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    • Search: 485 results found for "griffin poetry prize"

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     The Funeral
    Quick View {"id":6908135440443,"title":"The Funeral","handle":"the-funeral","description":"\u003cp\u003e\u003cstrong\u003eA New York Times \/ New York Public Library Best Illustrated Children’s Book\u003cbr\u003eNew York Public Library Best Books for Kids\u003cbr\u003eEzra Jack Keats Award Honor Winner\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNorma and her parents are going to her great-uncle Frank’s funeral, and Norma is more excited than sad. She is looking forward to playing with her favorite cousin, Ray, but when she arrives at the church, she is confronted with rituals and ideas that have never occurred to her before. While not all questions can be answered, when the day is over Norma is certain of one thing — Uncle Frank would have enjoyed his funeral.\u003c\/p\u003e\u003cp\u003eThis sensitive and life-affirming story will lead young readers to ask their own questions about life, death and how we remember those who have gone before us.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003espeech bubbles\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.1\u003cbr\u003eWith prompting and support, ask and answer questions about key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e","published_at":"2022-07-08T15:46:45-04:00","created_at":"2022-07-08T15:39:02-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 4 - 7","By (author) James Matt","CC Literature - Kindergarten","CCSS.ELA-LITERACY.RL.2.3","CCSS.ELA-LITERACY.RL.3.7","CCSS.ELA-LITERACY.RL.K.1","CCSS.ELA-LITERACY.RL.K.7","Childrens Award-Winning","Childrens Starred Reviews","Dealing with Loss","Fountas \u0026 Pinnell Text Level Gradient N","Groundwood Books","Guided Reading Level N","Illustrated by James Matt","Lexile measure AD550L","Picture Books","pub date: 2018-04-01"],"price":1695,"price_min":1695,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40529861148731,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781554989089","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Funeral - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":540,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554989089","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40529861574715,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781554989096","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Funeral - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554989096","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40529862066235,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773063904","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Funeral - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773063904","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_65406d31-d023-401c-b1c7-9d6eff9bc069.jpg?v=1731826011","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c28e2de-318b-4901-b4db-fe3267de2e7a.jpg?v=1657309453","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a4a1e365-5cac-46df-b008-494dc8256fd5.jpg?v=1657309454","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_8e9dd247-c8f6-4f89-9a0b-2e0d19510cb8.jpg?v=1657309456"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_65406d31-d023-401c-b1c7-9d6eff9bc069.jpg?v=1731826011","options":["Title"],"media":[{"alt":null,"id":24918765764667,"position":1,"preview_image":{"aspect_ratio":0.74,"height":2161,"width":1600,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_65406d31-d023-401c-b1c7-9d6eff9bc069.jpg?v=1731826011"},"aspect_ratio":0.74,"height":2161,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_65406d31-d023-401c-b1c7-9d6eff9bc069.jpg?v=1731826011","width":1600},{"alt":"This image is a double page spread. To the left are three panels with black cars. Text The big black cars moved slowly through town. Norma rolled her window down. Then she rolled it up again. Up, down, up, down, up, down, until her dad pressed the button that took her window privileges away. To the right is a black car with red curtains in the back seat. In another black car is a girl with light skin tone. She looks out the window. A speech bubble above her head reads: Mom, Uncle Frank was really old right?","id":22336901054523,"position":2,"preview_image":{"aspect_ratio":1.462,"height":342,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c28e2de-318b-4901-b4db-fe3267de2e7a.jpg?v=1657309453"},"aspect_ratio":1.462,"height":342,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3c28e2de-318b-4901-b4db-fe3267de2e7a.jpg?v=1657309453","width":500},{"alt":"A boy and a girl with light skin tone by a table of sandwiches. Text: Then they all went to the little building next door to the church for refreshments. To the right are four photographs. The largest photo is of a man with light skin tone wearing glasses. Then him by a barbecue. Then him and a woman holding hands in winter jackets. Then him in a tuxedo. Text: There was also a table covered with framed pictures. They were of Uncle Frank. Norma thought of him in the coffin, under those flowers.","id":22336901087291,"position":3,"preview_image":{"aspect_ratio":1.462,"height":342,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a4a1e365-5cac-46df-b008-494dc8256fd5.jpg?v=1657309454"},"aspect_ratio":1.462,"height":342,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_a4a1e365-5cac-46df-b008-494dc8256fd5.jpg?v=1657309454","width":500},{"alt":"This image is a double page spread. To the left are five panels. They show a grassy hill and two children with light skin tone run and roll down the side of the hill. To the right is the hill. The girl does a handstand in the grass.","id":22336901120059,"position":4,"preview_image":{"aspect_ratio":1.462,"height":342,"width":500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_8e9dd247-c8f6-4f89-9a0b-2e0d19510cb8.jpg?v=1657309456"},"aspect_ratio":1.462,"height":342,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_8e9dd247-c8f6-4f89-9a0b-2e0d19510cb8.jpg?v=1657309456","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA New York Times \/ New York Public Library Best Illustrated Children’s Book\u003cbr\u003eNew York Public Library Best Books for Kids\u003cbr\u003eEzra Jack Keats Award Honor Winner\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNorma and her parents are going to her great-uncle Frank’s funeral, and Norma is more excited than sad. She is looking forward to playing with her favorite cousin, Ray, but when she arrives at the church, she is confronted with rituals and ideas that have never occurred to her before. While not all questions can be answered, when the day is over Norma is certain of one thing — Uncle Frank would have enjoyed his funeral.\u003c\/p\u003e\u003cp\u003eThis sensitive and life-affirming story will lead young readers to ask their own questions about life, death and how we remember those who have gone before us.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr\u003espeech bubbles\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.1\u003cbr\u003eWith prompting and support, ask and answer questions about key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781773061801","AlsoRecommendedISBN_1":"9781554983933","AlsoRecommendedISBN_2":"9781554981120","AlsoRecommendedISBN_3":"9781554981120","AlsoRecommendedISBN_4":"9781554989959","AlsoRecommendedISBN_5":"9781554988693","AlsoRecommendedISBN_6":"9781554988693","AlsoRecommendedISBN_7":"9781773062600","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"4","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV039050","BASICMainSubjectLiteral":"JUVENILE FICTION\/Social Themes\/Emotions \u0026 Feelings","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMATT JAMES \u003c\/strong\u003eis a Toronto-based author\/illustrator whose books include \u003cem\u003eYellow Moon, Apple Moon\u003c\/em\u003e by Pamela Porter (New Mexico Book Award),\u003cem\u003e I Know Here\u003c\/em\u003e by Laurel Croza (Boston Globe–Horn Book Award, Marilyn Baillie Picture Book Award) and \u003cem\u003eThe Stone Thrower\u003c\/em\u003e by Jael Ealey Richardson. Matt’s art for Northwest Passage won the Governor General’s Award. He also wrote and illustrated \u003cem\u003eTadpoles\u003c\/em\u003e, \u003cem\u003eNice Try, Charlie!\u003c\/em\u003e and \u003cem\u003eThe Funeral\u003c\/em\u003e, a \u003cem\u003eNew York Times\u003c\/em\u003e\/New York Public Library Best Illustrated Children’s Book.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ New Experience","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Death, Grief, Bereavement","BISACSubject_0":"JUV039050","BISACSubject_1":"JUV039090","BISACSubject_2":"JUV039030","CommonCore":"CCSS.ELA-LITERACY.RL.3.7","CommonCore_1":"CCSS.ELA-LITERACY.RL.2.3","CommonCore_2":"CCSS.ELA-LITERACY.RL.K.7","CommonCore_3":"CCSS.ELA-LITERACY.RL.2.3","CommonCore_4":"CCSS.ELA-LITERACY.RL.K.1","ComplexityCode_0":"N","ComplexityCode_1":"N","ComplexityCode_2":"AD550L","ComplexitySchemeIdentifier_0":"05","ComplexitySchemeIdentifier_1":"09","ComplexitySchemeIdentifier_2":"06","ComplexitySchemeIdName_0":"Fountas \u0026amp; Pinnell Text Level Gradient","ComplexitySchemeIdName_1":"Guided Reading Level","ComplexitySchemeIdName_2":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMATT JAMES \u003c\/strong\u003eis a Toronto-based author\/illustrator whose books include \u003cem\u003eYellow Moon, Apple Moon\u003c\/em\u003e by Pamela Porter (New Mexico Book Award),\u003cem\u003e I Know Here\u003c\/em\u003e by Laurel Croza (Boston Globe–Horn Book Award, Marilyn Baillie Picture Book Award) and \u003cem\u003eThe Stone Thrower\u003c\/em\u003e by Jael Ealey Richardson. Matt’s art for Northwest Passage won the Governor General’s Award. He also wrote and illustrated \u003cem\u003eTadpoles\u003c\/em\u003e, \u003cem\u003eNice Try, Charlie!\u003c\/em\u003e and \u003cem\u003eThe Funeral\u003c\/em\u003e, a \u003cem\u003eNew York Times\u003c\/em\u003e\/New York Public Library Best Illustrated Children’s Book.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eMATT JAMES \u003c\/strong\u003eis a Toronto-based author\/illustrator whose books include \u003cem\u003eYellow Moon, Apple Moon\u003c\/em\u003e by Pamela Porter (New Mexico Book Award),\u003cem\u003e I Know Here\u003c\/em\u003e by Laurel Croza (Boston Globe–Horn Book Award, Marilyn Baillie Picture Book Award) and \u003cem\u003eThe Stone Thrower\u003c\/em\u003e by Jael Ealey Richardson. Matt’s art for Northwest Passage won the Governor General’s Award. He also wrote and illustrated \u003cem\u003eTadpoles\u003c\/em\u003e, \u003cem\u003eNice Try, Charlie!\u003c\/em\u003e and \u003cem\u003eThe Funeral\u003c\/em\u003e, a \u003cem\u003eNew York Times\u003c\/em\u003e\/New York Public Library Best Illustrated Children’s Book.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"James, Matt (CA)","Contributor_1":"James, Matt (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA New York Times \/ New York Public Library Best Illustrated Children’s Book\u003cbr \/\u003eNew York Public Library Best Books for Kids\u003cbr \/\u003eEzra Jack Keats Award Honor Winner\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNorma and her parents are going to her great-uncle Frank’s funeral, and Norma is more excited than sad. She is looking forward to playing with her favorite cousin, Ray, but when she arrives at the church, she is confronted with rituals and ideas that have never occurred to her before. While not all questions can be answered, when the day is over Norma is certain of one thing — Uncle Frank would have enjoyed his funeral.\u003c\/p\u003e\u003cp\u003eThis sensitive and life-affirming story will lead young readers to ask their own questions about life, death and how we remember those who have gone before us.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003cbr \/\u003espeech bubbles\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.1\u003cbr \/\u003eWith prompting and support, ask and answer questions about key details in a text.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.K.7\u003cbr \/\u003eWith prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts).\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.2.3\u003cbr \/\u003eDescribe how characters in a story respond to major events and challenges.\u003c\/p\u003e\u003cp\u003eCCSS.ELA-LITERACY.RL.3.7\u003cbr \/\u003eExplain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)\u003c\/p\u003e","EAN":"9781773063904","Height":"12","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"speech bubbles","NumberOfPages":"40","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED CREATOR\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Funeral\u003c\/em\u003e is likely to be the first of many books to be both written and illustrated by Matt James, who has already established himself as one of North America’s most talented picture-book illustrators. The books he has illustrated have won multiple awards and have been named to many “best of” lists. For example, \u003cem\u003eI Know Here\u003c\/em\u003e won the Boston Globe-Horn Book Award, the Marilyn Baillie Picture Book Award, and the Governor General's Award for Children’s Illustration; it was also selected for the USBBY Outstanding International Books Honor List and for the Cooperative Children's Book Center Choices List.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEFTLY HANDLES THEME OF LIFE AND DEATH\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book deals with subject matter that is universal though seldom treated in a children’s book in such a direct and honest way and without heavy overtones, providing teachers, librarians and parents with a useful launching pad for discussion. This story perfectly captures the perspective of a young child on the occasion of going to a funeral. While Norma and her cousin are fascinated and somewhat confused, they are also accepting and eager to enjoy the day. The text and art are fresh, original and gently humorous.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum ties include social studies (heritage \/ identity \/ family) and health (life \u0026 death \/ human development).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED CREATOR\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cem\u003eThe Funeral\u003c\/em\u003e is likely to be the first of many books to be both written and illustrated by Matt James, who has already established himself as one of North America’s most talented picture-book illustrators. The books he has illustrated have won multiple awards and have been named to many “best of” lists. For example, \u003cem\u003eI Know Here\u003c\/em\u003e won the Boston Globe-Horn Book Award, the Marilyn Baillie Picture Book Award, and the Governor General's Award for Children’s Illustration; it was also selected for the USBBY Outstanding International Books Honor List and for the Cooperative Children's Book Center Choices List.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDEFTLY HANDLES THEME OF LIFE AND DEATH\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThe book deals with subject matter that is universal though seldom treated in a children’s book in such a direct and honest way and without heavy overtones, providing teachers, librarians and parents with a useful launching pad for discussion. This story perfectly captures the perspective of a young child on the occasion of going to a funeral. While Norma and her cousin are fascinated and somewhat confused, they are also accepting and eager to enjoy the day. The text and art are fresh, original and gently humorous.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCURRICULUM CONNECTIONS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eCurriculum ties include social studies (heritage \/ identity \/ family) and health (life \u0026 death \/ human development).\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eSchool Library Journal\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003cli\u003eHorn Book\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“James uniquely and playfully captures the particularities of a child’s perspective.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"\u003cp\u003e“Enveloping and original, James’ authorial debut offers an honest exploration of a difficult and delicate subject. Exceptional.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“In his first outing as author, Canadian artist James examines the way the funeral of a distant relative feels to a child. . . . [the story] traces with a big heart the way she makes sense of this puzzling event.” — \u003cstrong\u003e\u003cem\u003ePublisher's Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Publisher's Weekly","OtherText_Review_3":"\u003cp\u003e“Witnessing the acceptance of varied reactions to death and the elements of memorial will help children prepare for or reflect upon their first funeral. A notable portrayal.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"School Library Journal","OtherText_Review_4":"\u003cp\u003e“Matt James’s (I Know Here) quiet, child’s-eye view of a funeral, with all its mysterious rituals and traditions, is a pitch-perfect introduction to a sometimes-difficult theme. . . . [A] graceful, beautifully illustrated picture book about death, customs and emotions.” — \u003cstrong\u003e\u003cem\u003eShelf Awareness\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Shelf Awareness","OtherText_Review_5":"\u003cp\u003e“[A] book that gives young viewers a glimpse of the funeral experience but tacitly champions their right to process it in their own way.” — \u003cstrong\u003e\u003cem\u003eBulletin of the Center for Children’s Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Bulletin of the Center for Children’s Books","OtherText_ShortDescription_0":"A child's first experience of death involves love, laughter and some big questions about life.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Commended","PrizeCodeText_3":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"03","PrizeCode_3":"03","PrizeName_0":"Ezra Jack Keats Award Honor","PrizeName_1":"Elizabeth-Mrazik Cleaver Award","PrizeName_2":"New York Times \/ New York Public Library Best Illustrated Children‚Äôs Book","PrizeName_3":"New York Public Library Best Books for Kids","PrizeYear_0":"2019","PrizeYear_1":"2018","PrizeYear_2":"2018","PrizeYear_3":"2018","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2018-04-01","Publisher":"Groundwood Books Ltd","ShortDescription":"A child's first experience of death involves love, laughter and some big questions about life.","Width":"8.75","WidthCode":"in"} ages 4 to 7 / grades P to 2
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    The Funeral

