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{"id":6818431172667,"title":"The Withdrawal Method","handle":"the-withdrawal-method","description":"\u003cp\u003e\u003cstrong\u003eWinner of the Trillium Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePasha Malla's extraordinary stories grant us entry into fascinating worlds: the complex world of children acting out half-understood fantasies of adulthood; the modern world of young couples navigating hairpin emotional turns; a near future world where Niagara Falls has run dry. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Withdrawal Method\u003c\/em\u003e is a remarkably inventive, assured, and smart collection from one of our best young writers, one who pairs emotional depth with great technical skill. These extraordinary stories peel back layers to reveal the strange, the wondrous, the unexpected.\u003c\/p\u003e","published_at":"2022-03-30T09:06:28-04:00","created_at":"2022-03-29T16:19:09-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Short Stories","Astoria","By (author) Malla Pasha","pub date: 2008-04-01"],"price":1695,"price_min":1695,"price_max":1895,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40234019258427,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9780887848179","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Withdrawal Method - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1895,"weight":381,"compare_at_price":null,"inventory_management":"shopify","barcode":"9780887848179","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40234026172475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9780887848995","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Withdrawal Method - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9780887848995","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40234028793915,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770898011","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"The Withdrawal Method - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770898011","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_02bfb77c-9123-4c5f-878b-28c8440cafc3.jpg?v=1678599373"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_02bfb77c-9123-4c5f-878b-28c8440cafc3.jpg?v=1678599373","options":["Title"],"media":[{"alt":null,"id":23324543287355,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_02bfb77c-9123-4c5f-878b-28c8440cafc3.jpg?v=1678599373"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_02bfb77c-9123-4c5f-878b-28c8440cafc3.jpg?v=1678599373","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner of the Trillium Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePasha Malla's extraordinary stories grant us entry into fascinating worlds: the complex world of children acting out half-understood fantasies of adulthood; the modern world of young couples navigating hairpin emotional turns; a near future world where Niagara Falls has run dry. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Withdrawal Method\u003c\/em\u003e is a remarkably inventive, assured, and smart collection from one of our best young writers, one who pairs emotional depth with great technical skill. These extraordinary stories peel back layers to reveal the strange, the wondrous, the unexpected.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_1":"9781487000110","AlsoRecommendedISBN_2":"9781487000110","AlsoRecommendedISBN_3":"9781770894273","AlsoRecommendedISBN_4":"9781487006150","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"Pasha Malla is an award-winning writer. He was born in St. John's, Newfoundland, grew up in London, Ontario, and now lives in Toronto, Ontario.","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC019000","ContributorBio_0":"Pasha Malla is an award-winning writer. He was born in St. John's, Newfoundland, grew up in London, Ontario, and now lives in Toronto, Ontario.","ContributorRole_0":"By (author)","Contributor_0":"Malla, Pasha (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner of the Trillium Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePasha Malla's extraordinary stories grant us entry into fascinating worlds: the complex world of children acting out half-understood fantasies of adulthood; the modern world of young couples navigating hairpin emotional turns; a near future world where Niagara Falls has run dry. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Withdrawal Method\u003c\/em\u003e is a remarkably inventive, assured, and smart collection from one of our best young writers, one who pairs emotional depth with great technical skill. These extraordinary stories peel back layers to reveal the strange, the wondrous, the unexpected.\u003c\/p\u003e","EAN":"9781770898011","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770898011\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Astoria","NumberOfPages":"328","OtherText_Review_0":"\u003cp\u003e“...[The Withdrawal Method is] an astonishing and bizarre mix...Pasha Malla is an impressive young voice that gives one hope for a future of new Canadian writing talent...” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Globe and Mail","OtherText_Review_1":"\u003cp\u003e“...devoted to the timeless narrative rewards of the fickle human heart...honest and confident stories...the bittersweet mixture of loss and humour bubble through.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“A polished, confident storyteller...An invigorating mix of seriousness, humour, and candour.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10_Src":"Toronto Star","OtherText_Review_11":"\u003cp\u003e“Dazzling debut...written in a language that is fresh and imbued with great feeling.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11_Src":"Globe and Mail","OtherText_Review_12":"\u003cp\u003e“Like David Foster Wallace and Rick Moody, Malla often asks painful questions, revealing equally painful truths.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12_Src":"Quill \u0026amp; Quire","OtherText_Review_13":"\u003cp\u003e“Malla's technical skills are...reminiscent of Munro...His handling of society's unfortunates is very Barbara Gowdy...Buy The Withdrawal Method.” — \u003cstrong\u003e\u003cem\u003eVue Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_13_Src":"Vue Weekly","OtherText_Review_1_Src":"Globe and Mail","OtherText_Review_2":"\u003cp\u003e“...Pasha Malla's debut collection signals the arrival of a talented newcomer to Canadian fiction.” — \u003cstrong\u003e\u003cem\u003eMontreal Gazette\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Montreal Gazette","OtherText_Review_3":"\u003cp\u003e“...Pasha Malla's intriguing first short-fiction collection...reveal[s] his tenacious skill...Sophisticated and unpretentious...each story of The Withdrawal Method has been carefully layered to affect the reader in a similarly subtle and profound way, making a lasting impression with its integrity and narrative skill.” — \u003cstrong\u003e\u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Quill \u0026amp; Quire","OtherText_Review_4":"\u003cp\u003e“...display[s] an engaging combination of imagination and emotion....splendidly creative....an absolute gem....Life is anything but ordinary in the hands of this gifted writer.” — \u003cstrong\u003e\u003cem\u003eVancouver Sun\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Vancouver Sun","OtherText_Review_5":"\u003cp\u003e“[F]or my money one of the best young writers in Canada [is] Pasha Malla.” — \u003cstrong\u003e\u003cem\u003eTorontoist.com\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Torontoist.com","OtherText_Review_6":"\u003cp\u003e“Malla's style is sharp and funny...Malla manages to make us chuckle at the absurdity of life...the collection is amusing and affecting, an accomplished first book by a writer to watch.” — \u003cstrong\u003e\u003cem\u003eNOW Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Src":"NOW Magazine","OtherText_Review_7":"\u003cp\u003e“Pasha Malla's remarkable debut collection The Withdrawal Method is a sign (or warning) of things to come.” — \u003cstrong\u003e\u003cem\u003eThe Coast\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7_Src":"The Coast","OtherText_Review_8":"\u003cp\u003e“These stories are weird and wild and wonderful. Funny, too. Pasha Malla has a deft touch.” — \u003cstrong\u003e\u003cem\u003eDavid Bergen\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8_Src":"David Bergen","OtherText_Review_9":"\u003cp\u003e“...expertly handled...disturbingly credible...[Pasha Malla] never falters with various children's points of view, and his development of these uncontrived plots is seamless...These are strong stories that confront complex, irresolvable moral problems. Definitely worth reading.” — \u003cstrong\u003e\u003cem\u003ematrix\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9_Src":"matrix","OtherText_ShortDescription_0":"Haunting, fresh and humorous, Malla's inventive stories reveal the strange and wondrous found in familiar situations.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Long-listed","PrizeCodeText_3":"Winner","PrizeCodeText_4":"Commended","PrizeCode_0":"04","PrizeCode_1":"01","PrizeCode_2":"05","PrizeCode_3":"01","PrizeCode_4":"03","PrizeName_0":"Commonwealth Writers' Prize - Best First Book","PrizeName_1":"Trillium Book Award","PrizeName_2":"Scotiabank Giller Prize","PrizeName_3":"Danuta Gleed Literary Award","PrizeName_4":"Globe and Mail Top 100 Best Books of the Year","PrizeYear_0":"2009","PrizeYear_1":"2009","PrizeYear_2":"2009","PrizeYear_3":"2008","PrizeYear_4":"2008","ProductFormDescription":"mobi","PublicationDate":"2008-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"Haunting, fresh and humorous, Malla's inventive stories reveal the strange and wondrous found in familiar situations.","Width":"5.25","WidthCode":"in"}
The Withdrawal Method
Haunting, fresh and humorous, Malla's inventive stories reveal the strange and wondrous found in familiar situations.
