” —\u003cstrong\u003eKhashayar Mohammadi, author of \u003cem\u003eBook of Interruptions\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eTHE MASTER OF METAPHOR: A.F. Moritz served as Toronto's Poet Laureate from 2019 to 2023. A three-time Governor General's Award nominee, recipient of the Guggenheim Fellowship, Griffin Poetry Prize Winner (\u003cem\u003eThe Sentinel\u003c\/em\u003e; 2009), among many other honours, Moritz has solidified his place among the best lyric poets of his generation.\u003c\/li\u003e\r\n\u003cli\u003ePOET AND MENTOR: As a professor at the University of Toronto for over 30 years, A.F. Moritz has mentored dozens of poets, helping to hone their craft and launching their careers. The impact of his generosity and mentorship is immeasurable.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[Moritz’s] poetic skill and philosophical contemplation show the hand of a master at ease with his craft.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, STARRED Review\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“Moritz reminds us that poetry, at its best, renders visible small, wonderful scenes that might otherwise be forgotten, doubted, or overlooked.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eThe Wren\u003c\/em\u003e, A.F. Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2026-04-07","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eThe Wren\u003c\/em\u003e, A.F. Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts.\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.5","WidthCode":"in"}
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    The Wren

    In The Wren, A.F. Moritz arranges 70 short poems in a sort of galaxy: an apparent scatter, not of stars but of poems, of feeling-thoughts.

    Add to wishlist
     Drift
    Quick View {"id":6818955919419,"title":"Drift","handle":"drift","description":"What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor?\n\nRambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, \"what stops the heart starts the world.\"\n\nIn drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious.","published_at":"2022-03-30T14:15:31-04:00","created_at":"2022-03-30T13:35:02-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Connolly Kevin","House of Anansi Press","pub date: 2005-04-01"],"price":1495,"price_min":1495,"price_max":1695,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40249436864571,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887847271","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Drift - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1695,"weight":127,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887847271","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40249437454395,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9780887849367","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drift - epub","public_title":"epub","options":["epub"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9780887849367","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40249437618235,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770896154","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Drift - mobi","public_title":"mobi","options":["mobi"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770896154","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187","options":["Title"],"media":[{"alt":null,"id":23324530769979,"position":1,"preview_image":{"aspect_ratio":0.648,"height":2547,"width":1651,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187"},"aspect_ratio":0.648,"height":2547,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f2c2f589-9314-4d68-b439-644add337928.jpg?v=1678598187","width":1651}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor?\n\nRambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, \"what stops the heart starts the world.\"\n\nIn drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious."} {"AlsoRecommendedISBN_0":"9780887846588","AlsoRecommendedISBN_1":"9781487008376","AlsoRecommendedISBN_2":"9780887848414","AlsoRecommendedISBN_3":"9780887846588","AlsoRecommendedISBN_4":"9780887848414","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"Kevin Connolly is a poet, journalist, and editor. He lives in Toronto's east end with his partner, writer Gil Adamson.","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE011000","ContributorBio_0":"Kevin Connolly is a poet, journalist, and editor. He lives in Toronto's east end with his partner, writer Gil Adamson.","ContributorRole_0":"By (author)","Contributor_0":"Connolly, Kevin (CA)","Description":"What are we thinking at any given moment? What happens to a thought as that moment, on its way to oblivion, collides with its successor?\n\nRambunctious, witty, joyous, and bittersweet, drift is an investigation conducted by a truly unfettered imagination. In fluid, sparkling cadences, Kevin Connolly's poems let the mind's downtime have the stage for a change -- the desert sky transformed; Spring Break as viewed by passing skipjacks; narratives of danger and dream narrative; a meditation on the business end of a sea cucumber; figures of history disfigured and left to wander the consumer grid -- such are the entirely odd, entirely current events in Connolly's world, a realm that stands at an acute angle from the place we normally live in but which we all seem to drift into. As one of Connolly's own high-voltage sonnets states, \"what stops the heart starts the world.\"\n\nIn drift's constant juxtaposition of abundance and loneliness, we hear what it is to confront a new century, having quite likely failed during the last. We're reminded, by a voice unlike any other on the Canadian landscape, that our solitude is painful yet precious.","EAN":"9781770896154","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770896154\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"96","OtherText_Review_0":"\u003cp\u003e“Whitman established his individuality by incorporating multitudes. Connolly, on the other hand, lives in a world where it's nearly impossible to be an individual. Everyone represents everyone else - everything reflects everything, every day another building of mirrors goes up - and everyone, rather than containing multitudes, has become contained by multitudes.” — \u003cstrong\u003e\u003cem\u003eChicago Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Chicago Review","OtherText_Review_1":"\u003cp\u003e“Anguish, mockery, the simple, searing truth of being and essence: these are some of the components of Kevin Connolly's astonishing and absolute poetry...These poems are what the Cyclone is to Coney Island - what poetry, at its thrilling, unsettling best, should be.” — \u003cstrong\u003e\u003cem\u003eTrillium Award jury citation\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Trillium Award jury citation","OtherText_Review_2":"\u003cp\u003e“Kevin Connolly invites readers to step beyond the usual bounds of the lyric, even as it presents the illusion of lyric poetry...drift is funny, yes, but the humour is cutting; it knows too well what its final line says: 'What starts the heart stops the world.'” — \u003cstrong\u003e\u003cem\u003eEdmonton Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Edmonton Journal","OtherText_Review_3":"\u003cp\u003e“Peppered with recognizable forms and diction, yet distinctly different in tone and content, drift sets Kevin Connolly apart from his contemporaries as a poet who unexpectedly delights in toying with reader expectations.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Globe and Mail","OtherText_Review_4":"\u003cp\u003e“Though I'm not usually a fan of poetry too full of wordplay, Connolly (like Paul Muldoon) is one who can pull it off. But his sense of play goes beyond silliness. The poems that result, though completely contemporary, are ageless.” — \u003cstrong\u003e\u003cem\u003esubTerrain\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"subTerrain","OtherText_ShortDescription_0":"A Trillium Book Award for Poetry winner, this collection reminds us that our solitude is painful, yet precious.","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Trillium Book Award for Poetry","PrizeYear_0":"2006","ProductFormDescription":"mobi","PublicationDate":"2005-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A Trillium Book Award for Poetry winner, this collection reminds us that our solitude is painful, yet precious.","Width":"5.5","WidthCode":"in"}
    Add to wishlist

    Drift

    A Trillium Book Award for Poetry winner, this collection reminds us that our solitude is painful, yet precious.

    Add to wishlist
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