    A child's first experience of death involves love, laughter and some big questions about life.

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     Cover: Keep: A Novel by Jenny Haysom. A white wall is covered in pieces of overlapping white paper in different sizes. Some lie flat, while others are lifted, casting shadows on the wall. The title, Keep, is written in a black cursive font across the middle of the cover, overlapping many of the pieces of paper, while some of the paper also covers parts of the letters. Jenny Haysom’s name appears at the bottom of the cover in a blocky grey sans serif font. Above that, “A Novel” is written in smaller black le
    Quick View {"id":7349204123707,"title":"Keep","handle":"keep","description":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHome staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKeep\u003c\/em\u003e is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.\u003c\/p\u003e","published_at":"2025-02-21T10:44:52-05:00","created_at":"2025-02-21T10:41:58-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["By (author) Haysom Jenny","House of Anansi Press","Literary Fiction","pub date: 2024-10-01"],"price":1899,"price_min":1899,"price_max":2399,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025527050299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012427","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keep - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2399,"weight":306,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012427","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025527181371,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012434","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Keep - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012434","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_c2b159cc-2907-413d-aa02-8e3636cc0c26.jpg?v=1740152535"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_c2b159cc-2907-413d-aa02-8e3636cc0c26.jpg?v=1740152535","options":["Title"],"media":[{"alt":"Cover: Keep: A Novel by Jenny Haysom. A white wall is covered in pieces of overlapping white paper in different sizes. Some lie flat, while others are lifted, casting shadows on the wall. The title, Keep, is written in a black cursive font across the middle of the cover, overlapping many of the pieces of paper, while some of the paper also covers parts of the letters. Jenny Haysom’s name appears at the bottom of the cover in a blocky grey sans serif font. Above that, “A Novel” is written in smaller black le","id":25137256136763,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_c2b159cc-2907-413d-aa02-8e3636cc0c26.jpg?v=1740152535"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_c2b159cc-2907-413d-aa02-8e3636cc0c26.jpg?v=1740152535","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHome staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKeep\u003c\/em\u003e is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9780887847998","AlsoRecommendedISBN_1":"9781487006884","AlsoRecommendedISBN_2":"9781487004866","AlsoRecommendedISBN_3":"9780887847998","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJENNY HAYSOM\u003c\/strong\u003e has published her writing in magazines across Canada. Her debut poetry collection, \u003cem\u003eDividing the Wayside\u003c\/em\u003e, won the Archibald Lampman Award and was shortlisted for the Gerald Lampert Memorial Award. Jenny lived in Ottawa for nearly thirty years, on the unceded, ancestral lands of the Algonquin Nation, and has recently returned to Nova Scotia, in Mi’kma’ki, where she grew up.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubjectLiteral_1":"FICTION \/ Family Life \/ General","BISACSubjectLiteral_2":"FICTION \/ City Life","BISACSubject_0":"FIC019000","BISACSubject_1":"FIC045000","BISACSubject_2":"FIC069000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJENNY HAYSOM\u003c\/strong\u003e has published her writing in magazines across Canada. Her debut poetry collection, \u003cem\u003eDividing the Wayside\u003c\/em\u003e, won the Archibald Lampman Award and was shortlisted for the Gerald Lampert Memorial Award. Jenny lived in Ottawa for nearly thirty years, on the unceded, ancestral lands of the Algonquin Nation, and has recently returned to Nova Scotia, in Mi’kma’ki, where she grew up.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Haysom, Jenny (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHome staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKeep\u003c\/em\u003e is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.\u003c\/p\u003e","EAN":"9781487012434","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012434\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012434\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"late capitalism;elderly;LGBTQ;multigenerational;poetic novel;housing crisis;award winning poet;Ottawa;motherhood;messy;book club pick;Reese Witherspoon;Oprah;millenial;baby boomer;The Keeper of Lost Things;Ruth Hogan;Rules for Visiting;Jessica Francis Kane;Watching You Without Me;Sarah Polley","NumberOfPages":"280","OtherText_Accolades_0":"\u003cp\u003e\"Tender, witty, and wise, Jenny Haysom’s \u003cem\u003eKeep\u003c\/em\u003e brims with insights about the perils and serendipities of change at various stages of life—a wonderful novel.\" —\u003cstrong\u003eClaire Messud, author of \u003cem\u003eThis Strange Eventful History\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e\"This gentle novel thoughtfully explores how the things we choose to keep can hold us back, and the opportunity for growth that can come from letting go.\" —\u003cstrong\u003eKim van Alkemade, New York Times bestselling author of \u003cem\u003eCounting Lost Stars\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eAuthor worked as a home stager and was struck by how staging was a form of erasure, removing the personality of a place. \u003c\/li\u003e\n\u003cli\u003eSharply observed portrayal of early stages of dementia.\u003c\/li\u003e\n\u003cli\u003e\"Domestic\" novel – thoughtful representation of the sense of place and relationship to things of people at different stages of life.\u003c\/li\u003e\n\u003cli\u003eCritique of late capitalism.\u003c\/li\u003e\n\u003cli\u003eBeautifully written – author is an award-winning poet.\u003c\/li\u003e\n\u003cli\u003eThe book’s mood\/tone: Reflective – it explores the relationship between home and possessions; poignant – explores different kinds of loss and grief; topical – a commentary on real estate and development, the packaging of idealized possible lives.\u003c\/li\u003e\n\u003cli\u003eFor women 35+; Gen X\/Sandwich Generation for whom the challenges of ageing parents are imminent, downsizing will resonate. Potential for book clubs with a more literary bent.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“[Haysom’s] prose is remarkable in its spareness. She adeptly represents intergenerational lives with gentleness, heart, and veracity.” — \u003cstrong\u003e\u003cem\u003eBooklist, \u003c\/em\u003eSTARRED Review \u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e\u003cem\u003e“\u003c\/em\u003eAstute and appealing … \u003cem\u003eKeep \u003c\/em\u003eis a compassionate novel in which three people learn that history and memory are ‘fluent and fallible.’” — \u003cstrong\u003e\u003cem\u003eForeword\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“\u003cem\u003eKeep\u003c\/em\u003e is a wry yet tender exploration of the way our homes and possessions carry our memories and reflect our values; we should not, the novel suggests, be too ruthless in our sorting.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e\"A rewarding and memorable read … \u003cem\u003eKeep\u003c\/em\u003e is filled with images and ideas well worth preserving.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“Haysom is tender and generous with her characters … This is a book for anyone who needs to sit with and explore their feelings about material objects, and what we do with them, both as we live and as we prepare for the next stage in our lives.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“The braided narrative [in \u003cem\u003eKeep\u003c\/em\u003e] is so well balanced, each character a vivid and engaging presence in the novel, and it’s interesting (and refreshing!) to encounter a book presenting three different generations together and the genuine connections between them.” — \u003cstrong\u003e\u003cem\u003ePickle Me This Blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“Jenny Haysom reminds us that keeping is a complex, multilayered process ... [and] poignantly invites us to consider our mortality and impermanence.” — \u003cstrong\u003e\u003cem\u003eGetting Lit with Linda Podcast\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2024-10-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eA timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
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    Keep

    A timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.

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     Swimming Home
    Quick View {"id":7325037396027,"title":"Swimming Home","handle":"swimming-home","description":"\u003cp\u003eShortlisted for the Man Booker Prize and selected as a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eNotable Book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwimming Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a sexy psychological thriller from a highly acclaimed writer.\u003c\/p\u003e\n\u003cp\u003ePoet Joe and his war-correspondent wife Isabel arrive with their daughter and another couple to a rented villa in the south of France to discover a body floating face down in the swimming pool. But the girl is very much alive. She is Kitty Finch: a sexy, mysterious young woman who walks naked out of the water and straight into the heart of their holiday. But why is she there? What does she want from them all? And why does Joe’s enigmatic wife invite her to stay?\u003c\/p\u003e\n\u003cp\u003eTaking place over a single week,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwimming Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereveals how a group of beautiful, flawed tourists in the French Riviera come loose at the seams. Both profound and thrilling, Deborah Levy explores what it means to be alive and how the most devastating secrets are the ones we keep from ourselves.\u003c\/p\u003e","published_at":"2025-01-08T12:29:48-05:00","created_at":"2025-01-08T12:29:49-05:00","vendor":"House of Anansi Press","type":"","tags":[],"price":1895,"price_min":1895,"price_max":1895,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43249272520763,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":".9781770893320","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Swimming Home - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1895,"weight":191,"compare_at_price":null,"inventory_management":"shopify","barcode":".9781770893320","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9781770893320.jpg?v=1736357327"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781770893320.jpg?v=1736357327","options":["Title"],"media":[{"alt":null,"id":24979628884027,"position":1,"preview_image":{"aspect_ratio":0.649,"height":2488,"width":1615,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781770893320.jpg?v=1736357327"},"aspect_ratio":0.649,"height":2488,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781770893320.jpg?v=1736357327","width":1615}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eShortlisted for the Man Booker Prize and selected as a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eNotable Book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwimming Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a sexy psychological thriller from a highly acclaimed writer.\u003c\/p\u003e\n\u003cp\u003ePoet Joe and his war-correspondent wife Isabel arrive with their daughter and another couple to a rented villa in the south of France to discover a body floating face down in the swimming pool. But the girl is very much alive. She is Kitty Finch: a sexy, mysterious young woman who walks naked out of the water and straight into the heart of their holiday. But why is she there? What does she want from them all? And why does Joe’s enigmatic wife invite her to stay?\u003c\/p\u003e\n\u003cp\u003eTaking place over a single week,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSwimming Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereveals how a group of beautiful, flawed tourists in the French Riviera come loose at the seams. Both profound and thrilling, Deborah Levy explores what it means to be alive and how the most devastating secrets are the ones we keep from ourselves.\u003c\/p\u003e"} {"ContributorBio_0":"\u003cp\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003eDeborah Levy writes fiction, plays, and poetry. She is the author of highly praised novels, including \u003c\/span\u003e\u003ci\u003eBeautiful Mutants\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e, \u003c\/span\u003e\u003ci\u003eSwallowing Geography\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e, and \u003c\/span\u003e\u003ci\u003eBilly and Girl\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e. \u003c\/span\u003e\u003ci\u003eSwimming Home\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e, her most recent novel, was serialized on BBC Radio 4 as a Book at Bedtime and was longlisted for the Man Booker Prize.\u003c\/span\u003e\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Levy, Deborah","Imprint":"Anansi International","NumberOfPages":"168","Publisher":"House of Anansi Press Inc"}
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    Swimming Home