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{"id":6815466127419,"title":"Victim Without a Face","handle":"victim-without-a-face","description":"\u003cp\u003e\u003cstrong\u003eThe first book in the Fabian Risk series, \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eVictim Without a Face\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e is a chilling novel about the ultimate revenge.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCriminal investigator Fabian Risk has left Stockholm with his wife, Sonja, and their two children to start fresh in his hometown of Helsingborg. He has planned a six-week vacation before he starts a new job at the Homicide Department. But after only a few hours in their new home, he is asked to investigate a brutal murder. The body of Jörgen Pålsson, one of Risk’s former classmates, has been found with both hands missing. Soon the bodies of more old classmates are found, and Risk finds himself in a race against time: Can they find the murderer before the entire class is killed?\u003c\/p\u003e","published_at":"2022-03-24T17:45:23-04:00","created_at":"2022-03-24T14:32:11-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","By (author) Ahnhem Stefan","Fabian Risk","pub date: 2015-11-01","Spiderline","Thrillers \u0026 Mystery","Translated by Willson-Broyles Rachel"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40209980686395,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770899131","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Victim Without a Face - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":699,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770899131","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209981243451,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781770899148","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Victim Without a Face - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770899148","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40209981308987,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781770899155","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Victim Without a Face - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781770899155","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_e7ba1806-5617-48e8-b18d-f54eea4594b0.jpg?v=1678595960"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_e7ba1806-5617-48e8-b18d-f54eea4594b0.jpg?v=1678595960","options":["Title"],"media":[{"alt":null,"id":23324476604475,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_e7ba1806-5617-48e8-b18d-f54eea4594b0.jpg?v=1678595960"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_e7ba1806-5617-48e8-b18d-f54eea4594b0.jpg?v=1678595960","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eThe first book in the Fabian Risk series, \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eVictim Without a Face\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e is a chilling novel about the ultimate revenge.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCriminal investigator Fabian Risk has left Stockholm with his wife, Sonja, and their two children to start fresh in his hometown of Helsingborg. He has planned a six-week vacation before he starts a new job at the Homicide Department. But after only a few hours in their new home, he is asked to investigate a brutal murder. The body of Jörgen Pålsson, one of Risk’s former classmates, has been found with both hands missing. Soon the bodies of more old classmates are found, and Risk finds himself in a race against time: Can they find the murderer before the entire class is killed?\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003234","AlsoRecommendedISBN_1":"9781487000233","AlsoRecommendedISBN_2":"9781487003869","BASICMainSubject":"FIC022080","BASICMainSubjectLiteral":"FICTION\/Mystery \u0026 Detective\/International Crime \u0026 Mystery","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eSTEFAN AHNHEM\u003c\/strong\u003e is the bestselling author of the Fabian Risk series. He is an established screenwriter for both TV and film and has worked on a variety of projects, including adaptations of Henning Mankell’s Kurt Wallander series. He also serves on the board of the Swedish Writers Guild. He lives in Stockholm.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Mystery \u0026amp; Detective \/ International Crime \u0026amp; Mystery","BISACSubjectLiteral_1":"FICTION \/ Thrillers \/ Crime","BISACSubjectLiteral_2":"FICTION \/ Crime","BISACSubject_0":"FIC022080","BISACSubject_1":"FIC031010","BISACSubject_2":"FIC050000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eSTEFAN AHNHEM\u003c\/strong\u003e is the bestselling author of the Fabian Risk series. He is an established screenwriter for both TV and film and has worked on a variety of projects, including adaptations of Henning Mankell’s Kurt Wallander series. He also serves on the board of the Swedish Writers Guild. He lives in Stockholm.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eRACHEL WILLSON-BROYLES\u003c\/strong\u003e is an American translator specializing in literature. She has a Ph.D. in Scandinavian Studies from the University of Wisconsin–Madison and recently translated \u003cem\u003eThe Girl Who Saved the King of Sweden\u003c\/em\u003e by Jonas Jonasson, \u003cem\u003eRoom No. 10\u003c\/em\u003e by Åke Edwardson, and \u003cem\u003eVictim Without a Face\u003c\/em\u003e by Stefan Ahnhem. She lives in Madison, Wisconsin.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Ahnhem, Stefan","Contributor_1":"Willson-Broyles, Rachel","Description":"\u003cp\u003e\u003cstrong\u003eThe first book in the Fabian Risk series, \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eVictim Without a Face\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e is a chilling novel about the ultimate revenge.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eCriminal investigator Fabian Risk has left Stockholm with his wife, Sonja, and their two children to start fresh in his hometown of Helsingborg. He has planned a six-week vacation before he starts a new job at the Homicide Department. But after only a few hours in their new home, he is asked to investigate a brutal murder. The body of Jörgen Pålsson, one of Risk’s former classmates, has been found with both hands missing. Soon the bodies of more old classmates are found, and Risk finds himself in a race against time: Can they find the murderer before the entire class is killed?\u003c\/p\u003e","EAN":"9781770899155","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770899155\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770899131\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Spiderline","MetaKeywords":"translation; Sweden; page turner; fast paced; Ninth Grave; Eighteen Below; investigation; europe; Scott Thornley; Law enforcement; Cops; Action; Assassination; Adventure; Technology; Stieg Larsson; mutilation; grisly; serial killer; intricate plot; trilogy; first in a series; Motive X; X Ways to Die; Stranger Upstairs; Couple Next Door; Riley Sager; James Patterson; Michael Connelly; mind hunter; broadchurch; Killing; thriller; mystery; fathers day; Grandfather; Dad","NumberOfPages":"360","OtherText_Review_0":"\u003cp\u003e“It is not often a crime novel grasps you from the very first page and refuses to let you go.” — \u003cstrong\u003e\u003cem\u003eMichael Hjort and Hans Rosenfeldt, authors of the Sebastian Bergman thrillers\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Michael Hjort and Hans Rosenfeldt, authors of the Sebastian Bergman thrillers","OtherText_Review_1":"\u003cp\u003e“An evil story full of surprise and suspense, and taking place in the shadows of the past. I read it in one sitting.” — \u003cstrong\u003e\u003cem\u003eÅke Edwarson, author of Room No. 10\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Åke Edwarson, author of Room No. 10","OtherText_Review_2":"\u003cp\u003e“A sharp and adrenaline packed thriller! For 600 pages the reader is being held in an almost uncanny grip by this crime novel that doesn’t shy away from the sensational. The author, with a background of 20 years as a script writer, is an excellent storyteller and has all the qualifications needed to be the next great Swedish thriller king.” — \u003cstrong\u003e\u003cem\u003eCrimetime Specsavers Award Jury\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Crimetime Specsavers Award","OtherText_Review_3":"\u003cp\u003e“More gripping than Nesbo, blacker than Larsson and more bleakly human than Mankell . . . this is high-octane Scandinavian crime that knows where all the bodies are buried.” — \u003cstrong\u003e\u003cem\u003eTony Parsons, author of The Murder Bag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Tony Parsons, author of The Murder Bag","OtherText_ShortDescription_0":"The first book in the Fabian Risk series, Victim Without a Face is a chilling novel about the ultimate revenge.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeName_0":"Crimetime Specsavers Award","PrizeName_1":"Bord Gáis Energy Irish Book Awards: The RTÉ Radio 1’s The Ryan Tubridy Show List","PrizeName_2":"Lubimyczytac Book of the Year","PrizeYear_0":"2015","PrizeYear_1":"2016","PrizeYear_2":"2016","ProductFormDescription":"mobi","PublicationDate":"2015-11-01","Publisher":"House of Anansi Press Inc","Series":"Fabian Risk","ShortDescription":"The first book in the Fabian Risk series, Victim Without a Face is a chilling novel about the ultimate revenge.","Width":"5.5","WidthCode":"in"}
Victim Without a Face
The first book in the Fabian Risk series, Victim Without a Face is a chilling novel about the ultimate revenge.