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     This image is in shades of black and white. A photograph shows a person with light skin tone and dark hair with eye makeup. They wear a top made of metal scales with chains for straps. Leather-like fabric is tied around their biceps. Text: Me, Myself, They. Life Beyond the Binary. Joshua M. Ferguson. “Raw, extraordinary, and profoundly moving.” – Jazz Jennings.
    Quick View {"id":6899077054523,"title":"Me, Myself, They","handle":"me-myself-they","description":"\u003cp\u003e\u003cstrong\u003eFrom renowned trans activist, Luna M. Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMe, Myself, They: Life Beyond the Binary \u003c\/i\u003echronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. 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A photograph shows a person with light skin tone and dark hair with eye makeup. They wear a top made of metal scales with chains for straps. Leather-like fabric is tied around their biceps. Text: Me, Myself, They. Life Beyond the Binary. Joshua M. Ferguson. “Raw, extraordinary, and profoundly moving.” – Jazz Jennings.","id":23033321685051,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_1d8dc64b-f870-431e-a765-95009e734a6b.jpg?v=1670223496"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_1d8dc64b-f870-431e-a765-95009e734a6b.jpg?v=1670223496","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom renowned trans activist, Luna M. Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMe, Myself, They: Life Beyond the Binary \u003c\/i\u003echronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.\u003c\/p\u003e"} {"AlsoRecommendedISBN_2":"9781487006389","AlsoRecommendedISBN_5":"9781487007843","AlsoRecommendedISBN_6":"9781770893801","BASICMainSubject":"BIO031000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY\/LGBTQ+","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLUNA MARKI FERGUSON\u003c\/strong\u003e (Ph.D.) is a trans (they\/them) writer, filmmaker, artist, and advocate. In 2018, they became the first person to receive a non-binary birth certificate with an “X” designation in their home province of Ontario, and their advocacy has contributed to government reform in Canada. With their production company Turbid Lake Pictures, Ferguson’s filmmaking work includes the award-winning \u003cem\u003eWhispers of Life\u003c\/em\u003e; \u003cem\u003eLimina\u003c\/em\u003e, which was shown at festivals around the world and praised for its trans inclusivity; and the love story Henry’s Heart. Their writing and advocacy efforts have been featured in international publications including the \u003cem\u003eToronto Star\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, NBC News, \u003cem\u003eHuffPost\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eBuzzFeed\u003c\/em\u003e, \u003cem\u003eTeen Vogue\u003c\/em\u003e, and \u003cem\u003eOUT Magazine\u003c\/em\u003e. Ferguson lives in Vancouver, British Columbia, with their partner Florian. \u003cem\u003eMe, Myself, They\u003c\/em\u003e is their first book.Twitter: @lunamfergus on Instagram: @lunaferguson\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ LGBT","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Gender Studies","BISACSubjectLiteral_2":"SOCIAL SCIENCE \/ LGBT Studies \/ General","BISACSubject_0":"BIO031000","BISACSubject_1":"SOC032000","BISACSubject_2":"SOC064000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLUNA MARKI FERGUSON\u003c\/strong\u003e (Ph.D.) is a trans (they\/them) writer, filmmaker, artist, and advocate. In 2018, they became the first person to receive a non-binary birth certificate with an “X” designation in their home province of Ontario, and their advocacy has contributed to government reform in Canada. With their production company Turbid Lake Pictures, Ferguson’s filmmaking work includes the award-winning \u003cem\u003eWhispers of Life\u003c\/em\u003e; \u003cem\u003eLimina\u003c\/em\u003e, which was shown at festivals around the world and praised for its trans inclusivity; and the love story Henry’s Heart. Their writing and advocacy efforts have been featured in international publications including the \u003cem\u003eToronto Star\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, NBC News, \u003cem\u003eHuffPost\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eBuzzFeed\u003c\/em\u003e, \u003cem\u003eTeen Vogue\u003c\/em\u003e, and \u003cem\u003eOUT Magazine\u003c\/em\u003e. Ferguson lives in Vancouver, British Columbia, with their partner Florian. \u003cem\u003eMe, Myself, They\u003c\/em\u003e is their first book.Twitter: @lunamfergus on Instagram: @lunaferguson\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eLUNA MARKI FERGUSON\u003c\/strong\u003e (Ph.D.) is a trans (they\/them) writer, filmmaker, artist, and advocate. In 2018, they became the first person to receive a non-binary birth certificate with an “X” designation in their home province of Ontario, and their advocacy has contributed to government reform in Canada. With their production company Turbid Lake Pictures, Ferguson’s filmmaking work includes the award-winning \u003cem\u003eWhispers of Life\u003c\/em\u003e; \u003cem\u003eLimina\u003c\/em\u003e, which was shown at festivals around the world and praised for its trans inclusivity; and the love story Henry’s Heart. Their writing and advocacy efforts have been featured in international publications including the \u003cem\u003eToronto Star\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, NBC News, \u003cem\u003eHuffPost\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eBuzzFeed\u003c\/em\u003e, \u003cem\u003eTeen Vogue\u003c\/em\u003e, and \u003cem\u003eOUT Magazine\u003c\/em\u003e. Ferguson lives in Vancouver, British Columbia, with their partner Florian. \u003cem\u003eMe, Myself, They\u003c\/em\u003e is their first book.Twitter: @lunamfergus on Instagram: @lunaferguson\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Ferguson, Luna M. (CA)","Contributor_1":"Ferguson, Luna M. (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFrom renowned trans activist, Luna M. Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMe, Myself, They: Life Beyond the Binary \u003c\/i\u003echronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.\u003c\/p\u003e","EAN":"9781487007157","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007157\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"non-binary; sexual expression; transgender; compassion; uplifting; accessible memoir; gender politics; coming of age; non-binary birth certificate; gender fluid; small town; self actualization; activism; preferred pronouns; transphobia; empathy; transformation; trans visibility; LGBTQ+ voices; memoir; queer memoir; Casey Plett; Vivek Shraya; Janet Mock; Jazz Jennings","NumberOfPages":"304","OtherText_Accolades_0":"\u003cp\u003e“A loving healing for anyone who has been harmed by the gender binary — all of us.” — \u003cstrong\u003eVivek Shraya\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Vivek Shraya","OtherText_Accolades_1":"\u003cp\u003e“Joshua M. Ferguson’s Me, Myself, They is a necessary antidote to the impoverished modes of thinking and relating that govern our shared moment. It is a rousing call for empathy and care. It asks us to widen the terrain of gender and, in so doing, to fashion a new world. This is some of the most important work of our time, and Joshua’s memoir is a beacon!” — \u003cstrong\u003eBilly-Ray Belcourt\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Billy-Ray Belcourt","OtherText_Accolades_2":"\u003cp\u003e“Me, Myself, They shows how vulnerability can be strength, how trans and non-binary people’s ingenuity and creativity have carved out new paths for future generations, and how difference can — and should — be celebrated. We are all lucky that Joshua M. Ferguson has written this generous, accessible, and moving book.” — \u003cstrong\u003eAlicia Elliott\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Alicia Elliott","OtherText_Review_0":"\u003cp\u003e“Me, Myself, They takes on the challenge of explaining a deeply personal, sensitive subject in a way that is comprehensible without being reductive.” — \u003cstrong\u003e\u003cem\u003eForeword Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Foreword Reviews","OtherText_ShortDescription_0":"A personal work of memoir and critical analysis that pushes for an inclusive understanding of sex and gender.","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2019-05-07","Publisher":"House of Anansi Press Inc","ShortDescription":"A personal work of memoir and critical analysis that pushes for an inclusive understanding of sex and gender.","Subtitle":"Life Beyond the Binary","Width":"5.5","WidthCode":"in"}
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    Me, Myself, They

    A personal work of memoir and critical analysis that pushes for an inclusive understanding of sex and gender.

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     Drive
    Quick View {"id":6984024817723,"title":"Drive","handle":"drive","description":"\u003cp\u003eA road trip that takes readers into a big, wide world—and into a small, narrow one, too! With the same sophisticated, minimalist design that characterized \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e, \u003cem\u003eDrive\u003c\/em\u003e is an exploration of opposites.\u003c\/p\u003e\u003cp\u003eAny child (or adult) who has stared out the window of their family’s car counting license plates and state lines will recognize the highs and lows of being on the road. 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In the park is a large red dog and a small black dog. Under the red dog is the word “big” and under the black dog is the word “small.”","id":22672802414651,"position":2,"preview_image":{"aspect_ratio":2.0,"height":432,"width":864,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_bbe52c51-e289-40d7-8dc6-d9e9bcaba1a8.jpg?v=1663173576"},"aspect_ratio":2.0,"height":432,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_bbe52c51-e289-40d7-8dc6-d9e9bcaba1a8.jpg?v=1663173576","width":864},{"alt":"A station wagon with suitcases and vacation supplies on the roof drives past trees. One tree is tall and wide. It has a hole in its trunk, mushrooms on the bottom of the trunk, and moss growing on the sides. Beside it is the word “old.” A small sapling is beside the old tree. The word beside the sapling reads “young.”","id":22672802644027,"position":3,"preview_image":{"aspect_ratio":2.0,"height":432,"width":864,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_224ceaba-6dad-4d4c-94c0-e1faf3cc4b8e.jpg?v=1663173578"},"aspect_ratio":2.0,"height":432,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_224ceaba-6dad-4d4c-94c0-e1faf3cc4b8e.jpg?v=1663173578","width":864},{"alt":"A station wagon with suitcases and vacation supplies on the roof drives on a bridge. Below the bridge is water. A ship sails underneath the bridge. In the background are hills, and the white buildings of a town. On top of the bridge, by the car, is the word “above.” Under the bridge, by the boat, is the word “below.”","id":22672802676795,"position":4,"preview_image":{"aspect_ratio":2.0,"height":432,"width":864,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3d01a99f-dbf2-4bf2-96a4-eabe2543f0cc.jpg?v=1663173581"},"aspect_ratio":2.0,"height":432,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_3d01a99f-dbf2-4bf2-96a4-eabe2543f0cc.jpg?v=1663173581","width":864}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eA road trip that takes readers into a big, wide world—and into a small, narrow one, too! With the same sophisticated, minimalist design that characterized \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e, \u003cem\u003eDrive\u003c\/em\u003e is an exploration of opposites.\u003c\/p\u003e\u003cp\u003eAny child (or adult) who has stared out the window of their family’s car counting license plates and state lines will recognize the highs and lows of being on the road. Sit back, or front, if you’d prefer, and come along for the ride.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781554984404","AlsoRecommendedISBN_1":"9781554984404","AlsoRecommendedISBN_2":"9780888998637","AlsoRecommendedISBN_3":"9781554988792","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"17","AudienceRangeQualifier_1":"26","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"3","AudienceRangeValue_1_1":"P","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"7","AudienceRangeValue_2_1":"2","AudienceRangeValue_2_2":"2","BASICMainSubject":"JUV041030","BASICMainSubjectLiteral":"JUVENILE FICTION\/Transportation\/Cars, Trucks \u0026 Buses","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKELLEN HATANAKA\u003c\/strong\u003e is a designer and illustrator who lives in Stratford, Ontario, with his family. He has written and illustrated \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e (an ALA Notable Children’s Book) and \u003cem\u003eDrive: A Look at Roadside Opposites\u003c\/em\u003e. He also illustrated \u003cem\u003eTokyo Digs a Garden\u003c\/em\u003e, winner of the Governor General’s Literary Award.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Concepts \/ Opposites","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Transportation \/ Cars \u0026amp; Trucks","BISACSubject_0":"JUV009040","BISACSubject_1":"JUV041030","ComplexityCode_0":"NP","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdName_0":"Lexile measure","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKELLEN HATANAKA\u003c\/strong\u003e is a designer and illustrator who lives in Stratford, Ontario, with his family. He has written and illustrated \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e (an ALA Notable Children’s Book) and \u003cem\u003eDrive: A Look at Roadside Opposites\u003c\/em\u003e. He also illustrated \u003cem\u003eTokyo Digs a Garden\u003c\/em\u003e, winner of the Governor General’s Literary Award.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eKELLEN HATANAKA\u003c\/strong\u003e is a designer and illustrator who lives in Stratford, Ontario, with his family. He has written and illustrated \u003cem\u003eWork: An Occupational ABC\u003c\/em\u003e (an ALA Notable Children’s Book) and \u003cem\u003eDrive: A Look at Roadside Opposites\u003c\/em\u003e. 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Sit back, or front, if you’d prefer, and come along for the ride.\u003c\/p\u003e","EAN":"9781554987320","Height":"9","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"Transportation; Cars \u0026amp; Trucks; Concepts; Opposites; Roadtrip; Driving; Cars; On the Road; Travel; Picture Books; Opposites; Transportation; Toddlers; Roads; Highways; Concept Books; Things That Go; Trucks; Vehicles; Vans; Automobiles; Early Learning","NumberOfPages":"32","OtherText_Review_0":"\u003cp\u003e“As with many road trips, the destination in this stylish offering is not necessarily as important as the journey.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Publishers Weekly","OtherText_Review_1":"\u003cp\u003e“With his architecturally whimsical style of many primary colors, Hatanaka is two-for-two for turning the predictable into something original to entertain and enlighten our youngest readers; we lucky older armchair travelers are in for a visually gleeful trip, as well.” — \u003cstrong\u003e\u003cem\u003eBookDragon\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"BookDragon","OtherText_Review_2":"\u003cp\u003e“[An] example of an author-illustrator knowing exactly how to keep various elements working together harmoniously.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Quill \u0026 Quire","OtherText_Review_3":"\u003cp\u003e“Drive is a vocabulary primer that covers the essentials, with the right amount of detours.” — \u003cstrong\u003e\u003cem\u003eNational Post\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"National Post","OtherText_Review_4":"\u003cp\u003e“Hatanaka gives the 'opposites' book the same hip, graphic treatment he gave the alphabet book in Work: An Occupational ABC. . . . Each two-page spread displays a pair of opposites, embedded in scenes that are impressive visual puzzles.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"New York Times","OtherText_ShortDescription_0":"An innovative book of opposites from the creator of Work: An Occupational ABC.","ProductFormDescription":"Web PDF","PublicationDate":"2015-05-01","Publisher":"Groundwood Books Ltd","ShortDescription":"An innovative book of opposites from the creator of Work: An Occupational ABC.","Subtitle":"A Look at Roadside Opposites","Width":"9","WidthCode":"in"} ages 3 to 7 / grades P to 2
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    Drive

    An innovative book of opposites from the creator of Work: An Occupational ABC.

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     Just Fine
    Quick View {"id":6819081486395,"title":"Just Fine","handle":"just-fine","description":"\u003cp\u003e\u003cem\u003eJust Fine\u003c\/em\u003e traces the mishaps and misadventures of a conflicted agoraphobe: a woman psychologically restricted to a life indoors but spiritually inclined to wander the meadows, roads, and community beyond the house and river of her youth.\u003c\/p\u003e \u003cp\u003eHer struggle assumes historic proportions when her neighbours dream of their own escapes from the insular, predictable cadences of life in Acadia: Camil changes his name; Terry embarks on a voyage of discovery; Carmen studies exotic river deltas; Elizabeth searches for a transcendent love; and the agoraphobe, dreams of travelling to Paris and telling her story to a French television star. The course of their endeavours, like the river that dominates their town, twists and turns.\u003c\/p\u003e \u003cp\u003eIn its brilliant collage of river lore, art history, astrology, and mythology France Daigle's rich and witty novel journeys beyond the cultural, psychological, and literary bounds within which its characters live and leads us to where history, fantasy, and memory collide. 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The course of their endeavours, like the river that dominates their town, twists and turns.\u003c\/p\u003e \u003cp\u003eIn its brilliant collage of river lore, art history, astrology, and mythology France Daigle's rich and witty novel journeys beyond the cultural, psychological, and literary bounds within which its characters live and leads us to where history, fantasy, and memory collide. This is the initial work in the trilogy which also includes \u003cem\u003eA Fine Passage\u003c\/em\u003e and \u003cem\u003eLife's Little Difficulties\u003c\/em\u003e.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487000479","AlsoRecommendedISBN_1":"9781770898318","AlsoRecommendedISBN_2":"9781487004583","AlsoRecommendedISBN_3":"9781487000479","AlsoRecommendedISBN_4":"9781770898318","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"France Daigle is a prize-winning Acadian writer of novels and plays in French. She lives in Moncton, New Brunswick.","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"France Daigle is a prize-winning Acadian writer of novels and plays in French. 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The course of their endeavours, like the river that dominates their town, twists and turns.\u003c\/p\u003e \u003cp\u003eIn its brilliant collage of river lore, art history, astrology, and mythology France Daigle's rich and witty novel journeys beyond the cultural, psychological, and literary bounds within which its characters live and leads us to where history, fantasy, and memory collide. This is the initial work in the trilogy which also includes \u003cem\u003eA Fine Passage\u003c\/em\u003e and \u003cem\u003eLife's Little Difficulties\u003c\/em\u003e.\u003c\/p\u003e","EAN":"9781770896703","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770896703\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","NumberOfPages":"160","OtherText_ShortDescription_0":"This touching, witty novel introduces us to a number of voyages of discovery.","PrizeCodeText_0":"Winner","PrizeCode_0":"01","PrizeName_0":"Governor General's Award: Translation","PrizeYear_0":"2000","ProductFormDescription":"mobi","PublicationDate":"1999-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"This touching, witty novel introduces us to a number of voyages of discovery.","Width":"5.56","WidthCode":"in"}
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    Just Fine

    This touching, witty novel introduces us to a number of voyages of discovery.

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     The Remembering Stone by Carey Sookocheff. A girl and an older man with light skin tone, and a white and brown dog, stand on the edge of a body of water, facing us. A stone the man has just thrown skips toward us. The girl has shoulder-length brown hair with a hair bow, and wears blue overalls, a long-sleeved white and grey striped shirt, and tan shoes. The man is bald with grey hair on the side of his head, and wears a brown cardigan over a white collared shirt, grey checked pants, and grey shoes.
    Quick View {"id":7015863484475,"title":"The Remembering Stone","handle":"the-remembering-stone","description":"\u003cp\u003e\u003cstrong\u003eAlice keeps a perfectly round skipping stone in her pocket to remember her grandfather by — but the stone goes missing. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt looked just like a regular stone, but Alice knew it was different: It was perfectly round so you could use it to trace circles, and sometimes she could trick her dad into thinking it was a quarter. It was also how Alice remembered her grandpa, who taught her how to skip stones, and who passed away last winter. \u003c\/p\u003e\n\u003cp\u003eAlice brings the stone to school for Show and Share, but when her classmate asks to see it again at recess, Alice discovers that the stone is gone! Her friends search high and low and can’t find the stone—but their friendship gives Alice an idea of another way that she can remember. \u003c\/p\u003e\n\u003cp\u003eA gentle look at loss, grief, and how small everyday actions can connect us to those we love.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIllustrations\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e","published_at":"2022-10-14T11:02:40-04:00","created_at":"2022-10-14T10:54:53-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 3 - 6","By (author) Sookocheff Carey","CCSS.ELA-LITERACY.RL.K.3","Dealing with Loss","Groundwood Books","Illustrated by Sookocheff Carey","Picture Books","pub date: 2023-03-07"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40877842890811,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781773065892","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Remembering Stone - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1999,"weight":410,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773065892","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40877843480635,"title":"EPUB, fixed","option1":"EPUB, fixed","option2":null,"option3":null,"sku":"9781773065908","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Remembering Stone - EPUB, fixed","public_title":"EPUB, fixed","options":["EPUB, fixed"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773065908","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40877843546171,"title":"Kindle, Fixed Layout","option1":"Kindle, Fixed Layout","option2":null,"option3":null,"sku":"9781773065915","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Remembering Stone - Kindle, Fixed Layout","public_title":"Kindle, Fixed Layout","options":["Kindle, Fixed Layout"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773065915","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_910162e5-e49d-4fc0-be49-8b947ed8361f.jpg?v=1731047662","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b30597ee-51d9-4b97-ae74-6122be09f9b5.jpg?v=1665759592","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b0c84617-78bd-40d7-a5da-e4e45d7bd45c.jpg?v=1665759595","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_c50d61fb-c518-4dc6-8a34-3848718c32b9.jpg?v=1665759597"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_910162e5-e49d-4fc0-be49-8b947ed8361f.jpg?v=1731047662","options":["Title"],"media":[{"alt":"The Remembering Stone by Carey Sookocheff. A girl and an older man with light skin tone, and a white and brown dog, stand on the edge of a body of water, facing us. A stone the man has just thrown skips toward us. The girl has shoulder-length brown hair with a hair bow, and wears blue overalls, a long-sleeved white and grey striped shirt, and tan shoes. The man is bald with grey hair on the side of his head, and wears a brown cardigan over a white collared shirt, grey checked pants, and grey shoes.","id":24903079723067,"position":1,"preview_image":{"aspect_ratio":0.854,"height":1873,"width":1600,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_910162e5-e49d-4fc0-be49-8b947ed8361f.jpg?v=1731047662"},"aspect_ratio":0.854,"height":1873,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_910162e5-e49d-4fc0-be49-8b947ed8361f.jpg?v=1731047662","width":1600},{"alt":"A girl with light skin tone, shoulder-length brown hair with a hair bow, and a blue dress stands in front of a classroom, holding a stone with her left hand. Nine children of varying skin tones sit at their desks, looking at the girl. In the back of the classroom, beside two large paned windows, a man with dark skin tone stands and smiles. Text: When it was Alice’s turn, she showed everyone the stone. It wasn’t nearly as interesting as a new baby cousin. No one looked very impressed.","id":22799632498747,"position":2,"preview_image":{"aspect_ratio":1.701,"height":588,"width":1000,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b30597ee-51d9-4b97-ae74-6122be09f9b5.jpg?v=1665759592"},"aspect_ratio":1.701,"height":588,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b30597ee-51d9-4b97-ae74-6122be09f9b5.jpg?v=1665759592","width":1000},{"alt":"The image is divided into two. Image 1: A bald man with light skin tone crouches and holds up a round stone. Text: “The one,” Grandpa said, “is perfect.” But Alice didn’t want the perfect stone to sink to the bottom like all the others, so she put it in her pocket. Image 2: Seen now from a distance, the older man holds the hand of a girl with light skin tone and short brown hair. They walk away from the edge of the water. Text: “I’m going to save this one for next time,” she said.","id":22799632564283,"position":3,"preview_image":{"aspect_ratio":1.701,"height":588,"width":1000,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b0c84617-78bd-40d7-a5da-e4e45d7bd45c.jpg?v=1665759595"},"aspect_ratio":1.701,"height":588,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_b0c84617-78bd-40d7-a5da-e4e45d7bd45c.jpg?v=1665759595","width":1000},{"alt":"On the left side of the page, a group of adults stand in a living room, looking sad. Beside them, a framed photograph sits on a dresser. The photo is of an older man, who is bald with grey hair on the sides of his head. On the right side of the page a girl sits on the couch with a white dog, the dog’s head in her lap, and her hand on the dog’s head. She has light skin tone, brown shoulder length hair and a blue dress. Text: But next time never came. That winter, Alice’s grandpa grew very sick and died.","id":22799632826427,"position":4,"preview_image":{"aspect_ratio":1.701,"height":588,"width":1000,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_c50d61fb-c518-4dc6-8a34-3848718c32b9.jpg?v=1665759597"},"aspect_ratio":1.701,"height":588,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_c50d61fb-c518-4dc6-8a34-3848718c32b9.jpg?v=1665759597","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eAlice keeps a perfectly round skipping stone in her pocket to remember her grandfather by — but the stone goes missing. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt looked just like a regular stone, but Alice knew it was different: It was perfectly round so you could use it to trace circles, and sometimes she could trick her dad into thinking it was a quarter. It was also how Alice remembered her grandpa, who taught her how to skip stones, and who passed away last winter. \u003c\/p\u003e\n\u003cp\u003eAlice brings the stone to school for Show and Share, but when her classmate asks to see it again at recess, Alice discovers that the stone is gone! Her friends search high and low and can’t find the stone—but their friendship gives Alice an idea of another way that she can remember. \u003c\/p\u003e\n\u003cp\u003eA gentle look at loss, grief, and how small everyday actions can connect us to those we love.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIllustrations\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781554989089","AlsoRecommendedISBN_1":"9781554989546","AlsoRecommendedISBN_2":"9781773060897","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"26","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"11","AudienceRangeValue_1_0":"P","AudienceRangeValue_1_1":"3","AudienceRangeValue_1_2":"P","AudienceRangeValue_2_0":"1","AudienceRangeValue_2_1":"6","AudienceRangeValue_2_2":"1","BASICMainSubject":"JUV013030","BASICMainSubjectLiteral":"JUVENILE FICTION\/Family\/Multigenerational","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCAREY SOOKOCHEFF\u003c\/strong\u003e is the author and illustrator of \u003cem\u003eLost Things\u003c\/em\u003e, \u003cem\u003eWet\u003c\/em\u003e, and \u003cem\u003eSolutions for Cold Feet and Other Little Problems\u003c\/em\u003e. She is also the illustrator of the Buddy and Earl series, written by Maureen Fergus. She lives in Toronto, Ontario with her family and her dog, Rosie.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Family \/ Multigenerational","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Social Themes \/ Emotions \u0026amp; Feelings","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Social Themes \/ Death, Grief, Bereavement","BISACSubject_0":"JUV013030","BISACSubject_1":"JUV039050","BISACSubject_2":"JUV039030","CommonCore":"CCSS.ELA-LITERACY.RL.K.3","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCAREY SOOKOCHEFF\u003c\/strong\u003e is the author and illustrator of \u003cem\u003eLost Things\u003c\/em\u003e, \u003cem\u003eWet\u003c\/em\u003e, and \u003cem\u003eSolutions for Cold Feet and Other Little Problems\u003c\/em\u003e. She is also the illustrator of the Buddy and Earl series, written by Maureen Fergus. She lives in Toronto, Ontario with her family and her dog, Rosie.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eCAREY SOOKOCHEFF\u003c\/strong\u003e is the author and illustrator of \u003cem\u003eLost Things\u003c\/em\u003e, \u003cem\u003eWet\u003c\/em\u003e, and \u003cem\u003eSolutions for Cold Feet and Other Little Problems\u003c\/em\u003e. She is also the illustrator of the Buddy and Earl series, written by Maureen Fergus. She lives in Toronto, Ontario with her family and her dog, Rosie.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Illustrated by","Contributor_0":"Sookocheff, Carey (CA)","Contributor_1":"Sookocheff, Carey (CA)","Description":"\u003cp\u003e\u003cstrong\u003eAlice keeps a perfectly round skipping stone in her pocket to remember her grandfather by — but the stone goes missing. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt looked just like a regular stone, but Alice knew it was different: It was perfectly round so you could use it to trace circles, and sometimes she could trick her dad into thinking it was a quarter. It was also how Alice remembered her grandpa, who taught her how to skip stones, and who passed away last winter. \u003c\/p\u003e\n\u003cp\u003eAlice brings the stone to school for Show and Share, but when her classmate asks to see it again at recess, Alice discovers that the stone is gone! Her friends search high and low and can’t find the stone—but their friendship gives Alice an idea of another way that she can remember. \u003c\/p\u003e\n\u003cp\u003eA gentle look at loss, grief, and how small everyday actions can connect us to those we love.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIllustrations\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCorrelates to the Common Core State Standards in English Language Arts:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCCSS.ELA-LITERACY.RL.K.3\u003c\/p\u003e\n\u003cp\u003eWith prompting and support, identify characters, settings, and major events in a story.\u003c\/p\u003e","EAN":"9781773065915","Height":"10","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003eillustrations\u003c\/p\u003e","MetaKeywords":"mementos;memories;keepsakes;show and tell","NumberOfPages":"40","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe story is a gentle look at grief that will prompt discussions between children and their caregivers about the loss of a treasured family member.\u003c\/li\u003e\n\u003cli\u003eSoft colors and charming linework are a perfect complement to this gentle story.\u003c\/li\u003e\n\u003cli\u003eCarey Sookocheff is both author and illustrator of \u003cem\u003eLost Things\u003c\/em\u003e (Kids Can Press 2021) which earned starred reviews from \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eKirkus\u003c\/em\u003e and \u003cem\u003ePublishers Weekly\u003c\/em\u003e and was a Cooperative Children’s Book Center Choice and a Junior Library Guild Selection.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe story is a gentle look at grief that will prompt discussions between children and their caregivers about the loss of a treasured family member.\u003c\/li\u003e\n\u003cli\u003eSoft colors and charming linework are a perfect complement to this gentle story.\u003c\/li\u003e\n\u003cli\u003eCarey Sookocheff is both author and illustrator of \u003cem\u003eLost Things\u003c\/em\u003e (Kids Can Press 2021) which earned starred reviews from \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, \u003cem\u003eKirkus\u003c\/em\u003e and \u003cem\u003ePublishers Weekly\u003c\/em\u003e and was a Cooperative Children’s Book Center Choice and a Junior Library Guild Selection.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Sookocheff's calming story offers a powerful reminder about what we carry when we miss someone.” — \u003cstrong\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"\u003cp\u003e“Sweet support during loss.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Kirkus Reviews","OtherText_Review_2":"\u003cp\u003e“Childhood grief is handled gently here and human connections are celebrated.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"School Library Journal","OtherText_Review_3":"\u003cp\u003e“A quiet, hopeful story.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Publishers Weekly","OtherText_Review_4":"\u003cp\u003e“Illustrated with muted colors in blues, greens, and grays, listeners will be able to understand the message that it's the little things that help connect us to family and friends.” — \u003cstrong\u003e\u003cem\u003eSchool Library Connection\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"School Library Connection","OtherText_Review_5":"\u003cp\u003e“This is a touching story about remembering those we have loved and lost. … Carey Sookocheff's latest picture book reminds us of the opportunities that await us on the other side of sadness.” — \u003cstrong\u003e\u003cem\u003eCanadian Children's Book News\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Canadian Children's Book News","OtherText_Review_6":"\u003cp\u003e“A quiet story about a child’s personal journey through grief.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"CM: Canadian Review of Materials","OtherText_Review_7":"\u003cp\u003e“A gentle picture book for early readers.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eWhen Alice loses a keepsake from her grandfather, she worries that she won’t have anything to remember him by.\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"Kindle, Fixed Layout","PublicationDate":"2023-03-07","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eWhen Alice loses a keepsake from her grandfather, she worries that she won’t have anything to remember him by.\u003c\/strong\u003e\u003c\/p\u003e","Width":"8.5","WidthCode":"in"} ages 3 to 6 / grades P to 1
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    The Remembering Stone