Quick View
{"id":6812116156475,"title":"Watermark","handle":"watermark","description":"\u003cp\u003e\u003cstrong\u003eFrom Christy Ann Conlin, the critically acclaimed and award winning author of \u003ci\u003eHeave,\u003c\/i\u003e comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore. \u003c\/p\u003e\u003cp\u003eA master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.\u003c\/p\u003e","published_at":"2022-03-22T16:49:49-04:00","created_at":"2022-03-22T11:19:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Short Stories","Astoria","Book Club Pick","By (author) Conlin Christy Ann","Feminist Reads","pub date: 2019-08-13"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195600154683,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487003432","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Watermark - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":320,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487003432","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195602972731,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487003449","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Watermark - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003449","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40195604152379,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487003456","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Watermark - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487003456","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285","options":["Title"],"media":[{"alt":"Scales follow a colour gradient from teal at the top to gold at the bottom. Both colours have an iridescent and metallic sheen. Text: Watermark. Christy Ann Conlin. “This is the best short story collection I’ve read in years.” – Annabel Lyon, author of The Golden Mean.","id":22170976616507,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/products\/BNCImageAPI_f212acb1-5303-4305-8403-01b03ae6a423.jpg?v=1654445285","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom Christy Ann Conlin, the critically acclaimed and award winning author of \u003ci\u003eHeave,\u003c\/i\u003e comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore. \u003c\/p\u003e\u003cp\u003eA master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781770898332","AlsoRecommendedISBN_1":"9781770893085","AlsoRecommendedISBN_2":"9781770893085","AlsoRecommendedISBN_3":"9781770893719","AlsoRecommendedISBN_4":"9781770898332","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION\/Short Stories (single author)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHRISTY ANN CONLIN\u003c\/strong\u003e is the author of two acclaimed novels, \u003cem\u003eHeave\u003c\/em\u003e and \u003cem\u003eThe Memento\u003c\/em\u003e. She is also the author of the short-fiction collection \u003cem\u003eWatermark\u003c\/em\u003e, which was a finalist for the Danuta Gleed Literary Award and the Forest of Reading Evergreen Award. \u003cem\u003eHeave\u003c\/em\u003e was a national bestseller, a \u003cem\u003eGlobe and Mail \u003c\/em\u003eTop 100 Book, and a finalist for the Amazon.ca First Novel Award, the Thomas H. Raddall Atlantic Fiction Award, and the Dartmouth Book Award. Her work has appeared in numerous literary journals including \u003cem\u003eBest Canadian Stories\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eGeist\u003c\/em\u003e, \u003cem\u003eRoom\u003c\/em\u003e, and \u003cem\u003eNuméro Cinq\u003c\/em\u003e. Her short fiction has also been longlisted for the Commonwealth Short Story Prize and the American Short Fiction Prize. Her radio broadcast work includes co-creating and hosting CBC \u003cem\u003eFear Itself\u003c\/em\u003e, a national summer radio series. Christy Ann studied theatre at the University of Ottawa and screenplay writing at the University of British Columbia. She was born and raised in seaside Nova Scotia, where she still resides.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHRISTY ANN CONLIN\u003c\/strong\u003e is the author of two acclaimed novels, \u003cem\u003eHeave\u003c\/em\u003e and \u003cem\u003eThe Memento\u003c\/em\u003e. She is also the author of the short-fiction collection \u003cem\u003eWatermark\u003c\/em\u003e, which was a finalist for the Danuta Gleed Literary Award and the Forest of Reading Evergreen Award. \u003cem\u003eHeave\u003c\/em\u003e was a national bestseller, a \u003cem\u003eGlobe and Mail \u003c\/em\u003eTop 100 Book, and a finalist for the Amazon.ca First Novel Award, the Thomas H. Raddall Atlantic Fiction Award, and the Dartmouth Book Award. Her work has appeared in numerous literary journals including \u003cem\u003eBest Canadian Stories\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eGeist\u003c\/em\u003e, \u003cem\u003eRoom\u003c\/em\u003e, and \u003cem\u003eNuméro Cinq\u003c\/em\u003e. Her short fiction has also been longlisted for the Commonwealth Short Story Prize and the American Short Fiction Prize. Her radio broadcast work includes co-creating and hosting CBC \u003cem\u003eFear Itself\u003c\/em\u003e, a national summer radio series. Christy Ann studied theatre at the University of Ottawa and screenplay writing at the University of British Columbia. She was born and raised in seaside Nova Scotia, where she still resides.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Conlin, Christy Ann (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFrom Christy Ann Conlin, the critically acclaimed and award winning author of \u003ci\u003eHeave,\u003c\/i\u003e comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn these evocative and startling stories, we meet people navigating the elemental forces of love, life, and death. An insomniac on Halifax’s moonlit streets. A runaway bride. A young woman accused of a brutal murder. A man who must live in exile if he is to live at all. A woman coming to terms with her eccentric childhood in a cult on the Bay of Fundy shore. \u003c\/p\u003e\u003cp\u003eA master of North Atlantic Gothic, Christy Ann Conlin expertly navigates our conflicting self-perceptions, especially in moments of crisis. She illuminates the personality of land and ocean, charts the pull of the past on the present, and reveals the wildness inside each of us. These stories offer a gallery of both gritty and lyrical portraits, each unmasking the myth and mystery of the everyday.\u003c\/p\u003e","EAN":"9781487003456","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487003456\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"Women's fiction","NumberOfPages":"232","OtherText_Accolades_0":"\u003cp\u003e“Christy Ann Conlin’s stories achieve a dizzying balance of light and dark — the magical with the murderous. Over and over again, Conlin masterfully depicts the lush, somehow uncanny splendour of high summer only to chill us with a counterbalancing night world of hidden creatures and terrible human secrets. The results make for mesmerizing reading.” — \u003cstrong\u003eLynn Coady, author of The Antagonist and Hellgoing\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Lynn Coady, author of The Antagonist and Hellgoing","OtherText_Accolades_1":"\u003cp\u003e“Watermark is propulsive. These linked stories are gothic dark and sparking with brilliant twists. Characters so vivid you can hear their voices, feel their pulse. Here are deep psychological fractures and betrayals, loss and longing. Adventure and abandon. Conlin’s characters are a splendidly complex; they are sometimes prisoners, and sometimes breaking free. This book is a dangerous joyride.” — \u003cstrong\u003eLisa Moore, author of Caught and Something for Everyone\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Lisa Moore, author of Caught and Something for Everyone","OtherText_Accolades_2":"\u003cp\u003e“Watermark takes us beyond mere appearances, offering intimate portraits of characters you quickly realize you only think you know. These are powerful stories that tell secrets — that are interested in, and unafraid of, all the messy details that make up a person, a life.” — \u003cstrong\u003eJohanna Skibsrud, author of Quartet for the End of Time and The Sentimentalists\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Johanna Skibsrud, author of Quartet for the End of Time and The Sentimentalists","OtherText_Accolades_3":"\u003cp\u003e“Conlin’s characters are fierce, lonely, dangerous, and wild. This is the best short story collection I've read in years.” — \u003cstrong\u003eAnnabel Lyon, author of Oxygen and The Golden Mean\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Annabel Lyon, author of Oxygen and The Golden Mean","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThis is the first collection of stories by this highly acclaimed writer of literary fiction. Her debut novel, \u003cem\u003eHeave\u003c\/em\u003e, was shortlisted for the Amazon.ca First Novel Award and also received two very prestigious Canadian fiction awards: the Thomas H. Raddall Atlantic Fiction Award and the Dartmouth Book Award. It was also named a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, one of the most widely distributed Canadian newspaper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWELCOMING A TALENTED MID-CAREER AUTHOR TO THE ANANSI LIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eChristy Ann left her previous publisher, Doubleday Canada, to come to Anansi in a two book deal — this collection plus a novel. She is a huge talent, and we believe we can best serve her as a publisher.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSTRONG SUPPORT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eChristy Ann teaches writing and is well connected in the literary scene, so we expect blurbs from some big names.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eWe moved to the North Mountain the summer I was four and my mother was pregnant with my little sister, Morgaine. My father made the house himself and we lived in a tent pitched in a meadow surrounded by forest while he built it. My mother told me this. I remember the tent was green and there was a path through the meadow to the house. I loved this path, which cut through the tall grasses. In the meadow, purple vetch threaded up through the grass stems and touched my mother’s round belly. The grasses grew so high they were taller than me, but I could look up and see how they touched my mother’s breasts. I drew pictures on her stomach with icing coloured with beet and carrot juice. Then she’d let me lick it off. The acreage was mostly forest, except for the clearing around a large, rickety barn. They put a sandbox in the clearing where I played with my pail and shovel.\u003c\/p\u003e\u003cp\u003eThere was also a path through the woods. It was a twisting path my father had cut through the pines to the clifftop jutting out from the trees over the Bay of Fundy. He called the path “the labyrinth of life.” It snaked through the forest to the perilous brink of the cliff. The path was difficult and winding, with sharp turns where you had to slow down. My father said this was the main purpose of his pathway: everyone was forced to stop hurrying and consider their journey as it unfolded. People needed to be open to sudden turns and trust the way ahead. Being in the moment would take over and time would lose meaning. Before you knew it, you would arrive at your destination, and le voilà, enlightenment, or éclaircissement, as the French Acadians say, when you reached the bench of wisdom! Every age had an awakening, her father said, with those like him, who were called to be its prophets, ushering in the awakening. On a clear day you could stand at the edge of the cliff and see all the way down the bay toward Maine, which was four exhilarating hours away by boat as the crow flies or a long, boring two-day drive by car, as my father explained.\u003c\/p\u003e\u003cp\u003eThe bench at the edge of the crumbling cliff my father had made from driftwood, which the elements had cast to a silvery white. He encouraged us to sit on the bench and look for water nymphs. He insisted people had been spotting them in the bay for generations. They swam in with the tide, he proclaimed, as though he were a marine biologist with a peculiar specialization.\u003c\/p\u003e","OtherText_Long_description_1":"\u003cp\u003e\u003cstrong\u003eACCLAIMED AUTHOR:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eThis is the first collection of stories by this highly acclaimed writer of literary fiction. Her debut novel, \u003cem\u003eHeave\u003c\/em\u003e, was shortlisted for the Amazon.ca First Novel Award and also received two very prestigious Canadian fiction awards: the Thomas H. Raddall Atlantic Fiction Award and the Dartmouth Book Award. It was also named a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, one of the most widely distributed Canadian newspaper.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWELCOMING A TALENTED MID-CAREER AUTHOR TO THE ANANSI LIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eChristy Ann left her previous publisher, Doubleday Canada, to come to Anansi in a two book deal — this collection plus a novel. She is a huge talent, and we believe we can best serve her as a publisher.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSTRONG SUPPORT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eChristy Ann teaches writing and is well connected in the literary scene, so we expect blurbs from some big names.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“A sometimes-mystical Gothic in which the horror arises from those closest to us . . . Watermark is taut, sharp writing.” — \u003cstrong\u003e\u003cem\u003eGlobe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Globe and Mail","OtherText_Review_1":"\u003cp\u003e“Eerie and haunting stories.” — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"\u003cp\u003e“Rich with humanity and atmosphere.” — \u003cstrong\u003e\u003cem\u003eBooklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Booklist","OtherText_Review_3":"\u003cp\u003e“These stories are deliciously discomfiting … Suspenseful excavations of family secrets, as smart as they are creepy.” — \u003cstrong\u003e\u003cem\u003eKirkus Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Kirkus Reviews","OtherText_Review_4":"\u003cp\u003e“Riveting, disturbing tales … Watermark has enough to fascinate and scare throughout.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Winnipeg Free Press","OtherText_ShortDescription_0":"From Christy Ann Conlin comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeName_0":"Gold Medal, The Miramichi Reader’s “The Very Best!” Book Awards: Best Short Fiction","PrizeName_1":"Danuta Gleed Literary Award","PrizeName_2":"Forest of Reading Evergreen Award","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","ProductFormDescription":"mobi","PublicationDate":"2019-08-13","Publisher":"House of Anansi Press Inc","ShortDescription":"From Christy Ann Conlin comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.","Width":"5.25","WidthCode":"in"}
Watermark
From Christy Ann Conlin comes a breathtaking and unforgettable collection about how the briefest moment can shape us forever.