    When Alice loses a keepsake from her grandfather, she worries that she won’t have anything to remember him by.

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     Ravenscrag
    Quick View {"id":6815473205307,"title":"Ravenscrag","handle":"ravenscrag","description":"\u003cp\u003eThe writer Alain Farah is living in two time periods, and he feels out of place in both. At the opening of his story, we find ourselves at McGill in 1962 and 2012. But the real problem lies elsewhere: on campus, a psychiatrist is conducting dangerous and unethical experiments on his patients. The writer’s uncle, Nab Safi, knows something about it, but soon he won’t be around to tell his story.\u003c\/p\u003e\u003cp\u003eAnd so begins an investigation in which time, place, memory, and people collide. A mother in the Lebanese ghetto bets her son in a game of dice to settle her debts. Dinosaurs are resurrected. An odd gun will be used to determine the outcome for those who truly believe. A torn old photo and a gothic swimming pool lead to the disturbing depths of Ravenscrag, a mournful manor with 36 chambers…\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRavenscrag\u003c\/em\u003e is an intriguing and truly original blend of retro science fiction and autobiography. It’s about resilience, literature as remedy, and ultimately, it’s a novel about survival through storytelling.\u003c\/p\u003e","published_at":"2022-03-24T17:44:08-04:00","created_at":"2022-03-24T14:42:11-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["By (author) Farah Alain","House of Anansi Press","pub date: 2015-01-24","Translated by Lederhendler Lazer"],"price":1295,"price_min":1295,"price_max":2295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40210004836411,"title":"trade paperback with flaps","option1":"trade paperback with flaps","option2":null,"option3":null,"sku":"9781770898950","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ravenscrag - trade paperback with flaps","public_title":"trade paperback with flaps","options":["trade paperback with flaps"],"price":2295,"weight":299,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770898950","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40210118705211,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770898967","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ravenscrag - epub","public_title":"epub","options":["epub"],"price":1295,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770898967","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40210119229499,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770898974","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ravenscrag - mobi","public_title":"mobi","options":["mobi"],"price":1295,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770898974","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_5076862d-f6bc-4892-83d8-37fb65825d76.jpg?v=1678596441"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_5076862d-f6bc-4892-83d8-37fb65825d76.jpg?v=1678596441","options":["Title"],"media":[{"alt":null,"id":23324488859707,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_5076862d-f6bc-4892-83d8-37fb65825d76.jpg?v=1678596441"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_5076862d-f6bc-4892-83d8-37fb65825d76.jpg?v=1678596441","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe writer Alain Farah is living in two time periods, and he feels out of place in both. At the opening of his story, we find ourselves at McGill in 1962 and 2012. But the real problem lies elsewhere: on campus, a psychiatrist is conducting dangerous and unethical experiments on his patients. The writer’s uncle, Nab Safi, knows something about it, but soon he won’t be around to tell his story.\u003c\/p\u003e\u003cp\u003eAnd so begins an investigation in which time, place, memory, and people collide. A mother in the Lebanese ghetto bets her son in a game of dice to settle her debts. Dinosaurs are resurrected. An odd gun will be used to determine the outcome for those who truly believe. A torn old photo and a gothic swimming pool lead to the disturbing depths of Ravenscrag, a mournful manor with 36 chambers…\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRavenscrag\u003c\/em\u003e is an intriguing and truly original blend of retro science fiction and autobiography. It’s about resilience, literature as remedy, and ultimately, it’s a novel about survival through storytelling.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9780887842566","AlsoRecommendedISBN_1":"9781770892088","AlsoRecommendedISBN_2":"9781770890336","AlsoRecommendedISBN_3":"9781770892088","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003eAlain Farah is the author of \u003cem\u003eQuelque chose se détache du port\u003c\/em\u003e, a book of poems which was shortlised for the Prix Emile-Nelligan, and the novels \u003cem\u003eMatamore no 29\u003c\/em\u003e and \u003cem\u003ePourquoi Bologne\u003c\/em\u003e, a finalist for the Governor General's Literary Award. He is assistant professor at McGill University.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Literary","BISACSubject_0":"FIC019000","ContributorBio_0":"\u003cp\u003eAlain Farah is the author of \u003cem\u003eQuelque chose se détache du port\u003c\/em\u003e, a book of poems which was shortlised for the Prix Emile-Nelligan, and the novels \u003cem\u003eMatamore no 29\u003c\/em\u003e and \u003cem\u003ePourquoi Bologne\u003c\/em\u003e, a finalist for the Governor General's Literary Award. He is assistant professor at McGill University.\u003c\/p\u003e","ContributorBio_1":"Lazer Lederhendler is a Governor General's Award-winning translator. He lives in Montreal, Quebec.","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Farah, Alain (CA)","Contributor_1":"Lederhendler, Lazer (CA)","Description":"\u003cp\u003eThe writer Alain Farah is living in two time periods, and he feels out of place in both. At the opening of his story, we find ourselves at McGill in 1962 and 2012. But the real problem lies elsewhere: on campus, a psychiatrist is conducting dangerous and unethical experiments on his patients. The writer’s uncle, Nab Safi, knows something about it, but soon he won’t be around to tell his story.\u003c\/p\u003e\u003cp\u003eAnd so begins an investigation in which time, place, memory, and people collide. A mother in the Lebanese ghetto bets her son in a game of dice to settle her debts. Dinosaurs are resurrected. An odd gun will be used to determine the outcome for those who truly believe. A torn old photo and a gothic swimming pool lead to the disturbing depths of Ravenscrag, a mournful manor with 36 chambers…\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRavenscrag\u003c\/em\u003e is an intriguing and truly original blend of retro science fiction and autobiography. It’s about resilience, literature as remedy, and ultimately, it’s a novel about survival through storytelling.\u003c\/p\u003e","EAN":"9781770898974","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770898974\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Literary; Montreal; Quebec; McGill University; 1960s; contemporary; Science fiction; MK Ultra; Human Experiments; Lazer Lederhendler","NumberOfPages":"224","OtherText_Review_0":"\u003cp\u003e“Alain Farah’s intriguing novel works not despite its complexities, but because of them.” — \u003cstrong\u003eRobert Wiersema, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Auth":"Robert Wiersema","OtherText_Review_0_Src":"Quill \u0026amp; Quire","OtherText_Review_1":"\u003cp\u003e“True to its own vision, [Ravenscrag takes] some pleasure in pushing boundaries” — \u003cstrong\u003eBrett Josef Grubisic, \u003cem\u003eMaclean’s Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Auth":"Brett Josef Grubisic","OtherText_Review_1_Src":"Maclean’s Magazine","OtherText_Review_2":"\u003cp\u003e“…a page-turner to the very end.” — \u003cstrong\u003e\u003cem\u003ePublishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Auth":"Ian McGillis","OtherText_Review_2_Src":"Montreal Gazette","OtherText_Review_3":"\u003cp\u003e“… this is a novel that’s out there on its own. You really should read it.” — \u003cstrong\u003eIan McGillis, \u003cem\u003eMontreal Gazette\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"Ian McGillis","OtherText_Review_3_Src":"Publishers Weekly","OtherText_Review_4":"\u003cp\u003e“a useful snapshot of a current of literature being published in Québec at the moment” — \u003cstrong\u003ePeter McCambridge, \u003cem\u003eQuebec Reads\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Peter McCambridge","OtherText_Review_4_Src":"Quebec Reads","OtherText_Review_5":"\u003cp\u003e“This swift, Montreal-set fiction splices genres and historical eras with such nerve that it rolled onto best-of-the-year lists everywhere from the Governor General’s Awards to La Presse and Le Devoir when it appeared in its original French in 2013.” — \u003cstrong\u003eBrian Lynch, \u003cem\u003eThe Georgia Straight\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Auth":"Brian Lynch","OtherText_Review_5_Src":"The Georgia Straight","OtherText_Review_6":"\u003cp\u003e“[T]hrilling… Ravenscrag gives over with wild abandon to imagination and paranoia as defining traits.” — \u003cstrong\u003e\u003cem\u003eThe Mookse and the Gripes\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"The Mookse and the Gripes","OtherText_Review_7":"\u003cp\u003e“[A] perfectly bizarre novel…I want to read it again.” — \u003cstrong\u003eIsabella Kratynski, \u003cem\u003eMagnificent Octopus blog\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Auth":"Isabella Kratynski","OtherText_Review_7_Src":"Magnificent Octopus blog","OtherText_ShortDescription_0":"A playful, semi-autobiographical, retro science fiction novel about mind control, memory, and madness — based on historical events.","PrizeCodeText_0":"Long-listed","PrizeCode_0":"05","PrizeName_0":"2016 Sunburst Award for Excellence in Canadian Literature of the Fantastic","PrizeYear_0":"2016","ProductFormDescription":"mobi","PublicationDate":"2015-01-24","Publisher":"House of Anansi Press Inc","ShortDescription":"A playful, semi-autobiographical, retro science fiction novel about mind control, memory, and madness — based on historical events.","Subtitle":"A Novel","Width":"5.25","WidthCode":"in"}
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    Ravenscrag

    A playful, semi-autobiographical, retro science fiction novel about mind control, memory, and madness — based on historical events.

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     The Admen Move on Lhasa
    Quick View {"id":7325046177851,"title":"The Admen Move on Lhasa","handle":"the-admen-move-on-lhasa","description":"\u003cp\u003eAcclaimed fiction writer and poet Steven Heighton confronts our society's growing preference for the virtual — in the media, in our modes of communication, in art, in war — as opposed to the visceral.\u003c\/p\u003e\n\u003cp\u003eIn these essays Heighton explores ways of remaining authentically creative and passionately engaged with life in an increasingly artificial world.\u003c\/p\u003e","published_at":"2025-01-08T14:31:06-05:00","created_at":"2025-01-08T14:31:06-05:00","vendor":"House of Anansi Press","type":"","tags":[],"price":1895,"price_min":1895,"price_max":1895,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43244523356219,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":".9780887845888","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Admen Move on Lhasa - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1895,"weight":218,"compare_at_price":null,"inventory_management":"shopify","barcode":".9780887845888","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887845888.jpg?v=1736364588"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887845888.jpg?v=1736364588","options":["Title"],"media":[{"alt":null,"id":24979662241851,"position":1,"preview_image":{"aspect_ratio":0.64,"height":431,"width":276,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887845888.jpg?v=1736364588"},"aspect_ratio":0.64,"height":431,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9780887845888.jpg?v=1736364588","width":276}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAcclaimed fiction writer and poet Steven Heighton confronts our society's growing preference for the virtual — in the media, in our modes of communication, in art, in war — as opposed to the visceral.\u003c\/p\u003e\n\u003cp\u003eIn these essays Heighton explores ways of remaining authentically creative and passionately engaged with life in an increasingly artificial world.\u003c\/p\u003e"} {"ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEVEN HEIGHTON\u003c\/strong\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e (1961-2022)’s most recent books were the novel \u003c\/span\u003e\u003ci\u003eThe Nightingale Won’t Let You Sleep\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection \u003c\/span\u003e\u003ci\u003eThe Waking Comes Late \u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e(House of Anansi Press, 2016), and the memoir \u003c\/span\u003e\u003ci\u003eReaching Mithymna\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel \u003c\/span\u003e\u003ci\u003eAfterlands\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e, which was published in six countries, was a \u003c\/span\u003e\u003ci\u003eNew York Times Book Review\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include \u003c\/span\u003e\u003ci\u003eThe Ecstasy of Skeptics\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e and \u003c\/span\u003e\u003ci\u003eThe Address Book\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e. His fiction and poetry have been translated into ten languages, have appeared in the \u003c\/span\u003e\u003ci\u003eLondon Review of Books, Tin House, Poetry, Brick, \u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003ethe \u003c\/span\u003e\u003ci\u003eIndependent, \u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003ethe \u003c\/span\u003e\u003ci\u003eLiterary Review\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e, and The Walrus Magazine, among others; have been internationally anthologized in \u003c\/span\u003e\u003ci\u003eBest English Stories, Best American Poetry, The Minerva Book of Stories\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e, and \u003c\/span\u003e\u003ci\u003eBest American Mystery Stories\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the \u003c\/span\u003e\u003ci\u003eNew York Times Book Review\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, \u003c\/span\u003e\u003ci\u003eThe Devil’s Share\u003c\/i\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e. To listen, visit \u003c\/span\u003e\u003ca href=\"http:\/\/www.wolfeislandrecords.com\/stevenheighton\"\u003ewww.wolfeislandrecords.com\/stevenheighton\u003c\/a\u003e\u003cspan style=\"background-color:rgb(255,255,255);color:rgb(33,37,41);\"\u003e.\u003c\/span\u003e\u003c\/p\u003e","ContributorRole_0":"By (author)","Contributor_0":"Heighton, Steven","Imprint":"House of Anansi Press","NumberOfPages":"176","Publisher":"House of Anansi Press Inc"}
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    The Admen Move on Lhasa

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     Say Yes and Keep Smiling by Laurence Beaudoin-Masse. The sequel to Suck It In and Smile. There is a line drawing of a person's torso against the pale green background. Flowers and leaves grow from the person's neck in place of a head. They cover the flowers with their hands. A review quote at the bottom of the cover says:
    Quick View {"id":7130431029307,"title":"Say Yes and Keep Smiling","handle":"say-yes-and-keep-smiling","description":"\u003cp\u003e\u003cstrong\u003eIn the highly anticipated sequel to \u003cem\u003eSuck it In and Smile\u003c\/em\u003e, Ellie is wrestling her picture-perfect life as a social media influencer back under control — but how long can she keep bridging the distance between the desire to be herself and the pressure to conform? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEllie is an inspiration to her hundreds of thousands of followers on Instagram and YouTube. Her book of wellness tips (including her signature recipe for chocolate chip–chickpea cookies) is about to launch. She is one half of a social-media power couple with singer Samuel Vanasse, who is now her fiancé. And she is on the verge of breaking into the top three on the YouTube charts. She has everything she needs to be happy — but lately, when she starts crying, she can’t seem to stop. \u003c\/p\u003e\n\u003cp\u003eBetween her father’s failing health and the charming yet enigmatic Dave, between her friendship-rivalry with another YouTuber and the pressure to be “authentic” at all times, Ellie is lost. She retreats into her old patterns and tries to regain control of her life, one Fat Burning Challenge at a time. But listening to her heart isn’t as easy — or glamorous — as she’s been making it look to her followers. \u003c\/p\u003e\n\u003cp\u003eThis exciting conclusion to Ellie’s story examines how we measure success and happiness, while exploring the complexities of body image, female rivalry and grief.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003echapters\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e","published_at":"2023-05-09T09:10:26-04:00","created_at":"2023-05-08T17:06:09-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 13 - 17","By (author) Beaudoin-Masse Laurence","Groundwood Books","Mental Health","pub date: 2023-09-05","Stories from Canada","Young Adult"],"price":1499,"price_min":1499,"price_max":1799,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41234955173947,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781773069685","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Say Yes and Keep Smiling - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1799,"weight":349,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781773069685","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41234956812347,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781773069692","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Say Yes and Keep Smiling - epub","public_title":"epub","options":["epub"],"price":1499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781773069692","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_b9c41c1e-26eb-4ecc-8b35-5bb79cfe3fb4.jpg?v=1731046734"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_b9c41c1e-26eb-4ecc-8b35-5bb79cfe3fb4.jpg?v=1731046734","options":["Title"],"media":[{"alt":"Say Yes and Keep Smiling by Laurence Beaudoin-Masse. The sequel to Suck It In and Smile. There is a line drawing of a person's torso against the pale green background. Flowers and leaves grow from the person's neck in place of a head. They cover the flowers with their hands. A review quote at the bottom of the cover says: \"This unfiltered look at being a successful influencer strips away the glitz and glitter\" — Booklist, starred review.","id":24903077199931,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2250,"width":1500,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_b9c41c1e-26eb-4ecc-8b35-5bb79cfe3fb4.jpg?v=1731046734"},"aspect_ratio":0.667,"height":2250,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_b9c41c1e-26eb-4ecc-8b35-5bb79cfe3fb4.jpg?v=1731046734","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn the highly anticipated sequel to \u003cem\u003eSuck it In and Smile\u003c\/em\u003e, Ellie is wrestling her picture-perfect life as a social media influencer back under control — but how long can she keep bridging the distance between the desire to be herself and the pressure to conform? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEllie is an inspiration to her hundreds of thousands of followers on Instagram and YouTube. Her book of wellness tips (including her signature recipe for chocolate chip–chickpea cookies) is about to launch. She is one half of a social-media power couple with singer Samuel Vanasse, who is now her fiancé. And she is on the verge of breaking into the top three on the YouTube charts. She has everything she needs to be happy — but lately, when she starts crying, she can’t seem to stop. \u003c\/p\u003e\n\u003cp\u003eBetween her father’s failing health and the charming yet enigmatic Dave, between her friendship-rivalry with another YouTuber and the pressure to be “authentic” at all times, Ellie is lost. She retreats into her old patterns and tries to regain control of her life, one Fat Burning Challenge at a time. But listening to her heart isn’t as easy — or glamorous — as she’s been making it look to her followers. \u003c\/p\u003e\n\u003cp\u003eThis exciting conclusion to Ellie’s story examines how we measure success and happiness, while exploring the complexities of body image, female rivalry and grief.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003echapters\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781773068091","AlsoRecommendedISBN_1":"9781773062358","AlsoRecommendedISBN_2":"9781773062358","AlsoRecommendedISBN_3":"9780888995698","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_1_2":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangePrecision_2_2":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeQualifier_2":"26","AudienceRangeValue_1_0":"8","AudienceRangeValue_1_1":"13","AudienceRangeValue_1_2":"8","AudienceRangeValue_2_0":"12","AudienceRangeValue_2_1":"17","AudienceRangeValue_2_2":"12","BASICMainSubject":"YAF012000","BASICMainSubjectLiteral":"YOUNG ADULT FICTION\/Computers \u0026 Digital Media","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLAURENCE BEAUDOIN-MASSE\u003c\/strong\u003e has written two novels: \u003cem\u003eSuck It in and Smile\u003c\/em\u003e (originally published as \u003cem\u003eRentrer son ventre et sourire\u003c\/em\u003e) and its sequel. She is a concept editor for Radio-Canada. Laurence would like to help girls who, like her, never feel like they measure up. She lives in Montreal, Quebec.\u003c\/p\u003e","BISACSubjectLiteral_0":"YOUNG ADULT FICTION \/ Computers \u0026amp; Digital Media","BISACSubjectLiteral_1":"YOUNG ADULT FICTION \/ Social Themes \/ Eating Disorders \u0026amp; Body Image","BISACSubjectLiteral_2":"YOUNG ADULT FICTION \/ Social Themes \/ Self-Esteem \u0026amp; Self-Reliance","BISACSubject_0":"YAF012000","BISACSubject_1":"YAF058090","BISACSubject_2":"YAF058220","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLAURENCE BEAUDOIN-MASSE\u003c\/strong\u003e has written two novels: \u003cem\u003eSuck It in and Smile\u003c\/em\u003e (originally published as \u003cem\u003eRentrer son ventre et sourire\u003c\/em\u003e) and its sequel. She is a concept editor for Radio-Canada. Laurence would like to help girls who, like her, never feel like they measure up. She lives in Montreal, Quebec.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Beaudoin-Masse, Laurence (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn the highly anticipated sequel to \u003cem\u003eSuck it In and Smile\u003c\/em\u003e, Ellie is wrestling her picture-perfect life as a social media influencer back under control — but how long can she keep bridging the distance between the desire to be herself and the pressure to conform? \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEllie is an inspiration to her hundreds of thousands of followers on Instagram and YouTube. Her book of wellness tips (including her signature recipe for chocolate chip–chickpea cookies) is about to launch. She is one half of a social-media power couple with singer Samuel Vanasse, who is now her fiancé. And she is on the verge of breaking into the top three on the YouTube charts. She has everything she needs to be happy — but lately, when she starts crying, she can’t seem to stop. \u003c\/p\u003e\n\u003cp\u003eBetween her father’s failing health and the charming yet enigmatic Dave, between her friendship-rivalry with another YouTuber and the pressure to be “authentic” at all times, Ellie is lost. She retreats into her old patterns and tries to regain control of her life, one Fat Burning Challenge at a time. But listening to her heart isn’t as easy — or glamorous — as she’s been making it look to her followers. \u003c\/p\u003e\n\u003cp\u003eThis exciting conclusion to Ellie’s story examines how we measure success and happiness, while exploring the complexities of body image, female rivalry and grief.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Text Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003echapters\u003c\/p\u003e\n\u003cp\u003evignettes\u003c\/p\u003e\n\u003cp\u003edialogue\u003c\/p\u003e","EAN":"9781773069692","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781773069692\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7.5","HeightCode":"in","Imprint":"Groundwood Books","KeyTextFeatures":"\u003cp\u003echapters;vignettes;dialogue\u003c\/p\u003e","MetaKeywords":"Instagram;YouTube;wellness;lifestyle;popularity;fame;love triangle;booktok;anti hero;content creators;interdependence;sibling rivalry;role model;self empowerment;online authenticity and persona","NumberOfPages":"368","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eThe conclusion to Ellie’s story picks up right where book one left off, with Samuel’s YouTube Live proposal putting her on the spot. \u003c\/li\u003e\n\u003cli\u003eBook two dives deeper into the pressures of maintaining a perfect, yet perfectly authentic-seeming image as a social media influencer: brand partnerships, photo retouching, ghost writers and keeping up appearances.\u003c\/li\u003e\n\u003cli\u003eThe chapters are interspersed with Instagram posts, text messages and Ellie’s reflections on what it means to be an influencer. \u003c\/li\u003e\n\u003cli\u003eLaurence Beaudoin-Masse says she spent her teenage years being jealous of the popular girls and living out great love stories in her head. As an adult, she is fascinated by influencers and wrote this book to help girls who, like her, don’t feel like they’re good enough.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eThe first time I got a brand partnership — a real one — I was sure I was going to get called out. That I’d be criticized for selling out, being self-serving. That it wouldn’t be acceptable. I was already used to getting free products, special invitations and being paid an amount that seems ridiculously low today — but at the time I was super happy about it, even honored. I prepared my post, clicked Share and waited for the first reactions with my heart pounding and my belly churning. \u003c\/p\u003e\n\u003cp\u003eAnd then ... nothing. People clicked Like and that was that. Meh.  \u003c\/p\u003e\n\u003cp\u003eEven today, no one cares about content placement in my posts. Partnerships have even become a sign of success, of privileged status. Now there are two kinds of users on the networks — ordinary people and us professionals. While everyone is there to share their thing or exchange their news, we come with our professional cameras, our skills, our war machine in full view. We take in the love and the love money. And everyone thinks it’s all ... just great.\u003c\/p\u003e\n\u003cp\u003eOn one condition, that is. You have to “stay true.” … Authenticity is the unwritten law of the web, the content creator’s code of conduct. \u003c\/p\u003e\n\u003cp\u003eAnd everyone insists on that, including me.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThe conclusion to Ellie’s story picks up right where book one left off, with Samuel’s YouTube Live proposal putting her on the spot. \u003c\/li\u003e\n\u003cli\u003eBook two dives deeper into the pressures of maintaining a perfect, yet perfectly authentic-seeming image as a social media influencer: brand partnerships, photo retouching, ghost writers and keeping up appearances.\u003c\/li\u003e\n\u003cli\u003eThe chapters are interspersed with Instagram posts, text messages and Ellie’s reflections on what it means to be an influencer. \u003c\/li\u003e\n\u003cli\u003eLaurence Beaudoin-Masse says she spent her teenage years being jealous of the popular girls and living out great love stories in her head. As an adult, she is fascinated by influencers and wrote this book to help girls who, like her, don’t feel like they’re good enough.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A realistically flawed character worth rooting for in a story worth reading.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Kirkus Reviews","OtherText_Review_1":"\u003cp\u003e“\u003cem\u003eSay Yes and Keep Smiling\u003c\/em\u003e, like its predecessor, takes a quirky yet incisive look under the surface of social media creations and encourages readers to do the same.” — \u003cstrong\u003e\u003cem\u003eCM: Canadian Review of Materials\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"CM: Canadian Review of Materials","OtherText_Review_2":"\u003cp\u003e“Beaudoin-Masse once again authors a gut-wrenching portrayal of the shallow nature of influencers ... A genuine and nimble story that will speak to teens and new adults who find themselves in need of an anchor while immersed in an increasingly online world.” — \u003cstrong\u003e\u003cem\u003eChildren's Literature Comprehensive Database\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Children's Literature Comprehensive Database","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eIn the sequel to \u003cem\u003eSuck it In and Smile\u003c\/em\u003e, Ellie is wrestling her life under control — but how long can she keep it together, and does she even want to?\u003c\/strong\u003e\u003c\/p\u003e","ProductFormDescription":"epub","PublicationDate":"2023-09-05","Publisher":"Groundwood Books Ltd","ShortDescription":"\u003cp\u003e\u003cstrong\u003eIn the sequel to \u003cem\u003eSuck it In and Smile\u003c\/em\u003e, Ellie is wrestling her life under control — but how long can she keep it together, and does she even want to?\u003c\/strong\u003e\u003c\/p\u003e","Width":"5","WidthCode":"in"} ages 13 to 17 / grades 8 to 12
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    Say Yes and Keep Smiling