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{"id":6811321663547,"title":"We Two Alone","handle":"we-two-alone","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","published_at":"2022-03-21T17:17:03-04:00","created_at":"2022-03-21T12:52:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Short Stories","Anansi Audio","Book Club Pick","By (author) Wang Jack","pub date: 2020-09-01","Read by Quan Samantha"],"price":1695,"price_min":1695,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191046680635,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007461","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":308,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007461","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140397115,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007478","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007478","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140462651,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007485","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007485","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140560955,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487008826","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008826","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40191140790331,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487008833","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"We Two Alone - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487008833","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","options":["Title"],"media":[{"alt":"A gold birdcage is against an orange background. A light blue silhouette shows two birds on a branch in the cage. Text: We Two Alone. Jack Wang. “With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection.” Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer.","id":24959859064891,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_e02dc045-0838-405a-9c27-eb71d13bd19e.jpg?v=1734237209","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001469","AlsoRecommendedISBN_1":"9781487002299","AlsoRecommendedISBN_2":"9781487006563","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION\/Short Stories (single author)","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Short Stories (single author)","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubjectLiteral_2":"FICTION \/ Asian American","BISACSubject_0":"FIC029000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC054000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eJACK WANG\u003c\/strong\u003e is the author of the story collection \u003cem\u003eWe Two Alone\u003c\/em\u003e, winner of the Danuta Gleed Literary Award, shortlisted for the Kobo Emerging Writer Prize, and longlisted for Canada Reads. His writing has appeared in the \u003cem\u003eFiddlehead\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003ePRISM international\u003c\/em\u003e, the \u003cem\u003eMalahat Review\u003c\/em\u003e, the \u003cem\u003eNew Quarterly\u003c\/em\u003e, and \u003cem\u003eJoyland\u003c\/em\u003e, and has been shortlisted for the Commonwealth Short Story Prize and longlisted for the Journey Prize. He held the David T. K. Wong Creative Writing Fellowship at the University of East Anglia in Norwich, England, and has received grants from the New York Foundation for the Arts and the Canada Council for the Arts. Originally from Vancouver, he lives in Ithaca, New York, with his wife and their two daughters.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eSAMANTHA QUAN\u003c\/strong\u003e is a graduate of the Graduate Acting Program at New York University. She has performed on stage in New York and regionally, including at The Ensemble Studio Theater and the Globe Theaters. Samantha presently resides in Los Angeles, where she works in film and television.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","ContributorRole_1":"Read by","Contributor_0":"Wang, Jack (CA)","Contributor_1":"Quan, Samantha (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2020 Danuta Gleed Award \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong \u003eLonglisted for Canada Reads 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA masterful collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years, \u003cem\u003eWe Two Alone \u003c\/em\u003eis Jack Wang’s astonishing debut work of fiction.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet on five continents and spanning nearly a century, \u003cem\u003eWe Two Alone \u003c\/em\u003etraces the long arc and evolution of the Chinese immigrant experience. A young laundry boy risks his life to play organized hockey in Canada in the 1920s. A Canadian couple gets caught in the outbreak of violence in Shanghai during the Second Sino-Japanese War. The consul general of China attempts to save lives following Kristallnacht in Vienna. A family aspires to buy a home in South Africa, during the rise of apartheid. An actor in New York struggles to keep his career alive while yearning to reconcile with his estranged wife.\u003c\/p\u003e\n\u003cp\u003eFrom the vulnerable and disenfranchised to the educated and elite, the characters in this extraordinary collection embody the diversity of the diaspora at key moments in history and in contemporary times. Jack Wang has crafted deeply affecting stories that not only subvert expectations but contend with mortality and delicately draw out the intimacies and failings of love.\u003c\/p\u003e","EAN":"9781487008833","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007461\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Anansi Audio","MetaKeywords":"canadian history; hockey; immigration; refugees; marriage; asia; Madeleine Thien; Pachinko; A Tale for the Time Being; David Chariandy; London; Lunar New Year; WWI; WWII; world war; holocaust; asian literature; post colonial; creative writing; canlit; Holman; Cozy Classics; Star Wars Epic Yarns; Great Job Dad; Frying Plantain; Kim's Convenience; Asian Americans PBS; book club","NumberOfPages":"296","OtherText_Accolades_0":"\u003cp\u003e“These moving stories are both global and intimate as they span the continents where the Chinese diaspora has settled. With ingenuity and impeccable craft, Jack Wang gives us an utterly remarkable collection that zeroes in on the emotional texture of utterly unique lives.” — \u003cstrong\u003eViet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer","OtherText_Accolades_1":"\u003cp\u003e“This impressive and vibrant collection of stories takes the reader by the hand, leading us across the world and back in time. But they’re all unified by the gentle sensitivity of Jack Wang’s prose and his ability to inhabit characters who long for freedom, connection, and fulfillment. Deeply humane and beautifully wrought, these stories stay in the heart and the mind.” — \u003cstrong\u003eAlix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Alix Ohlin, author of the Scotiabank Giller Prize finalists Dual Citizens and Inside","OtherText_Accolades_2":"\u003cp\u003e“One of the best books I’ve read this year and one of my all-time favourite short-story collections.” — \u003cstrong\u003eSharon Bala, bestselling author of The Boat People\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Sharon Bala, bestselling author of The Boat People","OtherText_Accolades_3":"\u003cp\u003e“Jack Wang’s \u003cem\u003eWe Two Alone\u003c\/em\u003e is not only a penetrating examination of the Chinese diaspora, it also brilliantly renders its subject in the most deeply resonant universal way, as the yearning for personal identity that drives us all in our shared humanity. This is a remarkable collection of stories, a remarkable work of art.” — \u003cstrong\u003eRobert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Robert Olen Butler, Pulitzer Prize–winning author of A Good Scent from a Strange Mountain","OtherText_Accolades_4":"\u003cp\u003e“Jack Wang’s dazzling first collection of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, moves through decades and across continents with rare ease, telling not \u003cem\u003ethe\u003c\/em\u003e story but some of the many stories of the Chinese diaspora in the last century. These stories are so elegantly shaped, so satisfying as individual stories, that their collective power sneaks up on you. There is a quiet and building intensity to the storytelling here, a commitment to chronicling — with deep compassion and a refusal of easy answers — the dignity of human experience against the broader indignities of history. I was moved, heartbroken, and thrilled.” — \u003cstrong\u003eEmily Fridlund, author of the Booker Prize finalist History of Wolves\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Emily Fridlund, author of the Booker Prize finalist History of Wolves","OtherText_Description_for_R_0":"\u003cp\u003eFrom “The Night of Broken Glass”\u003cbr \/\u003e A finalist for the 2014 Commonwealth Short Story Prize, whose jury included Booker Prize winner Marlon James\u003cbr \/\u003ePublished in \u003cem\u003eLet’s Tell This Story Properly: An Anthology of the Commonwealth Short Story Prize\u003c\/em\u003e\u003cbr \/\u003eNominated by the \u003cem\u003eNew Quarterly\u003c\/em\u003e for a 2016 National Magazine Award \u003cbr \/\u003e\u003cbr \/\u003e I met my mother for the first time when I was six. I say “mother” because that was what I was expected to call her, and did, though in fact she was my stepmother. My real mother died of tuberculosis when I was five. A year later my father came home with a new wife. He had been studying international law in Chicago despite already having a Ph.D. in political economics from the University of Munich. While he was gone I received a series of brightly coloured linen postcards of the World’s Fair: the Hall of Science, the Avenue of Flags, the iron lattice towers of the Sky Ride. The theme of the fair was A Century of Progress. That’s where my father met Grace.