    In the sequel to Suck it In and Smile, Ellie is wrestling her life under control — but how long can she keep it together, and does she even want to?

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     Go Home Bay
    Quick View {"id":6582688317499,"title":"Go Home Bay","handle":"go-home-bay","description":"\u003cp\u003eIn 1914, Tom Thomson spent the summer at a family cottage on Lake Huron’s Georgian Bay, where he taught the ten-year-old daughter, Helen, how to paint. Author Susan Vande Griek and illustrator Pascal Milelli have imagined this time through Helen’s eyes, providing an intriguing glimpse into the famous painter’s life.\u003c\/p\u003e\u003cp\u003eHelen and her father greet their visitor on the rocks of West Wind Island. She is fascinated by everything about him — his canoe full of gear, his paint-stained hands, his campfire stew. Over the next few days she watches as Tom paddles off to fish and clambers over the rocks to paint. And then he invites Helen to paint with him — wildflowers blooming near the cottage, boats rocking in the water, pine trees blowing in a storm. And at summer’s end, he leaves her with a memento of their time together.\u003c\/p\u003e\u003cp\u003eThe story, told in lyrical free verse, has a quiet charm, while the illustrations capture the natural beauty that inspired some of Thomson’s most memorable paintings.\u003c\/p\u003e\u003cp\u003eAn author’s note provides more information about Tom Thomson’s life.\u003c\/p\u003e","published_at":"2021-05-13T12:58:59-04:00","created_at":"2021-05-13T12:58:59-04:00","vendor":"Groundwood Books Ltd","type":"","tags":["age range 6 - 9","By (author) Milelli Pascal","By (author) Vande Griek Susan","Groundwood Books","Guided Reading Level P","Lexile measure AD980L","Picture Books","pub date: 2016-04-05","Stories from Canada"],"price":1495,"price_min":1495,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39403351769147,"title":"Web PDF","option1":"Web PDF","option2":null,"option3":null,"sku":"9781554987023","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Go Home Bay - Web PDF","public_title":"Web PDF","options":["Web PDF"],"price":1495,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781554987023","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":39411161071675,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781554987016","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Go Home Bay - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":1895,"weight":472,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781554987016","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_44dd84b0-145c-4157-952c-cd1f9ca497bc.jpg?v=1701496017","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_9aae8bea-9c6c-4454-a626-c3baf0995f4b.jpg?v=1632376673","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_528e232f-9d88-4568-bc00-477c5177d6ec.jpg?v=1632376673","\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_8d00b441-8045-4498-b396-e26d09d3f19e.jpg?v=1632376673"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_44dd84b0-145c-4157-952c-cd1f9ca497bc.jpg?v=1701496017","options":["Title"],"media":[{"alt":null,"id":24008056504379,"position":1,"preview_image":{"aspect_ratio":0.881,"height":738,"width":650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_44dd84b0-145c-4157-952c-cd1f9ca497bc.jpg?v=1701496017"},"aspect_ratio":0.881,"height":738,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_44dd84b0-145c-4157-952c-cd1f9ca497bc.jpg?v=1701496017","width":650},{"alt":"Water reaches the edge of a rocky beach. A girl with medium light skin tone sits on the rocks with a paper in her hands. Behind her are trees and grass. Text: On West Wind Island, at Go home Bay, I’m swimming—brrr—picnicking, rowing, reading through the long and away June, July days.","id":20439830298683,"position":2,"preview_image":{"aspect_ratio":1.749,"height":494,"width":864,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_9aae8bea-9c6c-4454-a626-c3baf0995f4b.jpg?v=1632376673"},"aspect_ratio":1.749,"height":494,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_9aae8bea-9c6c-4454-a626-c3baf0995f4b.jpg?v=1632376673","width":864},{"alt":"A man with medium light skin tone stands in front of trees. He is wearing a red shirt. The text says that his name is Mr. Thomson and he stands tall on the dock. Helen’s father introduces them. She shakes his strong, paint-stained hands and he says to call him Tom. He smells like campfires and the outdoors.","id":20439831347259,"position":3,"preview_image":{"aspect_ratio":1.749,"height":494,"width":864,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_528e232f-9d88-4568-bc00-477c5177d6ec.jpg?v=1632376673"},"aspect_ratio":1.749,"height":494,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_528e232f-9d88-4568-bc00-477c5177d6ec.jpg?v=1632376673","width":864},{"alt":"A wooden dock is by water with hills on the other side. A man with medium skin tone sits beside a girl on the dock. They are holding brushes and canvases. They paint the scenery. The text says that it is a sunny day. They are sketching their rowboat and his canoe. They paint a houseboat as well in pink, blue, and the other colours of the bay.","id":20439832461371,"position":4,"preview_image":{"aspect_ratio":1.749,"height":494,"width":864,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_8d00b441-8045-4498-b396-e26d09d3f19e.jpg?v=1632376673"},"aspect_ratio":1.749,"height":494,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_8d00b441-8045-4498-b396-e26d09d3f19e.jpg?v=1632376673","width":864}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eIn 1914, Tom Thomson spent the summer at a family cottage on Lake Huron’s Georgian Bay, where he taught the ten-year-old daughter, Helen, how to paint. Author Susan Vande Griek and illustrator Pascal Milelli have imagined this time through Helen’s eyes, providing an intriguing glimpse into the famous painter’s life.\u003c\/p\u003e\u003cp\u003eHelen and her father greet their visitor on the rocks of West Wind Island. She is fascinated by everything about him — his canoe full of gear, his paint-stained hands, his campfire stew. Over the next few days she watches as Tom paddles off to fish and clambers over the rocks to paint. And then he invites Helen to paint with him — wildflowers blooming near the cottage, boats rocking in the water, pine trees blowing in a storm. And at summer’s end, he leaves her with a memento of their time together.\u003c\/p\u003e\u003cp\u003eThe story, told in lyrical free verse, has a quiet charm, while the illustrations capture the natural beauty that inspired some of Thomson’s most memorable paintings.\u003c\/p\u003e\u003cp\u003eAn author’s note provides more information about Tom Thomson’s life.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781554980840","AlsoRecommendedISBN_1":"9781554980840","AlsoRecommendedISBN_2":"9781554989812","AlsoRecommendedISBN_3":"9781773062600","AudienceRangePrecision_1_0":"03","AudienceRangePrecision_1_1":"03","AudienceRangePrecision_2_0":"04","AudienceRangePrecision_2_1":"04","AudienceRangeQualifier_0":"11","AudienceRangeQualifier_1":"17","AudienceRangeValue_1_0":"1","AudienceRangeValue_1_1":"6","AudienceRangeValue_2_0":"4","AudienceRangeValue_2_1":"9","BASICMainSubject":"JUV016180","BASICMainSubjectLiteral":"JUVENILE FICTION\/Historical\/Canada\/Post-Confederation (1867-)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSUSAN VANDE GRIEK\u003c\/strong\u003e is the author of several highly acclaimed children’s books. Her picture book \u003cem\u003eLoon\u003c\/em\u003e, illustrated by Karen Reczuch, was named a USBBY Outstanding International Book and won the Ruth and Sylvia Schwartz Children’s Book Award and the Norma Fleck Award for Canadian Children’s Non-Fiction, among others. She has also written \u003cem\u003eGo Home Bay\u003c\/em\u003e, illustrated by Pascal Milelli, about the artist Tom Thomson, and \u003cem\u003eAn Owl at Sea\u003c\/em\u003e, illustrated by Ian Wallace. Susan lives in Halifax, Nova Scotia.\u003c\/p\u003e","BISACSubjectLiteral_0":"JUVENILE FICTION \/ Historical \/ Canada \/ Post-Confederation (1867-)","BISACSubjectLiteral_1":"JUVENILE FICTION \/ Art","BISACSubjectLiteral_2":"JUVENILE FICTION \/ Biographical \/ Canada","BISACSubject_0":"JUV016180","BISACSubject_1":"JUV003000","BISACSubject_2":"JUV004040","ComplexityCode_0":"AD980L","ComplexityCode_1":"P","ComplexitySchemeIdentifier_0":"06","ComplexitySchemeIdentifier_1":"09","ComplexitySchemeIdName_0":"Lexile measure","ComplexitySchemeIdName_1":"Guided Reading Level","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSUSAN VANDE GRIEK\u003c\/strong\u003e is the author of several highly acclaimed children’s books. Her picture book \u003cem\u003eLoon\u003c\/em\u003e, illustrated by Karen Reczuch, was named a USBBY Outstanding International Book and won the Ruth and Sylvia Schwartz Children’s Book Award and the Norma Fleck Award for Canadian Children’s Non-Fiction, among others. She has also written \u003cem\u003eGo Home Bay\u003c\/em\u003e, illustrated by Pascal Milelli, about the artist Tom Thomson, and \u003cem\u003eAn Owl at Sea\u003c\/em\u003e, illustrated by Ian Wallace. Susan lives in Halifax, Nova Scotia.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003ePascal Milelli graduated from the Alberta College of Art and Design in 1988. His book \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Art Room\u003c\/em\u003e, written by Susan Vande Griek, won the Amelia Frances Howard-Gibbon Award for Illustration in 2002. Visit Pascal Milelli's website: http:\/\/www.pascalmilelli.com\/\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"By (author)","Contributor_0":"Vande Griek, Susan (CA)","Contributor_1":"Milelli, Pascal (CA)","Description":"\u003cp\u003eIn 1914, Tom Thomson spent the summer at a family cottage on Lake Huron’s Georgian Bay, where he taught the ten-year-old daughter, Helen, how to paint. Author Susan Vande Griek and illustrator Pascal Milelli have imagined this time through Helen’s eyes, providing an intriguing glimpse into the famous painter’s life.\u003c\/p\u003e\u003cp\u003eHelen and her father greet their visitor on the rocks of West Wind Island. She is fascinated by everything about him — his canoe full of gear, his paint-stained hands, his campfire stew. Over the next few days she watches as Tom paddles off to fish and clambers over the rocks to paint. And then he invites Helen to paint with him — wildflowers blooming near the cottage, boats rocking in the water, pine trees blowing in a storm. And at summer’s end, he leaves her with a memento of their time together.\u003c\/p\u003e\u003cp\u003eThe story, told in lyrical free verse, has a quiet charm, while the illustrations capture the natural beauty that inspired some of Thomson’s most memorable paintings.\u003c\/p\u003e\u003cp\u003eAn author’s note provides more information about Tom Thomson’s life.\u003c\/p\u003e","EAN":"9781554987016","Height":"8.75","HeightCode":"in","Imprint":"Groundwood Books","MetaKeywords":"free verse; poetry; lake huron; artist; learning how to paint; how to paint; oil painting; pencil; sketches; painter; outdoors; nature; historical fiction; picture books; art; artists; famous painters; famous artists; group of seven; canadian painters; children; teaching; teacher; friendship; 20th century; painting; Algonquin Park; Canoe Lake; lakes","NumberOfPages":"32","OtherText_Accolades_0":"\u003cp\u003e\u003cstrong\u003ePraise for Susan Vande Griek and \u003cem\u003eGo Home Bay\u003c\/em\u003e:\u003c\/strong\u003e\u003cbr \/\u003e\u003cbr \/\u003e\"With a strong sense of place, this moody, contemplative title coalesces into a story that will resonate with nature lovers and artists alike.\" — \u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003cbr \/\u003e\u003cbr \/\u003e\"\u003cem\u003eGo Home Bay\u003c\/em\u003e is a lovely, gentle book that breathes art and poetry.\" — \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003e“With a strong sense of place, this moody, contemplative title coalesces into a story that will resonate with nature lovers and artists alike.” — \u003cstrong\u003e\u003cem\u003eSchool Library Journal\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"School Library Journal","OtherText_Review_1":"\u003cp\u003e“Go Home Bay is a lovely, gentle book that breathes art and poetry.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"A young girl learns to paint with Tom Thomson, one of Canada's best-known artists.","PrizeCodeText_0":"Commended","PrizeCode_0":"03","PrizeName_0":"CCBC Best Books for Children and Teens, starred selection","PrizeYear_0":"2016","ProductFormDescription":"hardcover jacket","PublicationDate":"2016-04-05","Publisher":"Groundwood Books Ltd","ShortDescription":"A young girl learns to paint with Tom Thomson, one of Canada's best-known artists.","Width":"10","WidthCode":"in"} ages 6 to 9 / grades 1 to 4
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    Go Home Bay