\u003cbr \/\u003e\u003cbr \/\u003eIt was a windless, thick-aired summer day in Changsha when a motorcar saddled with steamer trucks pulled up in front of our house and a woman in a white blouse, wide-legged trousers, and large round sunglasses climbed out. She was beautiful, which made me sad for my mother and scornful of my father, and she looked too fair to be Chinese. As it turned out, she was half Chinese, born of a Chinese father and a German-American mother. That, along with her clothes and her beauty, made her unlike any woman I had ever seen. My father had secured a large two-storey house on the outskirts of town and staffed it with half a dozen servants, all in an effort to make his new wife comfortable, but as soon as they arrived he was stricken by all he had not foreseen. The house had no running water, and despite the need Grace refused to use the privy, which had no seat and emitted at that time of year an audible drone. After pleading with Grace in hushed tones, my father ordered Old Chao into town for a portable commode, a trip of at least three hours. For the rest of the afternoon my new mother paced the courtyard, smoking one Lucky after another, which made her seem feral and caged. \u003cbr \/\u003e\u003cbr \/\u003e[…] \u003cbr \/\u003e\u003cbr \/\u003eNeedless to say, Grace was unhappy in China. Though my father had no particular desire to leave, he began to eye the foreign service. When the Governor for whom he worked recommended the post of First Secretary in the Chinese legation in Austria, my father accepted for Grace’s sake. We arrived in Vienna in June of my tenth year, after a three-week voyage on the \u003cem\u003eConte Verde\u003c\/em\u003e through Saigon, Singapore, Madras, Bombay, Aden, and Port Said, and at first everything did seem better. The city was glorious with summer, and everywhere open air orchestras paid homage to the old masters, which made our lives seem set to music. Many nights my parents put on tails and gown and went to balls and receptions, living at last the life for which they were meant. \u003cbr \/\u003e\u003cbr \/\u003eBut it wasn’t long before Grace again felt stranded. She could no more distinguish der, die, and das than she could first and second tones. Then, in the spring, German troops goose-stepped through the Ringstrasse, just blocks away from our townhouse. The crowds that greeted them were lusty, adoring, as was I, my schoolboy fantasies of soldiers and guns come to life. My father did not raise his arm but he didn’t stop me from raising mine. That night, in a scene that would soon become commonplace, hoodlums took to the streets, smashing the windows of certain homes and shops. Thereafter, walking to and from school, I passed storefronts marked \u003cem\u003eJude\u003c\/em\u003e and \u003cem\u003eNicht arisches Geschaeft\u003c\/em\u003e and blocked by baby-faced men in jackboots and flared helmets. As a visible foreigner and part of the diplomatic corps, my father felt undeterred and often went into these stores despite the piercing glares — and once, an arm held stiffly against his chest. For my mother, annexation was yet another rung of descent in a private tragedy. She chided my father for bringing her to a Nazi-occupied country. His answer: Better the Germans than the Japanese. \u003cbr \/\u003e\u003cbr \/\u003eAt the end of October, thousands of Polish-born Jews were rounded up and sent back to Poland. When a seventeen-year-old boy learned that his family was among those languishing at the border, unwanted by either side, he walked into the German Embassy in Paris and pumped five bullets into the viscera of a minor German diplomat. Two days later, Ernst vom Rath died of his wounds. The seething of the Germans, checked so long as their countryman clung to life, would now be unleashed. This was what my father knew when he came home that afternoon.\u003c\/p\u003e","OtherText_Review_0":"\u003cp\u003e“A collection that announces an important new voice in contemporary fiction … Beyond Vancouver, Shanghai, Vienna, Port Elizabeth, and London, the stories in \u003cem\u003eWe Two Alone\u003c\/em\u003e encompass Tallahassee, Los Angeles, and Boston. Wang is committed to rendering his backdrops accurately; with perfectly presented details, he showcases the disharmony of the Chinese diaspora, as individuals endure salient moments in twentieth-century history and more recent times … \u003cem\u003eWe Two Alone\u003c\/em\u003e shows that Jack Wang is a master of the short story, a writer who has mapped his own space, neither Canadian nor American, nor anywhere else. Each episode in this collection is a moving tribute to its characters as well as an indictment of the ostracism that remains when racist taunts and human failures continue to bedevil the modern world.” — \u003cstrong\u003e\u003cem\u003eLiterary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Literary Review of Canada","OtherText_Review_1":"\u003cp\u003e“Rich and poignant … History lovers and literary buffs will sink joyfully into his moving collection … Wang manages to underscore the importance of cultural heritage while stressing humanity’s common ties … His ability to create vivid and believable settings, in beautiful and readable prose, will deeply move readers.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Winnipeg Free Press","OtherText_Review_2":"\u003cp\u003e“Jack Wang is a welcome new voice in Canadian letters … [\u003cem\u003eWe Two Alone\u003c\/em\u003e] is serious, engaging, well crafted, thought-provoking. Wang clearly has something to say, and this accomplished collection not only says it but also promises a great deal more to come.” — \u003cstrong\u003e\u003cem\u003eOrmsby Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Ormsby Review","OtherText_Review_3":"\u003cp\u003e“Jack Wang’s extraordinary debut book of stories, \u003cem\u003eWe Two Alone\u003c\/em\u003e, weaves a path across the world, following the Chinese diaspora over nearly a hundred years. It’s the kind of collection that comes along only once in a while, to be savoured by readers for its sharp, smart portraits of longing, connection, and identity.” — \u003cstrong\u003e\u003cem\u003eOpen Book\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Src":"Open Book","OtherText_Review_4":"\u003cp\u003e“In \u003cem\u003eWe Two Alone\u003c\/em\u003e, Jack Wang has written an instantly engaging and achingly poignant collection of stories about people struggling to preserve their way of life and seeking stability, connection, and meaning. Focusing on Chinese immigrant experiences, Wang’s stories range freely and easily across many decades and a dizzyingly assortment of geographies. All of Wang’s characters are vividly rendered, their struggles and agonies richly conceived and indelibly portrayed. The writing throughout is atmospheric, highly visual, and peppered with startling and persuasive detail. Long after finishing it, \u003cem\u003eWe Two Alone\u003c\/em\u003e lingers in the mind as a compassionate work by a profoundly talented writer who cares deeply about what it means to be human in turbulent times.” — \u003cstrong\u003eDanuta Gleed Literary Award Jury Citation, \u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Auth":"Danuta Gleed Literary Award Jury Citation","OtherText_ShortDescription_0":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Long-listed","PrizeCode_0":"01","PrizeCode_1":"05","PrizeName_0":"Danuta Gleed Literary Award","PrizeName_1":"CBC Canada Reads","ProductFormDescription":"Lossless Format Audio, WAV","PublicationDate":"2020-09-01","Publisher":"House of Anansi Press Inc","ShortDescription":"A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.","Width":"5.25","WidthCode":"in"}
We Two Alone
A masterful debut collection of stories that dramatizes the Chinese diaspora across the globe over the past hundred years.