    A young girl learns to paint with Tom Thomson, one of Canada's best-known artists.

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     A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.
    Quick View {"id":6811321663547,"title":"We Two Alone","handle":"we-two-alone","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. 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A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.","id":24959859064891,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e"} {"AlsoRecommendedISBN_0":"9781487001469","AlsoRecommendedISBN_1":"9781487002299","AlsoRecommendedISBN_2":"9781487006563","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION\/Short Stories (single author)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubjectLiteral_2":"FICTION \/ Asian American","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC054000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSAMANTHA QUAN\u003c\/strong\u003e is a graduate of the Graduate Acting Program at New York University. She has performed on stage in New York and regionally, including at The Ensemble Studio Theater and the Globe Theaters. Samantha presently resides in Los Angeles, where she works in film and television.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Wang, Jack (CA)","Contributor_1":"Quan, Samantha (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong \u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","EAN":"9781487008833","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007461\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"canadian history; hockey; immigration; refugees; marriage; asia; Madeleine Thien; Pachinko; A Tale for the Time Being; David Chariandy; London; Lunar New Year; WWI; WWII; world war; holocaust; asian literature; post colonial; creative writing; canlit; Holman; Cozy Classics; Star Wars Epic Yarns; Great Job Dad; Frying Plantain; Kim's Convenience; Asian Americans PBS; book club","NumberOfPages":"296","OtherText_Accolades_0":"\u003cp\u003e“These moving stories are both global and intimate as they span the continents where the Chinese diaspora has settled. With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection that zeroes in on the emotional texture of utterly unique lives.” — \u003cstrong\u003eViet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer","OtherText_Accolades_1":"\u003cp\u003e“This impressive and vibrant collection of stories takes the reader by the hand, leading us across the world and back in time. But they’re all unified by the gentle sensitivity of Jack Wang’s prose and his ability to inhabit characters who long for freedom, connection, and fulfillment. Deeply humane and beautifully wrought, these stories stay in the heart and the mind.” — \u003cstrong\u003eAlix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Alix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside","OtherText_Accolades_2":"\u003cp\u003e“One of the best books I’ve read this year and one of my all-time favourite short-story collections.” — \u003cstrong\u003eSharon Bala, bestselling author of The Boat People\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sharon Bala, bestselling author of The Boat People","OtherText_Accolades_3":"\u003cp\u003e“Jack Wang’s \u003cem\u003eWe Two Alone\u003c\/em\u003e is not only a penetrating examination of the Chinese diaspora, it also brilliantly renders its subject in the most deeply resonant universal way, as the yearning for personal identity that drives us all in our shared humanity. This is a remarkable collection of stories, a remarkable work of art.” — \u003cstrong\u003eRobert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain","OtherText_Accolades_4":"\u003cp\u003e“Jack Wang’s dazzling first collection of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, moves through decades and across continents with rare ease, telling not \u003cem\u003ethe\u003c\/em\u003e story but some of the many stories of the Chinese diaspora in the last century. These stories are so elegantly shaped, so satisfying as individual stories, that their collective power sneaks up on you. There is a quiet and building intensity to the storytelling here, a commitment to chronicling — with deep compassion and a refusal of easy answers — the dignity of human experience against the broader indignities of history. I was moved, heartbroken, and thrilled.” — \u003cstrong\u003eEmily Fridlund, author of the Booker Prize finalist History of Wolves\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Emily Fridlund, author of the Booker Prize finalist History of Wolves","OtherText_Description_for_R_0":"\u003cp\u003eFrom “The Night of Broken Glass”\u003cbr \/\u003e A finalist for the 2014 Commonwealth Short Story Prize, whose jury included Booker Prize winner Marlon James\u003cbr \/\u003ePublished in \u003cem\u003eLet’s Tell This Story Properly: An Anthology of the Commonwealth Short Story Prize\u003c\/em\u003e\u003cbr \/\u003eNominated by the \u003cem\u003eNew Quarterly\u003c\/em\u003e for a 2016 National Magazine Award \u003cbr \/\u003e\u003cbr \/\u003e I met my mother for the first time when I was six. I say “mother” because that was what I was expected to call her, and did, though in fact she was my stepmother. My real mother died of tuberculosis when I was five. A year later my father came home with a new wife. He had been studying international law in Chicago despite already having a Ph.D. in political economics from the University of Munich. While he was gone I received a series of brightly coloured linen postcards of the World’s Fair: the Hall of Science, the Avenue of Flags, the iron lattice towers of the Sky Ride. The theme of the fair was A Century of Progress. That’s where my father met Grace.\u003cbr \/\u003e\u003cbr \/\u003eIt was a windless, thick-aired summer day in Changsha when a motorcar saddled with steamer trucks pulled up in front of our house and a woman in a white blouse, wide-legged trousers, and large round sunglasses climbed out. She was beautiful, which made me sad for my mother and scornful of my father, and she looked too fair to be Chinese. As it turned out, she was half Chinese, born of a Chinese father and a German-American mother. That, along with her clothes and her beauty, made her unlike any woman I had ever seen. My father had secured a large two-storey house on the outskirts of town and staffed it with half a dozen servants, all in an effort to make his new wife comfortable, but as soon as they arrived he was stricken by all he had not foreseen. The house had no running water, and despite the need Grace refused to use the privy, which had no seat and emitted at that time of year an audible drone. After pleading with Grace in hushed tones, my father ordered Old Chao into town for a portable commode, a trip of at least three hours. For the rest of the afternoon my new mother paced the courtyard, smoking one Lucky after another, which made her seem feral and caged. \u003cbr \/\u003e\u003cbr \/\u003e[…] \u003cbr \/\u003e\u003cbr \/\u003eNeedless to say, Grace was unhappy in China. Though my father had no particular desire to leave, he began to eye the foreign service. When the Governor for whom he worked recommended the post of First Secretary in the Chinese legation in Austria, my father accepted for Grace’s sake. We arrived in Vienna in June of my tenth year, after a three-week voyage on the \u003cem\u003eConte Verde\u003c\/em\u003e through Saigon, Singapore, Madras, Bombay, Aden, and Port Said, and at first everything did seem better. The city was glorious with summer, and everywhere open air orchestras paid homage to the old masters, which made our lives seem set to music. Many nights my parents put on tails and gown and went to balls and receptions, living at last the life for which they were meant. \u003cbr \/\u003e\u003cbr \/\u003eBut it wasn’t long before Grace again felt stranded. She could no more distinguish der, die, and das than she could first and second tones. Then, in the spring, German troops goose-stepped through the Ringstrasse, just blocks away from our townhouse. The crowds that greeted them were lusty, adoring, as was I, my schoolboy fantasies of soldiers and guns come to life. My father did not raise his arm but he didn’t stop me from raising mine. That night, in a scene that would soon become commonplace, hoodlums took to the streets, smashing the windows of certain homes and shops. Thereafter, walking to and from school, I passed storefronts marked \u003cem\u003eJude\u003c\/em\u003e and \u003cem\u003eNicht arisches Geschaeft\u003c\/em\u003e and blocked by baby-faced men in jackboots and flared helmets. As a visible foreigner and part of the diplomatic corps, my father felt undeterred and often went into these stores despite the piercing glares — and once, an arm held stiffly against his chest. For my mother, annexation was yet another rung of descent in a private tragedy. She chided my father for bringing her to a Nazi-occupied country. His answer: Better the Germans than the Japanese. \u003cbr \/\u003e\u003cbr \/\u003eAt the end of October, thousands of Polish-born Jews were rounded up and sent back to Poland. When a seventeen-year-old boy learned that his family was among those languishing at the border, unwanted by either side, he walked into the German Embassy in Paris and pumped five bullets into the viscera of a minor German diplomat. Two days later, Ernst vom Rath died of his wounds. The seething of the Germans, checked so long as their countryman clung to life, would now be unleashed. This was what my father knew when he came home that afternoon.\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003e“A collection that announces an important new voice in contemporary fiction … Beyond Vancouver, Shanghai, Vienna, Port Elizabeth, and London, the stories in \u003cem\u003eWe Two Alone\u003c\/em\u003e encompass Tallahassee, Los Angeles, and Boston. Wang is committed to rendering his backdrops accurately; with perfectly presented details, he showcases the disharmony of the Chinese diaspora, as individuals endure salient moments in twentieth-century history and more recent times … \u003cem\u003eWe Two Alone\u003c\/em\u003e shows that Jack Wang is a master of the short story, a writer who has mapped his own space, neither Canadian nor American, nor anywhere else. Each episode in this collection is a moving tribute to its characters as well as an indictment of the ostracism that remains when racist taunts and human failures continue to bedevil the modern world.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003e“Rich and poignant … History lovers and literary buffs will sink joyfully into his moving collection … Wang manages to underscore the importance of cultural heritage while stressing humanity’s common ties … His ability to create vivid and believable settings, in beautiful and readable prose, will deeply move readers.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Winnipeg Free Press","OtherText_Review_2":"\u003cp\u003e“Jack Wang is a welcome new voice in Canadian letters … [\u003cem\u003eWe Two Alone\u003c\/em\u003e] is serious, engaging, well crafted, thought-provoking. Wang clearly has something to say, and this accomplished collection not only says it but also promises a great deal more to come.” — \u003cstrong\u003e\u003cem\u003eOrmsby Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Ormsby Review","OtherText_Review_3":"\u003cp\u003e“Jack Wang’s extraordinary debut book of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, weaves a path across the world, following the Chinese diaspora over nearly a hundred years. It’s the kind of collection that comes along only once in a while, to be savoured by readers for its sharp, smart portraits of longing, connection, and identity.” — \u003cstrong\u003e\u003cem\u003eOpen Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Open Book","OtherText_Review_4":"\u003cp\u003e“In \u003cem\u003eWe Two Alone\u003c\/em\u003e, Jack Wang has written an instantly engaging and achingly poignant collection of stories about people struggling to preserve their way of life and seeking stability, connection, and meaning. Focusing on Chinese immigrant experiences, Wang’s stories range freely and easily across many decades and a dizzyingly assortment of geographies. All of Wang’s characters are vividly rendered, their struggles and agonies richly conceived and indelibly portrayed. The writing throughout is atmospheric, highly visual, and peppered with startling and persuasive detail. Long after finishing it, \u003cem\u003eWe Two Alone\u003c\/em\u003e lingers in the mind as a compassionate work by a profoundly talented writer who cares deeply about what it means to be human in turbulent times.” — \u003cstrong\u003eDanuta Gleed Literary Award Jury Citation, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Danuta Gleed Literary Award Jury Citation","OtherText_ShortDescription_0":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeName_0":"Danuta Gleed Literary Award","PrizeName_1":"CBC Canada Reads","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","Width":"5.25","WidthCode":"in"}
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    We Two Alone

    A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.

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