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{"id":7349209169979,"title":"Wellwater","handle":"wellwater","description":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","published_at":"2025-02-21T10:57:34-05:00","created_at":"2025-02-21T10:54:35-05:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","By (author) Solie Karen","House of Anansi Press","pub date: 2025-04-01"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42025534554171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487013400","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wellwater - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":190,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487013400","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42025534652475,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487013417","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Wellwater - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487013417","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483","options":["Title"],"media":[{"alt":"Cover: Wellwater, poems by Karen Solie. Over an off-white background, the cover featured an illustration of a flowering lilac tree with a thin stem and visible roots.","id":26535671693371,"position":1,"preview_image":{"aspect_ratio":0.719,"height":2400,"width":1725,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483"},"aspect_ratio":0.719,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/9781487013400.jpg?v=1774384483","width":1725}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487000967","AlsoRecommendedISBN_1":"9780887846885","AlsoRecommendedISBN_2":"9780887846885","AlsoRecommendedISBN_3":"9781487008376","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2026 Windham-Campbell Prize recipient and 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian","BISACSubjectLiteral_1":"POETRY \/ General","BISACSubjectLiteral_2":"POETRY \/ Women Authors","BISACSubject_0":"POE011000","BISACSubject_1":"POE000000","BISACSubject_2":"POE024000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eKAREN SOLIE\u003c\/strong\u003e grew up in southwest Saskatchewan. Her five previous collections of poetry–\u003cem\u003eShort Haul Engine\u003c\/em\u003e, \u003cem\u003eModern and Normal\u003c\/em\u003e, \u003cem\u003ePigeon\u003c\/em\u003e, \u003cem\u003eThe Road In Is Not the Same Road Out\u003c\/em\u003e, and \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e–have won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2026 Windham-Campbell Prize recipient and 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Solie, Karen (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWINNER OF T.S. ELIOT PRIZE\u003cbr\u003e\nWINNER OF GOVERNOR GENERAL'S AWARD FOR POETRY\u003cbr\u003e\nWINNER OF THE FORWARD PRIZE \u003cbr\u003e\nA\u003cem\u003e Guardian, Financial Times, CBC, and Observer \u003c\/em\u003eBest Book of 2025 \u003cbr\u003e\n\u003cbr\u003e\n\u003c\/strong\u003eThe poems in \u003cem\u003eWellwater\u003c\/em\u003e, Karen Solie’s sixth collection, explore the intersection of cultural, economic, and personal ideas of “value,” addressing housing, economic and environmental crisis, and aging and its incumbent losses. In an era of accelerating inequality, places many of us thought of as home have become unaffordable. In “Basement Suite,” the faux-utopian economy of Airbnb suggests people with property “share” it with us and, presumably, we should be grateful. In “Parables of the Rat” the speaker feels affinity with scavengers while also wanting the rats gone.\u003c\/p\u003e\n\u003cp\u003eHaving grown up in Saskatchewan on a small family farm, Solie sees the economic and environmental crises as inseparable. Climate change has made small farming increasingly untenable, allowing overbearing corporate control of food production. But hope, Solie argues, is as necessary to addressing the crises of our time as bearing witness, in poems that celebrate wonder and persistence in the non-human world. Tamarack forests in Newfoundland that grow inches over hundreds of years, the suddenly thriving pronghorn antelope, or a new, unidentified and ineradicable climbing vine, all hint at renewal, and a way to move forward.\u003c\/p\u003e","EAN":"9781487013417","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487013417\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian Landscape poetry","NumberOfPages":"112","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eThis is Solie’s sixth standalone collection and the first since \u003cem\u003eThe Caiplie Caves\u003c\/em\u003e, was shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize.\u003c\/li\u003e\n\u003cli\u003eWhereas \u003cem\u003eCaiplie\u003c\/em\u003e was a book-length, concept-oriented title, Wellwater returns to a more familiar, varied collection. \u003c\/li\u003e\n\u003cli\u003eWidely considered the best lyric poet of her generation, Solie has won virtually every Canadian award and is one of the very few Canadian poets with a substantial readership in Canada, the U.S. and the U.K. \u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWellwater\u003c\/em\u003e includes poems commissioned by Iris Trio for its forthcoming album \u003cem\u003eProject Earth: The Green Chapter\u003c\/em\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“Solie is thinky \u003cem\u003eand\u003c\/em\u003e sensory, serious \u003cem\u003eand\u003c\/em\u003e witty. No tendency cancels any other. [There is] hope in such verbal and visionary vigor.” — \u003cstrong\u003e\u003cem\u003eThe New York Times\u003cbr\u003e\n\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“The active truth of \u003cem\u003eWellwater \u003c\/em\u003eis palpable, if difficult to face. We’re fortunate to have a poet capable of singing it so clearly.” — \u003cstrong\u003e\u003cem\u003eLos Angeles Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_10":"\u003cp\u003e“Sardonic, perceptive, and unrelenting.” — \u003cstrong\u003e\u003cem\u003eRoom Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_11":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003e[has] a characteristically fierce intellectual and poetic rigour.” — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_12":"\u003cp\u003e\"[Karen Solie] has never faltered.” — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_13":"\u003cp\u003e“If there is any obvious hope to be found in the sombre and desolate poems on offer in this collection, it is in the perseverance of nature in the face of violence and peril … These things, independent of human faith and competitive capitalism, endure. And they are the things, these poems argue, we might most profitably focus on.” \u003cstrong\u003e\u003cem\u003e— That Shakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_14":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an extraordinary collection.” — \u003cstrong\u003e\u003cem\u003eThe Woodlot \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_15":"\u003cp\u003e“Solie’s poems offer both deep wisdom and a lightness across the line … Her poems craft deep wells of meditative thinking, lines that turn a leaf over in one’s hand, to study every side.” \u003cstrong\u003e\u003cem\u003e— rob mclennan’s blog \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_16":"\u003cp\u003e“Thoughtful.” —\u003cstrong\u003e\u003cem\u003e Quebec Library Association \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e“Blazingly honest.” \u003cstrong\u003e\u003cem\u003e— The Guardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“Solie has established herself as one of the most important and lauded poets of her generation.” — \u003cstrong\u003e\u003cem\u003eThe Globe and Mail\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“[Karen Solie’s] work is at once richly varied and powerfully monochromatic … \u003cem\u003eWellwater\u003c\/em\u003e has raised the stakes.” — \u003cstrong\u003e\u003cem\u003ePoetry Foundation\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5":"\u003cp\u003e“Authoritative and unforgettable … How Solie binds bleakness, distance, confidence and vulnerability into such a distinctive poetic presence is a compelling puzzle.” —\u003cstrong\u003e\u003cem\u003e The Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6":"\u003cp\u003e“[Karen Solie has] a consistent knack for surprise, for finding ways to develop a style that, one book back, felt fully realized.” \u003cstrong\u003e\u003cem\u003e— Literary Hub\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_7":"\u003cp\u003e“\u003cem\u003eWellwater \u003c\/em\u003eis full of complex ideas that speak to resilience of both people and our environment, and look to ways we can move forward at peace with our world.” — \u003cstrong\u003e\u003cem\u003eCanadian Living \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e “\u003cem\u003eWellwater\u003c\/em\u003e is full of small revelations. At this point, Solie has little left to achieve, but if her poems keep letting their mask slip, they might genuinely surprise us. She has been a thrillingly unpredictable poet for twenty-five years.” — \u003cstrong\u003e\u003cem\u003eThe Walrus\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_9":"\u003cp\u003e“\u003cem\u003eWellwater\u003c\/em\u003e is an unerring recalibration. To counter an age of abstraction and illusion, Solie zeroes in on the overlooked … Masterful compositions.” \u003cstrong\u003e\u003cem\u003e— The Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Joint winner","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCodeText_6":"Long-listed","PrizeCodeText_7":"Winner","PrizeCodeText_8":"Commended","PrizeCode_0":"01","PrizeCode_1":"06","PrizeCode_2":"01","PrizeCode_3":"03","PrizeCode_4":"03","PrizeCode_5":"03","PrizeCode_6":"05","PrizeCode_7":"01","PrizeCode_8":"03","PrizeName_0":"Governor General's Literary Award for Poetry","PrizeName_1":"Forward Prize for Best Collection of Poetry","PrizeName_2":"T.S. Eliot Prize for Poetry","PrizeName_3":"The Observer best book of 2025","PrizeName_4":"The Financial Times best book of 2025","PrizeName_5":"The Guardina Best book of 2025","PrizeName_6":"Al and Eurithe Purdy Poetry Prize","PrizeName_7":"League of Canadian Poets' Pat Lowther Memorial Award","PrizeName_8":"CBC Best Book of 2025","PrizeYear_0":"2025","PrizeYear_1":"2025","PrizeYear_2":"2025","PrizeYear_3":"2025","PrizeYear_4":"2025","PrizeYear_5":"2025","PrizeYear_6":"2026","PrizeYear_7":"2026","PrizeYear_8":"2025","ProductFormDescription":"epub","PublicationDate":"2025-04-01","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThe poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"5.75","WidthCode":"in"}
Wellwater
The poems in Karen Solie’s sixth collection explore the intersection of cultural, economic, and personal ideas of value.
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{"id":7253953282107,"title":"Who Will Bury You?","handle":"who-will-bury-you","description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Ontario Trillium Book Award\u003cbr\u003e\nA Boston Globe Best Book of 2024\u003cbr\u003e\nBrittle Paper 100 Notable African Books of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in Toronto and Zimbabwe, the twelve elegant stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e touch on themes of loss, identity, and inequality as they follow the lives of Zimbabweans who often feel like they are on the outside looking in. A mother and daughter navigate new relationship dynamics when the daughter comes out as a lesbian. Two sisters wonder what will hold them together after their grandmother’s death. A daughter tries to tell her father she loves him as she prepares to leave home for the first time. A journalist takes her grieving mother on a trip to report on girls who are allegedly being abducted by mermaids. A girl born to be the river god’s wife becomes a hero when chaos breaks out in the mighty Zambezi. A group of mothers discover just how far they are willing to go to protect their children during wartime.\u003c\/p\u003e\n\u003cp\u003eEphemeral yet beautifully satisfying, the stories in Chido Muchemwa's debut collection ask what makes people leave home, what makes them come back, and what keeps them there.\u003c\/p\u003e","published_at":"2024-04-19T16:21:08-04:00","created_at":"2024-04-19T16:09:32-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult BIPOC Voices","Adult Course Adoption","Adult LGBTQ+","Adult Short Stories","Adult Starred Reviews","Astoria","By (author) Muchemwa Chido","Literary Fiction","pub date: 2024-10-08"],"price":1899,"price_min":1899,"price_max":2299,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41696379994171,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487012465","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Who Will Bury You? - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":198,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487012465","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":41696380715067,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487012472","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Who Will Bury You? - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012472","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366","options":["Title"],"media":[{"alt":null,"id":25013097431099,"position":1,"preview_image":{"aspect_ratio":0.786,"height":2100,"width":1650,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366"},"aspect_ratio":0.786,"height":2100,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_d87a0f83-25f2-44a9-9833-ee13147d7941.jpg?v=1737218366","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Ontario Trillium Book Award\u003cbr\u003e\nA Boston Globe Best Book of 2024\u003cbr\u003e\nBrittle Paper 100 Notable African Books of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in Toronto and Zimbabwe, the twelve elegant stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e touch on themes of loss, identity, and inequality as they follow the lives of Zimbabweans who often feel like they are on the outside looking in. A mother and daughter navigate new relationship dynamics when the daughter comes out as a lesbian. Two sisters wonder what will hold them together after their grandmother’s death. A daughter tries to tell her father she loves him as she prepares to leave home for the first time. A journalist takes her grieving mother on a trip to report on girls who are allegedly being abducted by mermaids. A girl born to be the river god’s wife becomes a hero when chaos breaks out in the mighty Zambezi. A group of mothers discover just how far they are willing to go to protect their children during wartime.\u003c\/p\u003e\n\u003cp\u003eEphemeral yet beautifully satisfying, the stories in Chido Muchemwa's debut collection ask what makes people leave home, what makes them come back, and what keeps them there.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487005344","AlsoRecommendedISBN_1":"9781487006389","AlsoRecommendedISBN_2":"9781487005344","AlsoRecommendedISBN_3":"9781487011383","BASICMainSubject":"FIC019000","BASICMainSubjectLiteral":"FICTION\/Literary","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHIDO MUCHEMWA\u003c\/strong\u003e is a Zimbabwean writer living in Toronto. Her work has appeared in \u003cem\u003eLolwe\u003c\/em\u003e, \u003cem\u003eAugur\u003c\/em\u003e, \u003cem\u003eCatapult\u003c\/em\u003e, \u003cem\u003eBaltimore Review\u003c\/em\u003e, and \u003cem\u003ePRISM international\u003c\/em\u003e, among others. 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She has been shortlisted twice for the Short Story Day Africa Prize, and she was the winner of the 2022 Bridge Prize.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Muchemwa, Chido","Description":"\u003cp\u003e\u003cstrong\u003eFinalist, 2025 Ontario Trillium Book Award\u003cbr\u003e\nA Boston Globe Best Book of 2024\u003cbr\u003e\nBrittle Paper 100 Notable African Books of 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSet in Toronto and Zimbabwe, the twelve elegant stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e touch on themes of loss, identity, and inequality as they follow the lives of Zimbabweans who often feel like they are on the outside looking in. A mother and daughter navigate new relationship dynamics when the daughter comes out as a lesbian. Two sisters wonder what will hold them together after their grandmother’s death. A daughter tries to tell her father she loves him as she prepares to leave home for the first time. A journalist takes her grieving mother on a trip to report on girls who are allegedly being abducted by mermaids. A girl born to be the river god’s wife becomes a hero when chaos breaks out in the mighty Zambezi. A group of mothers discover just how far they are willing to go to protect their children during wartime.\u003c\/p\u003e\n\u003cp\u003eEphemeral yet beautifully satisfying, the stories in Chido Muchemwa's debut collection ask what makes people leave home, what makes them come back, and what keeps them there.\u003c\/p\u003e","EAN":"9781487012472","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487012472\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"7","HeightCode":"in","Imprint":"Astoria","MetaKeywords":"Governor General's Academic Medal;folklore;motherhood;friendship;sisterhood;family relationships;chosen family;Chrysalis;Anuja Varghese","NumberOfPages":"192","OtherText_Accolades_0":"\u003cp\u003e\"The language is transparent, unadorned, concise, and elegant. The stories in \u003cem\u003eWho Will Bury You?\u003c\/em\u003e are jampacked with nuanced moments, calibrations of tension, and a kind of uneasy epiphany.\" — \u003cstrong\u003eLisa Moore, author of \u003cem\u003eThis Is How We Love\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Lisa Moore, author of This Is How We Love","OtherText_Accolades_1":"\u003cp\u003e“Brilliant and moving. A literary treasure!\" — \u003cstrong\u003eNovuyo Rosa Tshuma, author of \u003cem\u003eDigging Stars\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Rattawut Lapcharoensap, author of Sightseeing","OtherText_Accolades_2":"\u003cp\u003e\"These stories build astonishing bridges: between mother and daughter, between Harare and Toronto, between lovers, between the living and the dead, between those who leave and those they leave behind. Chido Muchemwa is a terrific writer, and \u003cem\u003eWho Will Bury You?\u003c\/em\u003e is a marvellous debut collection.\" — \u003cstrong\u003eRattawut Lapcharoensap, author of \u003cem\u003eSightseeing\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA collection of stories about people who often feel like they are on the outside looking in. \u003c\/li\u003e\n\u003cli\u003eIn Zimbabwe, same-sex sexual activity is prohibited, same-sex marriage is banned, and LGBTQ+ people are heavily marginalized in both the legal and social spheres, with no legal protections from discrimination, violence, or harassment. But these stories consider what queerness actually looks like on an interpersonal level, depicting queer love and joy as well as reconciliation between family members. \u003c\/li\u003e\n\u003cli\u003eSome of the stories in the collection are inflected by Zimbabwean mythology.\u003c\/li\u003e\n\u003cli\u003eThe author wrote many of these stories to cope after her father’s death. The characters are dealing with all types of loss, but the collection remains hopeful.\u003c\/li\u003e\n\u003cli\u003eThe phrase “Who will bury you” appears as a refrain throughout the collection. The title story includes the line “Sometimes I think that maybe when I ask who will bury you what I’m really saying is who will be there at the end?”\u003c\/li\u003e\n\u003cli\u003eMuchemwa was the winner of the 2022 Bridge Prize.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eA collection of stories about people who often feel like they are on the outside looking in. \u003c\/li\u003e\n\u003cli\u003eIn Zimbabwe, same-sex sexual activity is prohibited, same-sex marriage is banned, and LGBTQ+ people are heavily marginalized in both the legal and social spheres, with no legal protections from discrimination, violence, or harassment. But these stories consider what queerness actually looks like on an interpersonal level, depicting queer love and joy as well as reconciliation between family members. \u003c\/li\u003e\n\u003cli\u003eSome of the stories in the collection are inflected by Zimbabwean mythology.\u003c\/li\u003e\n\u003cli\u003eThe author wrote many of these stories to cope after her father’s death. The characters are dealing with all types of loss, but the collection remains hopeful.\u003c\/li\u003e\n\u003cli\u003eThe phrase “Who will bury you” appears as a refrain throughout the collection. The title story includes the line “Sometimes I think that maybe when I ask who will bury you what I’m really saying is who will be there at the end?”\u003c\/li\u003e\n\u003cli\u003eMuchemwa was the winner of the 2022 Bridge Prize.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e“An impressive and expansive collection.” — \u003cstrong\u003e\u003cem\u003eKirkus\u003c\/em\u003e, STARRED REVIEW\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1":"\u003cp\u003e“\u003cem\u003eWho Will Bury You?\u003c\/em\u003e feels like a diasporan love letter to Zim life and culture, but also a eulogy for what’s inevitably lost as time and people move on … If she isn’t already, Muchemwa is set to be a leading light of modern Zimbabwean and African literature.” \u003cstrong\u003e\u003cem\u003e— The Continent \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2":"\u003cp\u003e\"A carefully crafted collection that demands close attention.” — \u003cstrong\u003e\u003cem\u003eThe Conversation\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3":"\u003cp\u003e“Muchemwa deftly combines Zimbabwean culture and folklore with explorations of belonging.” \u003cstrong\u003e\u003cem\u003e— Literary Review of Canada\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4":"\u003cp\u003e“A moving collection of stories delving into the intimate relationships among local and diasporic Zimbabweans and their families.” \u003cstrong\u003e\u003cem\u003e— Herizons\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Commended","PrizeCodeText_2":"Commended","PrizeCode_0":"04","PrizeCode_1":"03","PrizeCode_2":"03","PrizeName_0":"Ontario Trillium Book Award","PrizeName_1":"Boston Globe Best Books of 2024","PrizeName_2":"Brittle Paper 100 Notable African Books of 2024","PrizeYear_0":"2025","PrizeYear_1":"2024","PrizeYear_2":"2024","ProductFormDescription":"epub","PublicationDate":"2024-10-08","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eIntimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"And Other Stories","Width":"5.5","WidthCode":"in"}
Who Will Bury You?
Intimate stories about Zimbabweans in moments of transition that force them to decide who they really are and choose the people they call their own.
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{"id":7014714015803,"title":"Xanax Cowboy","handle":"xanax-cowboy","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","published_at":"2022-10-14T10:56:29-04:00","created_at":"2022-10-13T16:51:14-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Poetry","Adult Starred Reviews","By (author) Green Hannah","Feminist Reads","House of Anansi Press","pub date: 2023-04-04"],"price":1699,"price_min":1699,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40874727178299,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487011154","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":218,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487011154","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":40874727604283,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487011161","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Xanax Cowboy - epub","public_title":"epub","options":["epub"],"price":1699,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487011161","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"],"featured_image":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","options":["Title"],"media":[{"alt":"Cover: House of Anansi presents Xanax Cowboy, poems, written and directed by Hannah Green. The cover is yellow, monochrome. The title text is large and black, and the font appears as though stamped with ink.","id":24914449465403,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.pro\/cdn\/shop\/files\/BNCImageAPI_272c0e9d-830e-444f-a1df-6f0fb55456bf.jpg?v=1731560429","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487010690","AlsoRecommendedISBN_1":"9781487010690","AlsoRecommendedISBN_2":"9781770890329","AlsoRecommendedISBN_3":"9781487005962","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY\/Canadian","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. Her debut collection \u003cem\u003eXanax Cowboy \u003c\/em\u003ewas the recipient of the 2023 Governor General’s Literary Award and the 2024 Gerald Lampert Memorial Award. She lives in Winnipeg.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Women Authors","BISACSubjectLiteral_2":"POETRY \/ General","BISACSubject_0":"POE011000","BISACSubject_1":"POE024000","BISACSubject_2":"POE000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eHANNAH GREEN\u003c\/strong\u003e is a writer and poetry editor at CV2. She was a poetry finalist for the 2021 Bronwen Wallace Award for Emerging Writers. Her debut collection \u003cem\u003eXanax Cowboy \u003c\/em\u003ewas the recipient of the 2023 Governor General’s Literary Award and the 2024 Gerald Lampert Memorial Award. She lives in Winnipeg.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Green, Hannah (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2023 Governor General's Literary Award\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWinner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award\u003cbr\u003e\n\u003c\/strong\u003e\u003cbr\u003e\nThe Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.\u003c\/p\u003e","EAN":"9781487011161","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487011161\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"dunk tank;kayla czaga;let the world have you;mikko harvey;for em;sanna wani;my grief; the sun;contemporary poetry;canadian poetry;poetry collectors","NumberOfPages":"128","OtherText_Accolades_0":"\u003cp\u003e\"Xanax Cowboy is a meta-poetic romp that chews through the lexicons of pulp, pop, and academia, spitting out pieces that are at once campy, dark, and gnawingly tender, with a bravado and showmanship that challenge conventions of power, performance, gender, and genre. Through roving tours of tone and tactic … Hannah Green mounts a contemporary antihero with both a light and devastating touch, knowing just when to loosen the slack and when to jerk the line arrestingly taut.\" — \u003cstrong\u003eJury Citation, 2021 Bronwen Wallace Award\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_1":"\u003cp\u003e\"I’ve never read anything quite like Xanax Cowboy, with its lassoed dream logic or its pistol-drawn showdown with dread. But that’s life when you live in a Wild West of anxiety, and nowhere else can you find this prescription-laced, wasp-sting aesthetic. Hannah Green’s poems are a form-bending live wire, a chainsaw ethos that carves its way through the desert sunset. A long howl in cowboy boots that refuses to be wrangled, Xanax Cowboy is original and compelling.\" — \u003cstrong\u003eAndrew Faulkner, author of \u003cem\u003eHeady Bloom\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Accolades_2":"\u003cp\u003e\"A fierce collection on cowboy boots and alienation, with incisive and insightful thoughts on navigating mental health, Hannah Green’s debut is all tooth and claw. It bristles, sears, and haunts. At once individual, and yet illuminating in the affective commons it articulates, Hannah has created a home here — come dwell.\" — \u003cstrong\u003eDallas Hunt, author of \u003cem\u003eCreeland\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Long_description_1":"\u003cul\u003e\u003cli\u003eUnorthodox \u0026 cutting edge; this book is an experimental long poem with recurring characters and inventive forms. \u003c\/li\u003e\n\u003cli\u003eThe Western, remade: this work is both an homage and an ironic commentary on the Western genre.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003e\"Green’s debut is timely and witty. It leaves nothing off stage, hides nothing. It is a revelation of living in our anxious times. It is wisely engaging.\" — \u003cstrong\u003eQuill \u0026 Quire, STARRED REVIEW\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_0_Src":"Winnipeg Free Press","OtherText_Review_1":"\u003cp\u003e\"Hannah Green’s figurative language is so dazzling, her tone so sardonically witty … her debut is indeed a romp.\" — \u003cstrong\u003e\u003cem\u003eToronto Star\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_1_Src":"Shakespearean Rag","OtherText_Review_2":"\u003cp\u003e\"Even as it treats serious topics like romanticizing addiction, \u003cem\u003eXanax Cowboy \u003c\/em\u003eis riotously funny, brimming with wit and bravado … Exceptional debut.\" — \u003cstrong\u003e\u003cem\u003eARC Poetry\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_2_Src":"Freefall","OtherText_Review_3":"\u003cp\u003e“Reading [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] is an undeniably cinematic experience … There is so much gold that has been dug-up in this wild-west.” — \u003cstrong\u003e\u003cem\u003eThe Fiddlehead \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_3_Auth":"The Miramichi Reader","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"\u003cp\u003e\"Playing on the way suffering has been romanticized in writers and in cowboys, Green skewers this cultural demand for authenticity.\" — \u003cstrong\u003e\u003cem\u003eWinnipeg Free Press\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_4_Src":"Quill \u0026 Quire, STARRED REVIEW","OtherText_Review_5":"\u003cp\u003e\"A true original – smart and aggressive and assured.\" — \u003cstrong\u003e\u003cem\u003eShakespearean Rag\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_5_Src":"Toronto Star","OtherText_Review_6":"\u003cp\u003e\"A bingeable book of poetry … \u003cem\u003eXanax Cowboy \u003c\/em\u003edisplays a raw honesty on important topics. Green balances tone and content, form and media, to deliver a powerhouse of a debut book from title to finishing line.\" — \u003cstrong\u003e\u003cem\u003eFreefall\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_6_Auth":"The Miramichi Reader","OtherText_Review_6_Src":"ARC Poetry","OtherText_Review_7":"\u003cp\u003e\"Breaching borders and breaking boundaries … [\u003cem\u003eXanax Cowboy\u003c\/em\u003e] subverts expectations with feminist contortions in the twists and turns of phrase, form, and verse.\" — \u003cstrong\u003e\u003cem\u003eThe Miramichi Reader\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_Review_8":"\u003cp\u003e“Brimming with verve, wit and bravado, Hannah Green’s \u003cem\u003eXanax Cowboy\u003c\/em\u003e is a brain-jolting joy.” — \u003cstrong\u003e\u003cem\u003eThe Ampersand Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"03","PrizeName_0":"Governor General's Literary Award in the Poetry Category","PrizeName_1":"League of Canadian Poets' Gerald Lampert Memorial Award","PrizeName_2":"CBC 2023 Best Canadian Poetry","PrizeYear_0":"2023","PrizeYear_1":"2024","PrizeYear_2":"2023","ProductFormDescription":"epub","PublicationDate":"2023-04-04","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong\u003eThis edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"Poems","Width":"6","WidthCode":"in"}
Xanax Cowboy
This edgy, often darkly comedic long poem considers the romanticization of addiction and mental illness via the romanticization of the Wild West.
